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The Fragile

The Fragile is the third studio album by the American industrial rock band Nine Inch Nails, released as a double album by Nothing Records and Interscope Records on September 21, 1999. It was produced by Nine Inch Nails frontman Trent Reznor and the English producer Alan Moulder, a longtime Reznor collaborator. It was recorded throughout 1997 to 1999 in New Orleans.

Writing and recording
The Fragile was produced by Trent Reznor and Alan Moulder at Nothing Studios in New Orleans. There were some personnel changes within Nine Inch Nails after the Self-Destruct tour, which saw drummer Chris Vrenna replaced by Bill Rieflin and Jerome Dillon, the latter of whom would become Nine Inch Nails' full-time drummer until late 2005. Charlie Clouser and Danny Lohner contributed occasional instrumentation and composition to several tracks although the album was predominantly written and performed by Reznor alone. The Fragile was mixed by Alan Moulder and mastered by Tom Baker. The packaging was created by David Carson and Rob Sheridan. According to a February 2000 interview in Keyboard Magazine, two of the album's programmers, Charlie Clouser and Keith Hillebrandt, disclosed some synths used in the album's production, among them: Clavia Nord Lead 2, Waldorf Pulse and Microwave, Minimoog, Oberheim Xpander, Novation Bass Station, Sequential Circuits Prophet-VS, and the Access Virus. == Music and lyrics ==
Music and lyrics
Over a year before the album's release, Reznor suggested, perhaps with intentional or dismissive misdirection, that the album would "be irritating to people because it's not traditional Nine Inch Nails. Think of the most ridiculous music you could ever imagine with nursery rhymes over the top of it. A bunch of pop songs." In contrast to the heavily distorted instruments and gritty industrial sounds of their previous album, The Downward Spiral, The Fragile relies more on soundscapes, electronic beats, ambient noise, rock-laden guitar, and the usage of melodies as harmonies. Several critics noted that the album was seemingly influenced by progressive rock, art rock, electronica, and avant-garde music. It is categorized as an art rock album by The Rolling Stone Album Guide (2004), The Bulletin interprets it as an industrial rock album about "fear and loathing that could compete with Pink Floyd's The Wall". In some ways, The Fragile is a response to The Downward Spiral. Reznor compared the lyrical content of the two albums: The song "I'm Looking Forward to Joining You, Finally" is credited in the album's booklet as "for clara", suggesting that the song's topic, like "The Day the World Went Away", is about Reznor's grandmother, Clara Clark. Fight Club author Chuck Palahniuk singled out "The Wretched" for comment: "I remember being amazed when I first heard this... This wasn't just ennui: this was an active, aggressive, angry lack of caring. It's not 'Let's kill ourselves'; it's 'Let's kill each other'... It's not rock 'n' roll and it's not classical. It's something in between." ==Packaging==
Packaging
The cover artwork was designed by David Carson. A section within his book Fotografiks reveals that the top section of the album cover is from a photo of a waterfall and the bottom section is from a closeup photo of the inside of a seashell. Carson elaborated on this further in an image on his website: ==Promotion==
Promotion
Fragility Tour as part of the Fragility v2.0 Tour On September 10, 1998, at the 1998 MTV Video Music Awards, a thirty-second teaser trailer was shown on television to promote the then untitled album. It would be more than a year before the album was finally released. The tour consisted of two major legs, labeled Fragility 1.0 and Fragility 2.0. The live band lineup remained largely the same from the previous tour in support of The Downward Spiral, featuring Robin Finck on guitar, Charlie Clouser on keyboards, and Danny Lohner on bass guitar. Reznor held open auditions to find a new drummer, eventually picking then-unknown Jerome Dillon. Nine Inch Nails' record label at the time, Interscope Records, reportedly refused to fund the promotional tour following The Fragile's lukewarm sales. Reznor instead committed to fund the entire tour himself, which quickly sold out. He concluded that "the reality is, I'm broke at the end of the tour", but also added, "I will never present a show that isn't fantastic." The tour featured increasingly large production values, including a triptych video display created by contemporary video artist Bill Viola. Rolling Stone magazine named Fragility the best tour of 2000. In 2002, the tour documentary And All That Could Have Been was released