Development At the premiere of the film
Star Wars: The Rise of Skywalker (2019), television writer
Leslye Headland was asked about her interest in the
Star Wars franchise and revealed that she was a big fan with many ideas for
Star Wars films that she wanted to make if she was asked to by
Lucasfilm president
Kathleen Kennedy. Headland contacted Lucasfilm to discuss her ideas after completing work on her television series
Russian Doll (2019–2022), and
pitched a new
Star Wars television series with a first-season outline and full
series bible. Kennedy agreed to begin work on the series during that initial pitch meeting. In April 2020, Headland was publicly revealed to be writing and
showrunning a new female-centric
Star Wars series for the streaming service
Disney+. Staffing for the series had begun and it was expected to be set in a different part of the franchise's timeline from previous
Star Wars projects. Lucasfilm confirmed Headland's series was in development on May 4, 2020, which is
Star Wars Day. At
Disney's Investor Day event on December 10, Kennedy announced the title,
The Acolyte, and said the series was set at the end of the
High Republic era before the events of the
main Star Wars films. Lucasfilm executive Rayne Roberts was developing the series with Headland, who was influenced by the games and novels of the
Star Wars Expanded Universe (EU). The first season consists of eight episodes, with Headland directing the first two.
Alex García López and
Kogonada were hired to direct episodes by February 2023, and
Hanelle Culpepper was revealed to have directed episodes in March 2024. Executive producers included Headland, Kennedy, Simon Emanuel,
Jeff F. King, and Jason Micallef, with Roberts, Damian Anderson, Eileen Shim, and Rob Bredow producing. The budget was initially reported to be around $180 million. Disney later disclosed that the gross budget grew to $230.8 million, with a net budget of $187 million after the company received $43.8 million in tax credits from the UK government. In March 2024, Headland said she had pitched multiple seasons of the series to Lucasfilm and had a plan for a second season if it was ordered. However, she wanted to take a break after the first season was released due to its long production timeline, and so she could respond to any feedback from fans on the first season when developing the second. After the first season had been released in July, Headland said she had not heard anything from Lucasfilm about making a second season but noted that she had set up future storylines in the first-season finale. In August, the series was canceled after one season when Lucasfilm opted not to continue the series. This was reportedly due to going over budget and having low viewership, with Disney+ having a "high viewership threshold for renewing high-end, big-budget series".
The Hollywood Reporter speculated that evolving viewing habits in the streaming era and "the erosion of goodwill of the
Star Wars brand" also factored into the decision.
Writing A
writers' room for the series was assembled by June 2021. Headland made sure the group included writers with different relationships to
Star Wars, including some who were only fans of the
original trilogy, some who were specifically fans of
Dave Filoni's
Star Wars projects, and one writer who had never seen
Star Wars before. The series' writers included Jason Micallef, Charmaine DeGrate, Jasmyne Flournoy, Eileen Shim, Claire Kiechel, Kor Adana, Cameron Squires,
Jocelyn Bioh, and
Jen Richards. When pitching the series to Lucasfilm, Headland described it as "
Frozen meets
Kill Bill". In May 2022, Headland said writing was mostly complete. Headland wanted to explore the
Star Wars franchise from the perspective of the villains. She felt the High Republic era would be the best point in the timeline to do this because the villainous
Sith are considerably outnumbered and in hiding during this time. Lucasfilm also wanted to depict the time period on screen after recently launching a publishing initiative set in the era, and because they wanted to explore new parts of the
Star Wars timeline away from the films and other series. Headland noted that
The Acolyte was the earliest point in the
Star Wars timeline to be seen in live-action at that point. She wanted to address some fan criticisms of the
Star Wars films, such as how
Darth Sidious ascends to power without the
Jedi knowing: "How did we get to a point where a Sith lord can infiltrate the Senate and none of the Jedi pick up on it? [What] went wrong?" She considered herself lucky to be able to ask those questions in an actual
Star Wars project. A key franchise theme for Headland was "underdog versus institutional threat", and in this part of the timeline it is the Jedi who are the main institution. In contrast to the Jedi in the films, who are monk-like figures in times of war, Headland said the High Republic Jedi live in a time of peace and enlightenment akin to the
Renaissance. The series questions the Jedi practice of training children, and also explores differing views on
the Force and the amount of power and control that the Jedi have. Headland wanted to portray the Jedi as fallible rather than make them antagonists.
