Early years While visiting her mother in California, she won a role in the Warner Bros. revue
The Show of Shows. She did a screen test for MGM and signed a six-month contract. She appeared in bit parts and walk-on roles, but soon grew frustrated with only appearing in small parts. She then met
Florenz Ziegfeld at a party. Ziegfeld offered her a role in one of his productions. When MGM decided not to pick up her option, she moved to New York City to take Ziegfeld up on his offer. On Broadway in 1931, she had leading roles in ''
America's Sweetheart and Everybody's Welcome''.
Film and radio In 1934, she signed a contract with
Columbia Pictures.
Harry Cohn changed her name to Ann Sothern. "Ann" was chosen in honor of her mother and "Sothern" was chosen for Shakespearean actor
E. H. Sothern. While at Columbia she mainly appeared in
B-movie roles. After two years, the studio released her from her contract. In 1936, she was signed by
RKO Radio Pictures and, after a string of films that failed to attract a large enough audience, she left RKO. She signed with
Metro-Goldwyn-Mayer shortly after leaving RKO. After signing with MGM, Sothern was cast as brassy
Brooklyn burlesque dancer Mary Anastasia O'Connor, known professionally as Maisie Ravier, in
Maisie (1939). MGM originally acquired the
Maisie property for
Jean Harlow, but Harlow died in June 1937, before a final script was completed. (The Harlow inspiration remained; the second Maisie feature,
Congo Maisie, was based on MGM's
Red Dust. Sothern approximated the Jean Harlow role opposite
John Carroll in the
Clark Gable role.) After years of struggling and appearing in supporting parts Sothern found major success with
Maisie. The film was profitable for MGM, as were the string of
Maisie comedy sequels that followed. Box office proceeds from
Maisie pictures financed MGM's more costly dramas. From 1939 to 1947, she appeared in 10
Maisie films. A review of
Swing Shift Maisie (1943) by
Time magazine praised Sothern and described her as "one of the smartest comediennes in the business". The popularity of the film series led to her own radio program,
The Adventures of Maisie, broadcast on
CBS from 1945 to 1947, on
Mutual Broadcasting System in 1952, and in syndication from 1949 to 1953. Due to her popularity from the
Maisie films MGM head
Louis B. Mayer paid $80,000 to purchase film rights to the Broadway production of
DuBarry Was a Lady especially for Sothern. When Sothern rejected the revised script MGM decided to cast
Lucille Ball (Sothern's best friend in real life). Shortly after completing filming of
Maisie Gets Her Man in 1942 Sothern was cast in title role in the film version of
Panama Hattie (1942), opposite
Red Skelton.
Panama Hattie had been a hit on Broadway with
Ethel Merman in the title role, but was plagued with production problems after MGM attempted to shoot the film version. After a disastrous preview in November 1941, MGM decided to delay release to retool the production. The film's original director was replaced, the script was rewritten, and several scenes were reshot. While the film received mediocre to poor reviews, it was a smash box office hit with audiences. In 1943, she appeared in a seventh Maisie film
Swing Shift Maisie followed by a role in the war drama ''
Cry 'Havoc'. The following year Sothern starred in the eighth Maisie film, Maisie Goes to Reno, before taking time off to have her first child. She returned to the screen in 1946 in Up Goes Maisie, followed by the final Maisie film Undercover Maisie. Sothern appeared in two musical films in 1948, April Showers opposite Jack Carson and Words and Music starring an all-star cast of MGM actors, singers and dancers. In 1949, she appeared in the Academy Award-winning film A Letter to Three Wives'' for
20th Century Fox. Sothern received excellent reviews for her performance but the acclaim failed to stimulate her career, which had begun to wane in the late 1940s. In 1949, Sothern contracted
hepatitis, which she would battle for the next three years. After Sothern became ill, MGM canceled her contract.
