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Golden Temple

The Golden Temple is a gurdwara located in Amritsar, Punjab, India. It is the pre-eminent spiritual site of Sikhism and is one of its holiest sites, alongside the Gurdwara Darbar Sahib in Kartarpur and the Gurdwara Janam Asthan in Nankana Sahib, both in Punjab, Pakistan.

Nomenclature
The Harmandir Sahib is also spelled as Harimandar or Harimandir Sahib. It is also called the Durbār Sahib, which means "sacred audience", as well as the Golden Temple for its gold leaf-covered sanctum centre. The Sikh tradition has several gurdwaras named "Harmandir Sahib", such as those in Kiratpur and Patna. Of these, the one in Amritsar is most revered. ==History==
History
overseeing the construction of the original Golden Temple (Harmandir Sahib), painting from –95 According to the Sikh historical records, the land that became Amritsar and houses the Harimandir Sahib was chosen by Guru Amar Das, the third Guru of the Sikh tradition. It was then called Guru Da Chakk, after he had asked his disciple Ram Das to find land to start a new town with a man-made pool as its central point. Ramdaspur town expanded during the time of Guru Arjan financed by donations and constructed by voluntary work. The town grew to become the city of Amritsar, and the area grew into the temple complex). The construction activity between 1574 and 1604 is described in Mahima Prakash Vartak, a semi-historical Sikh hagiography text likely composed in 1741, and the earliest known document dealing with the lives of all the ten Gurus. Guru Arjan installed the scripture of Sikhism inside the new gurdwara in 1604. Continuing the efforts of Ram Das, Guru Arjan established Amritsar as a primary Sikh pilgrimage destination. He wrote a voluminous amount of Sikh scripture including the popular Sukhmani Sahib. Construction being recited near the Akal Takht and Golden Temple, Amritsar, Punjab, India. Guru Ram Das acquired the land for the site. Two versions of stories exist on how he acquired this land. In one, based on a Gazetteer record, the land was purchased with Sikh donations of 700 rupees from the people and owners of the village of Tung. In another version, Emperor Akbar is stated to have donated the land to the wife of Ram Das. According to Sikh traditional sources such as Sri Gur Suraj Parkash Granth it was laid by Guru Arjan himself. After the inauguration, the pool was filled with water. On 16 August 1604, Guru Arjan completed expanding and compiling the first version of the Sikh scripture and placed a copy of the Adi Granth in the gurdwara. He appointed Baba Buddha as the first Granthi. Ath Sath Tirath ("shrine of 68 pilgrimages"), is a raised canopy on the parkarma (circumambulation marble path around the pool). The name, as stated by W. Owen Cole and other scholars, reflects the belief that visiting this temple is equivalent to 68 Hindu pilgrimage sites in the Indian subcontinent, or that a Tirath to the Golden Temple has the efficacy of all 68 Tiraths combined. Arjan's son and successor Guru Hargobind fought a Battle at Amritsar and later left Amritsar and its surrounding areas in 1635 for Kiratpur. For about a century after the Golden Temple was occupied by the Minas. In the 18th century, Guru Gobind Singh after creating the Khalsa sent Bhai Mani Singh to take back the temple. The Golden Temple was viewed by the Mughal rulers and Afghan Sultans as the centre of Sikh faith and it remained the main target of persecution. After the original temple was destroyed by hostile forces, the shrine was reconstructed in 1764 (a date which H.H. Cole affirms in his monograph on the temple), however most of the elaborate decorations and additions were added to the shrine in the early 19th century. However, according to Giani Gian Singh's Tawarikh Sri Amritsar (1889), a slightly later date of 1776 is given for the construction of the temple tank (sarovar), the temple edifice proper, the causeway, and the entry gateway or archway (Darshani Deori). He had waste poured into the pool along with entrails of slaughtered cows, before departing for Afghanistan. The Sikhs restored it again. • In 1762, Ahmad Shah Durrani returned and had the Golden Temple blown up with gunpowder. Abdali then destroyed the Golden Temple for the 3rd time. He entrusted Mistri Yar Muhammad Khan to carry-out the roofing work, who himself was supervised by Bhai Sand Singh. the 7th Nizam of Hyderabad, Mir Osman Ali Khan started giving yearly grants towards it. The management and operation of Durbar Sahib – a term that refers to the entire Golden Temple complex of buildings, was taken over by Ranjit Singh. He appointed Sardar Desa Singh Majithia (1768–1832) to manage it and made land grants whose collected revenue was assigned to pay for the Temple's maintenance and operation. Hari Singh Nalwa, a general of Maharaja Ranjit Singh, decorated the Akal Takht with gold and is responsible for adding the golden dome at the top of the edifice. One of the main Bungas that was destroyed in 1988 was the Burj Gianian. The other family were the Kapurs, who were made as the Head Granthis, this included the ancestors of Bhai Jawahir Singh Kapur who also did try to become the Head Granthi in the late 1800s, but was not allowed (his father Bhai Atma Singh, grandfather Bhai Mohar Singh and their ancestors were also Head Granthis). Destruction and reconstruction after Indian independence The destruction of the temple complex occurred during the Operation Blue Star. It was the codename of an Indian military