The Acolyte is a
mystery-
thriller with a serialized story that builds throughout the first season, inspired by the approach of fellow
Star Wars series
Andor. Because there are no overarching conflicts or wars in the series—Headland said it was "interesting to make a
Star Wars with no war in it"—the fight sequences are more intimate, focusing on duels that further develop the characters. Noting that
Star Wars creator
George Lucas was originally influenced by
Westerns and
Akira Kurosawa's samurai films, Headland decided to take more influence from
martial arts films which she felt were "a little bit more personal and less global and galactic". These included
wuxia films by
King Hu and
Shaw Brothers Studio such as
Come Drink with Me (1966) and
A Touch of Zen (1971). Similar to the
Star Wars series
The Mandalorian,
The Acolyte includes
Easter eggs for fans of the original trilogy,
prequel trilogy, and the animated series
Star Wars: The Clone Wars, as well as references to the EU and
Star Wars Legends. EU references include members of the Theelin and Zygerrian species as well as some narrative elements. The series introduces a coven of Force witches, separate from the
Nightsister witches seen in previous
Star Wars projects, inspired by mentions of Force cults in the High Republic books and the EU. Headland took inspiration from the film
Rashomon (1950) to depict events from multiple perspectives, specifically the Brendok tragedy which is the central mystery of the series. The third and seventh episodes are entirely flashbacks to the events on Brendok; the third episode tells those events from the perspective of the coven of witches, while the seventh episode tells them from the perspective of the Jedi. This idea of duality is also explored in other ways throughout the series, such as through twin protagonists Osha and Mae. It was important to Headland that the main storyline for the twins was resolved by the end of the season, but other elements such as the relationship between the Jedi and the Galactic Senate were left to be further explored in a second season. She regretted not having the time to explore the character Vernestra Rwoh more in the first season.
Casting stars in the series as twins Osha and Mae Casting was underway by the end of June 2021, when Lucasfilm were looking to hire a young woman of color for the lead role.
Amandla Stenberg was in talks for that part in December, and was confirmed to be cast in July 2022.
Jodie Turner-Smith and
Russian Doll co-star
Charlie Barnett entered final negotiations to join the series in September 2022, when
Lee Jung-jae and
Manny Jacinto were cast. Lee was cast as the male lead, after Headland was impressed with his performance in the television series
Squid Game. At the start of November,
Dafne Keen was revealed to have a role in the series. Soon after, Lucasfilm confirmed the casting of Stenberg, Lee, Jacinto, Turner-Smith, Barnett, and Keen, and announced the casting of
Dean-Charles Chapman,
Carrie-Anne Moss, and Headland's wife
Rebecca Henderson. Headland had Stenberg, Barnett, and Keen in mind when creating their characters; she wanted to see Keen with a
lightsaber after her performance as the character
X-23 in
Logan (2017).
Margarita Levieva was cast by the start of December in what was reported to be a guest role. At
Star Wars Celebration London in April 2023,
Joonas Suotamo was revealed to be part of the cast as
Wookiee Jedi Kelnacca. Suotamo previously portrayed the Wookiee
Chewbacca in the
sequel trilogy films and
Solo: A Star Wars Story (2018). Also at the convention, Lee, Keen, Barnett, Henderson, and Moss were revealed to be playing Jedi, with Henderson cast as High Republic character Vernestra Rwoh. In March 2024, Headland said Vernestra was the only character from the High Republic books that would appear in the first season, but there were other High Republic characters that she hoped to include in a potential second season. She felt Vernestra was important for showing the state of the Jedi Order in the series, contrasting her role as a leader in the Order with the young prodigy she is depicted as in the books. Also that month, character details for most of the main cast were revealed: Stenberg as the mysterious warrior Mae, Lee as Jedi Master Sol, Jacinto as former smuggler Qimir, Keen as
Padawan learner Jecki Lon, Barnett as Jedi Knight Yord Fandar, Turner-Smith as coven-leader Mother Aniseya, and Moss as Jedi Master Indara. Headland said it was a "no-brainer" to cast Moss as Indara given Headland was inspired by Moss's portrayal of
Trinity in
The Matrix film series when creating the character. In April 2024,
David Harewood was reported to have a small role in the series. At the end of May, a week before the series premiered, Headland confirmed longstanding rumors that Stenberg was actually portraying two characters: Mae and her twin sister Osha. She also said major characters from the films, such as
Yoda who is alive during the series' time period, would not be appearing; despite this, Yoda is seen in a brief
cameo appearance. A younger version of the Jedi
Ki-Adi-Mundi, a character from the prequel films, also appears. Derek Arnold took over for performer
Silas Carson.
