Box office In its opening weekend, the film debuted in first place, with $24.6 million. The film topped the North American box office in its first three consecutive weeks. The film has grossed $116.6 million in Canada and the United States, and it earned $60.7 million elsewhere, for a total of $177.3 million.
Critical response The Butler received generally positive reviews from critics. On
Rotten Tomatoes, it has a 72% rating, based on 199 reviews, with an average score of 6.60/10. The site's consensus says: "Gut-wrenching and emotionally affecting, ''Lee Daniels' The Butler'' overcomes an uneven narrative thanks to strong performances from an all-star cast." On
Metacritic, it has a
weighted average score of 65 based on 47 reviews, indicating "generally positive" reviews. Audiences surveyed by
CinemaScore gave the film an "A" on a scale of A+ to F.
Todd McCarthy of
The Hollywood Reporter praised the film, saying, "Even with all contrivances and obvious point-making and familiar historical signposting, Daniels'
The Butler is always engaging, often entertaining and certainly never dull."
Richard Roeper lauded the film's casting, remarking that "Forest Whitaker gives the performance of his career".
Rolling Stone also spoke highly of Whitaker, writing that his "reflective, powerfully understated performance...fills this flawed film with potency and purpose".
Variety wrote that "Daniels develops a strong sense of the inner complexities and contradictions of the civil-rights landscape".
USA Today gave the film three stars out of four, and noted, "It's inspiring and filled with fine performances, but the insistently swelling musical score and melodramatic moments seem calculated and undercut a powerful story". Miles Davis of the
New York Tribune gave the film a negative review, claiming it to be "
Oscar bait", a cliché film designed to attract Oscar nominations.
Kenneth Turan of the
Los Angeles Times was more negative: "An ambitious and overdue attempt to create a Hollywood-style epic around the experience of black Americans in general and the civil rights movement in particular, it undercuts itself by hitting its points squarely on the nose with a 9-pound hammer." Several critics compared the film's historical anecdotes and sentimentality to
Forrest Gump. President
Barack Obama said, "I teared up thinking about not just the butlers who worked here in the White House, but an entire generation of people who were talented and skilled. But because of
Jim Crow and because of
discrimination, there was only so far they could go."
Accolades Historical accuracy Regarding historical accuracy, Eliana Dockterman wrote in
Time: "Allen was born on a
Virginia plantation in 1919, not in Georgia.... In the movie, Cecil' Gaines grows up on a cotton field in Macon, where his family comes into conflict with the white farmers for whom they work. What befalls his parents on the cotton field was
added for dramatic effect.... Though tension between father and son over civil rights issues fuels most of the drama in the film, [Eugene Allen's son] Charles Allen was not the radical political activist that Gaines's son is in the movie." The film also excluded
Billy Graham from Eisenhower's meeting regarding the sending of troops to Arkansas to aid the
Little Rock Nine. By 1992,
Christian Century acknowledged that Graham in fact had a vital role in persuading Eisenhower's to go along with this decision. The film also falsely portrayed
Lyndon Johnson as initially being reluctant to support the
Selma Movement. A phone conversation between Johnson and Martin Luther King Jr. on January 15, 1965, showed that King privately conspired with Johnson and that Johnson sought to use the Movement to advance the
Voting Rights Act of 1965 and other legislation through Congress. Particular criticism has been directed at the film's accuracy in portraying President
Ronald Reagan. While Alan Rickman's performance generated positive reviews, conservative activists criticized the director and screenwriters of the film for depicting Reagan as indifferent to civil rights and reluctant to associate with the White House's Black employees during his presidency. According to
Michael Reagan, the former president's son and a conservative activist, "The real story of the White House butler doesn't imply racism at all. It's simply Hollywood liberals wanting to believe something about my father that was never there."
Paul Kengor, one of President Reagan's biographers, also attacked the film, saying, "I've talked to many White House staff, cooks, housekeepers, doctors, and Secret Service over the years. They are universal in their love of Ronald Reagan." Regarding the president's initial opposition to sanctions against
apartheid in South Africa, Kengor said, "Ronald Reagan was appalled by apartheid, but also wanted to ensure that if the apartheid regime collapsed in South Africa that it wasn't replaced by a
Marxist-
totalitarian regime allied with
Moscow and
Cuba that would take the South African people down the same road as
Ethiopia,
Mozambique, and, yes, Cuba. In the immediate years before Reagan became president, 11 countries from the Third World, from Asia to Africa to Latin America, went
Communist. It was devastating. If the film refuses to deal with this issue with the necessary balance, it shouldn't deal with it at all." ==See also==