featuring performances from the Fragility 2.0 tour. While making the DVD, Reznor commented on the tour in retrospect by saying "I thought the show was really, really good when we were doing it", but later wrote that "I can't watch it at all. I was sick for most of that tour and I really don't think it was Nine Inch Nails at its best." Reznor's drug overdose and recovery In the years leading up to the Fragility Tour, Reznor's personal life had been complicated by addiction and grief. Following the commercial breakthrough of The Downward Spiral (1994), Reznor struggled privately with alcohol and drug use, which intensified after the death of his grandmother, the woman who had raised him. The loss profoundly destabilized him, and he began using substances heavily to cope. Cocaine and alcohol became central to his daily routine, with sessions often blurring into days of self-destructive excess. Reznor himself could not appreciate its reception. In an interview cited by Exclaim!, he admitted that during this era "nothing felt good anymore, not music, not success, not anything". By the time the Fragility Tour began, Reznor was carrying the weight of his addictions into one of the most elaborate and demanding concert productions of his career. The most serious event occurred in June 2000, during the European leg of the tour in London. According to The Guardian, Reznor obtained what he thought was cocaine but which turned out to be heroin, specifically a highly potent form sometimes referred to as "China white", a type of fentanyl. In a 2005 conversation he stated: "If I drink again I’ll probably die. And I don’t want to die." ==Reissue==
Reissue
On September 21, 2009—the tenth anniversary of the album's release—a Nine Inch Nails official Twitter update hinted that a deluxe 5.1 surround audio reissue of The Fragile was in the works and was scheduled for a 2010 release. During an interview with The New York Times that was broadcast on January 7, 2011, after questioned about the album Reznor explained: While on tour in 2014 in Australia and New Zealand, Reznor was interviewed by a local reporter and was quoted about the reissue stating: In June 2015, an instrumental version of the album was released to Apple Music. This version of the album also includes alternative versions of "The Frail", "Just Like You Imagined", "Pilgrimage", "La Mer", "The Mark Has Been Made", and "Complication", the instrumental version of "The Day the World Went Away (Quiet)", an extended version of "+Appendage", a demo version of "10 Miles High" called "Hello, Everything Is Not OK", and two previously unreleased tracks from The Fragile ("The March" and "Can I Stay Here?") In 2017 a reissue of the vinyl version of The Fragile was released, alongside an expanded, instrumental version, titled The Fragile: Deviations 1. This version of The Fragile contains all songs in either instrumental or alternate formats, and combines them with newly released songs written and recorded during the sessions for The Fragile. Deviations 1 consists of a one-off 4×LP pressing. ==Critical reception and legacy==
Critical reception and legacy
The Fragile received generally positive reviews from contemporary critics. Mojo called it "an impressively multi-textured, satisfyingly violent sonic workout", and Alternative Press found it "nothing short of astounding". Edna Gundersen of USA Today called it "meticulously honed and twisted to baffle, tantalize, disarm and challenge the listener", and wrote that "the coats of polish ... can't camouflage Trent Reznor's perverse and subversive paths to musical glory." Will Hermes of Entertainment Weekly viewed that, even "if [Reznor's] emotional palette is limited, it remains broader than any of his metalhead peers", and that, "right now, hard rock simply doesn't get any smarter, harder, or more ambitious than this." NMEs Victoria Segal panned its music as "background" and accused it of "chas[ing] 'crossover'", with "grey rock sleet masquerading as a storm beneath a haze of 'experimental' textures." Village Voice critic Robert Christgau was even less receptive: "After six fucking years, genius-by-acclamation Trent Reznor delivers double-hoohah, every second remixed till it glistens like broken glass on a prison wall. Is the way he takes his petty pain out on the world a little, er, immature for a guy who's pushing 35? Never mind, I'm told—just immerse in the music. So I do. 'Dream job: emperor,' it says. 'More fun than death by injection.'" AllMusic editor Stephen Thomas Erlewine offered similar criticism, writing that "Reznor's music is immaculately crafted and arranged, with every note and nuance gliding into the next — but he spent more time constructing surfaces than songs. Those surfaces can be enticing but since it's just surface, The Fragile winds up being vaguely unsatisfying." In 2016, Exclaim! listed The Fragile at number two on their "Essential Albums" list for Nine Inch Nails, citing it as their most ambitious work and "a tragic if not stunning portrait of depression." Pitchfork would later reassess the album in their review of the album's 2017 "Definitive Edition", with a score change going from 2.0 to 8.7, describing it as Reznor's "magnum opus... The Fragile scrapes the sky like never before." In Metal Hammer, it was named one of the 10 best industrial metal albums as well as one of the 20 best metal albums of 1999. ==Commercial performance==