Television '', "Lucy Takes a Cruise to Havana", L-R: Ann Sothern,
Rudy Vallee,
Lucille Ball,
Desi Arnaz,
Cesar Romero,
Vivian Vance and
William Frawley (1957) By the early 1950s, Sothern was appearing only in supporting roles, in such films as the film noir crime drama
The Blue Gardenia (1953). In need of money due to her mounting medical bills she turned to television. times. In 1957,
Private Secretary was renewed for a fifth season, but Sothern left the series after she had what she later described as a "violent fight" with producer
Jack Chertok over profits from the series. She returned to television the following year in
The Ann Sothern Show. Sothern starred as Kathleen "Katy" O'Connor, the assistant manager at the fictitious Bartley House Hotel. The series originally co-starred
Ernest Truex as Katy's timid boss Jason Macauley, who was routinely outshone by Katy, and bullied by his domineering wife Flora (
Reta Shaw). Ratings for the series were weak, and after 23 episodes the show was retooled. Sothern's co-star from
Private Secretary, Don Porter, signed on as Katy's boss James Devery. The addition of Porter added romantic tension to the series and helped to improve ratings. In 1959, the series won a
Golden Globe Award for Best Television Series – Musical or Comedy. During the series' second season,
Jesse White, who also starred in
Private Secretary, joined the cast. Ratings for the series remained solid until CBS moved
The Ann Sothern Show to Thursdays for its third season. Scheduled opposite the
ABC series
The Untouchables, ratings dropped substantially and
The Ann Sothern Show was canceled in 1961.
Later years After
The Ann Sothern Show ended, she returned to films in the political drama
The Best Man (1964), opposite
Henry Fonda and
Cliff Robertson. She was nominated for a
Best Supporting Actress Golden Globe for her work in the film. That same year, she portrayed a prostitute in the
psychological thriller Lady in a Cage, starring
Olivia de Havilland. In 1965, she had a recurring role on her friend
Lucille Ball's
The Lucy Show as the "Countess Framboise" (née Rosie Harrigan). After Ball's long-time co-star
Vivian Vance announced plans to leave the show, the press speculated that Sothern would be Vance's replacement. Sothern denied the rumors and, ultimately, the series continued without Vance or Sothern. In 1965, Sothern co-starred in the TV comedy series
My Mother the Car, opposite
Jerry Van Dyke. Van Dyke played a struggling lawyer and family man who discovers a dilapidated, vintage 1928 automobile in a used-car lot. The antique auto speaks to him — in Ann Sothern's voice. It seems the car is the reincarnation of Van Dyke's mother. Van Dyke restores the car to its original condition and takes it home, where it bemuses his family and becomes the envy of a zealous collector. Sothern was never seen in the series; only her voice was heard, reacting tartly to zany happenings around her. She continued the rest of the 1960s working in guest roles in television and the occasional film role. In an
Alfred Hitchcock Hour episode, entitled "Water's Edge", Sothern turned in a most impressive performance. In 1972, Sothern appeared in the
Sid and Marty Krofft television special
Fol-de-Rol. The next year, she played the domineering mother of a homicidal son in
psychological horror film
The Killing Kind. In 1974, she traveled to
Hong Kong to shoot the martial arts film
Golden Needles. She played the role of Fenzie, a
mahjong parlor owner. Sothern's next role was in the 1975
action comedy film
Crazy Mama starring
Cloris Leachman. For the rest of the decade, health problems forced her to cut back on her career. She worked sporadically in television and in stage productions, including a small role in the horror film
The Manitou with
Tony Curtis (1978). Sothern returned to television in 1985 in the role of "Ma Finney" in an adaptation of one of her old films,
A Letter to Three Wives. Sothern's final film was
The Whales of August in 1987. Her role as the neighbor of elderly sisters, played by
Lillian Gish and
Bette Davis, earned her the only
Best Supporting Actress Academy Award nomination of her career. After filming, Sothern retired from acting and moved to
Ketchum, Idaho, where she spent her remaining years.
Other ventures Over the course of her career, Sothern also managed several businesses and production companies. In the 1950s, she opened the Ann Sothern Sewing Center in
Sun Valley, Idaho, which sold fabric, patterns, and sewing machines. She also owned a cattle ranch in Idaho named the A Bar S Cattle Company. Sothern owned Vincent Productions, Inc. (named for Sothern's patron saint
Vincent de Paul) which produced her first series
Private Secretary, and Anso Productions which produced
The Ann Sothern Show. In addition to acting, Sothern pursued a musical career. During her hiatus from
Private Secretary in 1954, she starred in her own nightclub act featured in clubs in
Reno,
Las Vegas, and
Chicago. In the late 1950s, she formed the A Bar S Music Company and released
Sothern Exposure, her first album in 1958. == Personal life ==