Cultural depth Shippey writes that the Council of Elrond is the occasion for Tolkien to introduce the diversity of cultures in his story, a fantasy of "unusual cultural depth". It serves, Shippey writes, as a jumping-off point for each character, and arguably also for Tolkien "since after that he was no longer writing his way through landscapes he had travelled before [in
The Hobbit]". He states that the equivalent point in
The Hobbit was the house of
Beorn, which like the house of Elrond was where the ancient, heroic world suddenly collided with and overcame the practical modern world: though the Council of Elrond is many times more complicated than the Beorn chapter. Much of that complexity is in Gandalf's lengthy monologue; in it, Tolkien embeds samples of the speech of people of several races, starting with Sam's father, old Gaffer Gamgee, who speaks "many words and few to the point". Gaffer Gamgee, grumblingly unprepared for the changes that are coming, "functions as a kind of base-line of normality – and, concomitantly, of emptiness". Gandalf introduces a quite different culture and voice in Saruman, who "talks like a politician", using empty words like "real change" while speaking of "many of the things the modern world has learnt to dread most: the ditching of allies, the subordination of means to ends, the 'conscious acceptance of guilt in the necessary murder'". Shippey comments that any of the speeches in the Council "would bear similar analysis", the richness of the linguistic modes making the chapter's "'information content' ... very high".
Good and evil Tolkien wrote in an unsent letter to
W. H. Auden that whereas a ruler like
Denethor was political, favouring his country (Gondor) "against the rest" and in the process moving towards
tyranny, the Council of Elrond was not political: Elrond and the Elves acted against their own interest "in pursuit of a 'humane' duty". They knew that they were "destroy[ing] their own polity" by destroying the Ring, "an inevitable result of victory". The scholar of English literature
Paul Kocher writes that Elrond has not changed his opinion of the Ring since the Second Age, when, in vain, he urged Isildur to destroy it in the fires of Mount Doom while he had the chance. He notes that Elrond's statement that he fears to take the Ring even to hide it, and will not take it to wield it, shows that Elves are capable of evil. Kocher observes, too, that Elrond agrees to Frodo's offer to undertake
the quest "arises from his [Elrond's] faith that a higher providence is guiding the deliberations of the Council".
Establishing tensions Kocher and Shippey both note that Aragorn and Boromir joust verbally in the Council, as Aragorn steadily but tactfully asserts his position, implying that he is heir to the throne of Gondor. This sets up the dynamic between the characters, with in Shippey's words "Aragorn's language deceptively modern, even easy-going on occasion, but with greater range than Boromir's slightly wooden magniloquence". Shippey writes that the words Aragorn uses to let Boromir have the last word are at once perfectly modern: "we will put it [his ability to live up to his mighty ancient sword] to the test one day", and an echo of the words of Ælfwine, a hero of the
Old English poem
The Battle of Maldon. The overall effect of all the different modes of speech is, in Shippey's view, to convey the multiplicity of ways of being or "'life-styles' of Middle-earth the soldier for its occasional contrasts with modernity".
Hidden Christianity The Episcopal priest and Tolkien scholar
Fleming Rutledge writes that the chapter brings "the deep narrative" of
Christianity in The Lord of the Rings almost explicitly to the surface, stating that it is "replete with theological meaning". She notes that the Dwarf-king Dáin's rejection of the offer of what he most desired, the Dwarf-Rings, was "a measure of his heroism", resisting
temptation in an "almost unbelievably noble" way. She describes it as "hard to overestimate the importance of the conversation" between Aragorn, Legolas, and Gandalf about Gollum's escape from the Elves. In her view, it reveals Tolkien's "deep apocalyptic narrative" about the
unseen divine will in the battle between good and evil, in particular in Gandalf's remark that Gollum "may play a part yet that neither he nor Sauron has foreseen". She is equally struck by the discussion between Elrond and Gandalf about whether they personally will accept the Ring and the nature of evil, emphasising Elrond's remark that "as long as it is in the world it will be a danger even to the Wise. For
nothing is evil in the beginning. Even Sauron was not so". == In film ==