Box office ''The Devil's Rejects'' was released by
Lions Gate Films on July 22, 2005, in 1,757 theaters and grossed
USD$7.1 million on its opening weekend, recouping its roughly $7 million budget. It grossed $17 million in North America and $2.3 million internationally for a total of $19.4 million.
Critical response The film received mixed reviews from critics. On
Rotten Tomatoes, the film has an approval rating of 54% rating based on 135 reviews, with an average rating of 5.8/10. The site's consensus reads: "Zombie has improved as a filmmaker since
House of 1000 Corpses and will please fans of the genre, but beware—the horror is nasty, relentless and sadistic." On
Metacritic, the film has a
weighted average score of 53 out of 100 based on reviews from 32 critics, indicating "mixed or average reviews". Audiences polled by
CinemaScore gave the film an average grade of "B−" on an A+ to F scale. Critic
Roger Ebert enjoyed the film and gave it three out of four stars. He wrote, "There is actually some good writing and acting going on here, if you can step back from the [violent] material enough to see it." Later, in his 2006 review for the horror film
The Hills Have Eyes, Ebert referenced ''The Devil's Rejects'', writing, "I received some appalled feedback when I praised Rob Zombie's ''The Devil's Rejects
, but I admired two things about it [that were absent from The Hills Have Eyes
]: (1) It desired to entertain and not merely to sicken, and (2) its depraved killers were individuals with personalities, histories and motives." In his review for Rolling Stone, Peter Travers gave The Devil's Rejects'' three out of four stars and wrote, "Let's hear it for the Southern-fried soundtrack, from
Buck Owens' 'Satan's Got to Get Along Without Me' to
Lynyrd Skynyrd's '
Free Bird', playing over the blood-soaked finale, which manages to wed
The Wild Bunch to
Thelma & Louise."
Richard Roeper gave the film "thumbs up" for being successful at its goal to be the "sickest, the most twisted, the most deranged movie" at that point of the year (2005). In her review for
The New York Times,
Dana Stevens wrote that the film "is a ''
trompe-l'œil experiment in deliberately retro film-making. It looks sensational, but there is a curious emptiness at its core." Entertainment Weekly'' gave the film a "C+" rating and wrote, "Zombie's characters are, to put it mildly, undeveloped." Robert K. Elder, of the
Chicago Tribune, disliked the film, writing "[D]espite decades of soaking in bloody classics such as the original
Texas Chainsaw Massacre and
I Spit on Your Grave, Zombie didn't absorb any of the underlying social tension or heart in those films. He's no collage artist of influences, like
Quentin Tarantino, crafting his movie from childhood influences.
Rejects plays more like a junkyard of homages, strewn together and lost among inept cops, gaping plot holes and buzzard-ready dialog." Horror author
Stephen King rated ''The Devil's Rejects'' the 9th best film of 2005 and wrote, "No redeeming social merit, perfect '70s C-grade picture cheesy glow; this must be what Quentin Tarantino meant when he did those silly
Kill Bill pictures." James Berardinelli was very negative giving ''The Devil's Rejects'' half a star (out of a possible four stars) and called it a "vile, reprehensible movie", saying the action was "more formula than plot". He described the dialogue as "a pastiche (at least I think that's the intention) of the kind of bloodthirsty, overripe lines found" in a genre of films from the 1970s about "outcasts who defy society by destroying it". He was extremely critical of the acting, directing, and the production values, with an ending that was "a cataclysmic misfire", and overall was not "engaging cinema". In 2015,
Taste of Cinema ranked the film 23rd among the "30 Great
Psychopath Movies That Are Worth Your Time". In 2025, Quentin Tarantino selected ''The Devil's Rejects'' for his list of the "Top 20 Best Films of the 21st Century".
Awards ==Sequel==