In May 1994, Rush finished their
Counterparts Tour of the United States and Canada in support of the band's 15th album
Counterparts (1993). The group then took a usual break in activity, but this went on to last 18 months as bass guitarist and vocalist
Geddy Lee wanted to be at home for the first year of his daughter's life. With their free time, guitarist
Alex Lifeson recorded his first solo album
Victor and drummer/lyricist
Neil Peart released a
Buddy Rich tribute album
Burning for Buddy and spent time on his technique, receiving formal instruction from the jazz drummer
Freddie Gruber. For the majority of the album, Peart plays with a
traditional grip. In October 1995, the band decided to start work on the next Rush album and, as with their previous three albums, retreated to Chalet Studios in
Claremont, Ontario, to write and rehearse. They had reserved the studio for around ten weeks, but the productive sessions resulted in the writing finishing three weeks early. Lifeson said the group were in particularly good spirits throughout the album's production and put it down to the break they had taken. The band adopted its usual method of Lee and Lifeson working on the music with Peart working alone on the lyrics, but the music was written in a different way than before. In the past, the writing had Lee and Lifeson form songs by matching pieces of music to verses and choruses as they went and all three would listen to what was put down and exchange ideas to develop them further. This time, lyrics were matched with suitable sections of music, after which they were recorded and Lee and Lifeson would work on something else. As Peart wrote: "They didn't want to get bogged down in the 'jigsaw puzzle' of assembling whole songs, but rather keep the momentum going with a flow of fresh ideas." After a collection of songs were worked out, the group started to refine their individual parts. In November 1995, the group were faced with heavy snow at Chalet Studios which led into the
North American blizzard of 1996 in early January. The snow continued through the recording of the album, which inspired the album's artwork. Almost all of the tracks were written, arranged and put onto a demo tape by December 1995, and the band was then joined by
Peter Collins who they chose to resume his role as their co-producer. Collins was their co-producer on
Power Windows (1985),
Hold Your Fire (1987), and
Counterparts and offered what Peart described as "small-but-critical improvements" to what they had already recorded. The album continued to display the group's change in sound, which had started on
Presto (1989), towards guitar-oriented music and the reduction of keyboards. ==Recording==