The novel received mixed reviews, with praise for its dialogue but criticism for its length.
Publishers Weekly hailed the novel as echoing "the social conscience of
Steinbeck, the epic sweep of
Ferber, [and] the narrative quirks of
Dos Passos."
Leonard Pitts, reviewing for
The New York Times, took issue with the length: "There is significant flab on these bones, sins of writerly self-indulgence and authorial indiscipline." Despite this, Pitts admired the novel's message: "... it succeeds admirably in a novel’s first and most difficult task: It makes you give a damn. It also does well by a novel’s second task: It sends you away pondering what it has to say."
Naomi Wallace was quoted "[The novel] is the most important piece of writing about twentieth-century America since
James Baldwin's
Another Country." Corthron read from the proof galleys of her novel in 2015 at an artist's residency and a fellow writer in residency,
Cathy Davidson, was immediately reminded of "
Faulkner.
Morrison.
Ismael Reed [sic]. I cannot wait to read this novel. [...] Breathtaking." ==Awards==