Commercial performance
The Fragile debuted atop the Billboard 200 with first-week sales of 229,000 copies, earning the band their first number-one album on the chart. The album fell to number 16 the following week, becoming the largest drop from number one at the time. On January 4, 2000, the album was certified double platinum by the Recording Industry Association of America (RIAA), ==Track listing==
The Fragile: Deviations 1
}} The Fragile: Deviations 1 is an alternate version of The Fragile that contains all of the original songs in either instrumental or alternate forms, and combines them with newly released tracks written and recorded during the sessions for The Fragile. Deviations 1 consists of a one-off, limited edition four-LP pressing that was not made available on CD. Critical reception Neil Z. Yeung of AllMusic recommended that fans listen to and understand the original album first before delving into Deviations 1. Ultimately, he said that the release "serves as both a sonic time capsule and a reminder of one of NIN's most rewarding and underrated efforts." Writing for Pitchfork, Sean T. Collins found Deviations 1 interesting but simultaneously perplexing, saying "Far too many of Deviations' freshly vocal-free songs sound like karaoke versions rather than instrumentals that can stand on their own. The result is a listening experience that outstays its welcome on a song-by-song basis, let alone over the course of its massive 150-minute running time." Track listing ==Personnel==
Personnel
Credits taken from The Fragile liner notes. MusiciansTrent Reznor – vocals, all musical performance except as noted, programming and productionAdrian Belew – guitars on "Just Like You Imagined", "The Great Below" and "Where Is Everybody?" • Charlie Clouser – programming, additional sound design; atmospheres on "The Great Below" and drum programming on "Into the Void", sound design on “Starfuckers Inc.” • Jerome Dillon – chorus drums on "We're in This Together" • Steve Duda – marching percussion, programming and production on "Pilgrimage"; chorus on "Starfuckers, Inc."; violin on "Ripe (With Decay)"; additional sound design • Mike Garsonpiano on "Just Like You Imagined", "The Way Out Is Through" and "Ripe (With Decay)" • Keith Hillebrandt – programming and additional production on "The Way Out Is Through"; chorus on "Starfuckers, Inc."; additional sound design • Cherry Holly – trumpet on "Pilgrimage" • Danny Lohner – guitars on "Somewhat Damaged", "Just Like You Imagined", "Even Deeper", "The Great Below", "Where Is Everybody?" and "Complication"; drum programming and synthesizers on "Even Deeper" • Denise Milfort – vocals on "La Mer" • Kim Prevost – backing vocals on "Into the Void" • Porter Ricks – keyboards, programming and synthesizer • Bill Rieflin – drums on "La Mer" • Willie – cello on "La Mer" Production and technical personnelSteve Albiniengineering and supplemental drum recording • Tom Baker – mastering • Clinton Bradley – programming; technical assistant to Bob Ezrin • Paul Bradley – programming • David Carsonart direction, design and photography • Paul DeCarli – programming • Dr. Dre – additional production and mixing assistance on "Even Deeper" • Bob Ezrin – additional production (album sequencing) • Ken Friedman – additional sound design • Leo Herrera – additional engineering • Alan Moulder – production, engineering and mixingDave Ogilvie – additional engineering • Brian Pollack – engineering Choirs • Buddha Debutante Choir : • Heather Bennett • Melissa Daigle • Judy Miller • Christine Parrish • M. Gabriela Rivas • Martha Wood • Fae Young • Choir : • Di Coleman • Tracy Hardin • Gary L. Neal • Traci Nelson • Elquine L. Rice • Terry L. Rice • Rodney Sulton • Stefani Taylor • Barbara Wilson • Leslie Wilson • Buddha Boys Choir : • Eric Edmonson • Doug Idleman • Marcus London • Clint Mansell • Adam Persaud • Nick Scott • Nigel Wiesehan ==Charts==
Charts
Weekly charts Year-end charts ==Certifications==
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