Design The series' creative team included production designer Kevin Jenkins, costume designer Jennifer Bryan, and creature designer
Neal Scanlan. Headland explained that the original
Star Wars trilogy has a lived-in quality while the prequel films are sleeker and more advanced. With
The Acolyte, she carried on this concept of "the further you go back, the more exciting and new and sleek and interesting things look". It was important for her to replicate the white and gold Jedi robes from the High Republic books to symbolize the state of the Order, compared to the brown robes later worn in the films. Bryan and Scanlan worked together on the Stranger's helmet. The helmet is made from the fictional metal cortosis, which temporarily shorts-out lightsabers. Headland was excited to bring cortosis, which was created for the EU, to live-action with the series.
Filming Principal photography began by October 30, 2022, at
Shinfield Studios in
Berkshire, under the
working title Paradox. Headland, Kogonada, Lopez, and Culpepper directed two episodes each. Chris Teague and
James Friend were the cinematographers, with Teague returning from
Russian Doll to work with Headland. The series was initially reported to be using visual effects company
Industrial Light & Magic's
StageCraft technology to shoot in front of digital backgrounds on a
video wall, as was done for
The Mandalorian and its spin-off series, but Headland later said the series was primarily filmed on practical sets and did not use the technology, for creative and logistical reasons. Location filming began in Wales by January 2023, including at
Brecon Beacons National Park. From mid to late March, filming took place on
Madeira Island, Portugal, including at Fanal Forest and the parishes of
Caniçal and
Ribeira da Janela. Anderson said Madeira Island was chosen because it offered most of the environments that the production wanted, including ocean access, and had not been used for a major production before. Nearly a quarter of the series was filmed on the island, with that footage appearing throughout the series and not representing a single planet. Anderson said they embraced the location's unpredictable weather. Filming officially
wrapped on June 6. Headland said filming went smoothly despite the length of production and the amount of action sequences and
wire-work. She said the cast did most of their own action scenes, including actors who had worked in action before such as Lee, Keen, and Moss. Stenberg, who was new to action, "threw herself into training and did incredible work in a short amount of time", according to Headland.
Post-production The series was edited by Miikka Leskinen and Cheryl Potter. Headland said
additional dialogue recording (ADR) work could not be completed during the
2023 SAG-AFTRA strike which delayed the end of post-production, but the series was mostly done by March 2024. Julian Foddy was the visual effects supervisor for the series, primarily working with Industrial Light & Magic (ILM) as well as
Rising Sun Pictures,
Luma Pictures, Hybride, beloFX, and Outpost VFX.
Music Michael Abels composed the score for
The Acolyte. For the series' seventh episode,
Victoria Monét wrote an original end-credits song, titled "Power of Two", with Abels and producer
D'Mile; the song was released as a single on June 14, 2024, ahead of the seventh episode's premiere.
Walt Disney Records released Ables's score for
The Acolyte in two albums: the first volume, covering music from the series' first four episodes, was released digitally on June 21; the second volume, covering music from the final four episodes—including the end-credit version of "Power of Two"—was released on July 19. A 94-track album featuring the contents of both volumes was also made available simultaneously with the release of the second volume. All music by Michael Abels, except where noted: == Marketing ==