action carried out between 1 and 8 June 1984 to remove militant Sikh Jarnail Singh Bhindranwale and his followers from the buildings of the Harmandir Sahib (Golden Temple) complex in Amritsar, Punjab. The decision to launch the attack rested with Prime Minister Indira Gandhi. In July 1982, Harchand Singh Longowal, the President of the Sikh political party Akali Dal, had invited Bhindranwale to take up residence in the Golden Temple Complex to evade arrest. The government claimed Bhindranwale later made the sacred temple complex an armoury and headquarters. On 1 June 1984, after negotiations with the militants failed, Indira Gandhi ordered the army to launch Operation Blue Star, simultaneously attacking scores of gurudwaras across Punjab. A variety of army units and paramilitary forces surrounded the Golden Temple complex on 3 June 1984. The fighting started on 5 June with skirmishes and the battle went on for three days, ending on 8 June. A clean-up operation codenamed Operation Woodrose was also initiated throughout Punjab. The army had underestimated the firepower possessed by the militants, whose armament included Chinese-made rocket-propelled grenade launchers with armour piercing capabilities. Tanks and heavy artillery were used to attack the militants, who responded with anti-tank and machine-gun fire from the heavily fortified Akal Takht. After a 24-hour firefight, the army gained control of the temple complex. Casualty figures for the army were 83 dead and 249 injured. According to the official estimates, 1,592 militants were apprehended and there were 493 combined militant and civilian casualties. According to the government claims, high civilian casualties were attributed to militants using pilgrims trapped inside the temple as human shields. Brahma Chellaney, the Associated Press's South Asia correspondent, was the only foreign reporter who managed to stay on in Amritsar despite the media blackout. His dispatches, filed by telex, provided the first non-governmental news reports on the bloody operation in Amritsar. His first dispatch, front-paged by The New York Times, The Times of London and The Guardian, reported a death toll about twice of what authorities had admitted. According to the dispatch, about 780 militants and civilians and 400 troops had perished in fierce gun-battles. Chellaney reported that about "eight to ten" men suspected of being Sikh militants had been shot with their hands tied. In that dispatch, Chellaney interviewed a doctor who said he had been picked up by the army and forced to conduct postmortems despite the fact he had never done any postmortem examination before. In reaction to the dispatch, the Indian government charged Chellaney with violating Punjab press censorship, two counts of fanning sectarian hatred and trouble, and later with sedition, calling his report baseless and disputing his casualty figures. The military action in the temple complex was criticised by Sikhs worldwide, who interpreted it as an assault on the Sikh religion. Many Sikh soldiers deserted their units; several Sikhs resigned from civil administrative office and returned awards received from the Indian government. Five months after the operation, on 31 October 1984, Indira Gandhi was assassinated in an act of revenge by her two Sikh bodyguards, Satwant Singh and Beant Singh. A few months after the government operation of 1984, major kar seva renovations were undertaken at the shrine complex, including a complete draining and then cleaning of the temple tank (sarovar) by volunteers. This was made into a public park and opened in June 1988. In December 2021, a young man was allegedly beaten to death after disrupting the Rehras Sahib (evening prayer) at the sanctum of the temple. He reportedly jumped over a railing and picked up the sword lying before the temple's copy of the Guru Granth Sahib, before attempting to touch the Guru Granth Sahib itself. He was subsequently overpowered by the pilgrims and received fatal injuries to the head. The 2023 Golden Temple blasts occurred on 7 May and on 9 May 2023. ==Architecture==
Architecture
and precious stones. The Golden Temple's architecture reflects different architectural practices prevalent in the Indian subcontinent, as various iterations of temple were rebuilt and restored. The sanctum is a 12.25 x 12.25 metre square with two storeys and a gold leaf dome. This sanctum has a marble platform that is a 19.7 x 19.7 metre square. It sits inside an almost square (154.5 x 148.5 m2) pool called amritsar or amritsarovar (amrit means nectar, sar is short form of sarovar and means pool). The pool is 5.1 metres deep and is surrounded by a 3.7 metre wide circumambulatory marble passage that is circled clockwise. The sanctum is connected to the platform by a causeway and the gateway into the causeway is called the Darshani Ḍeorhi (from Darshana Dvara). For those who wish to take a dip in the pool, the temple provides a half hexagonal shelter and holy steps to Har ki Pauri. The pool is maintained by volunteers who perform kar seva (community service) by draining and desilting it periodically. There is a section of the shrine known as the Har-Ki-Pauri, located on the backside of the temple proper, where pilgrims and worshippers can take a sip of the water from the holy temple tank. Akal Takht and Teja Singh Samundri Hall In front of the sanctum and the causeway is the Akal Takht building. It is the chief Takht, a centre of authority in Sikhism. Its name Akal Takht means "throne of the Timeless (God)". The institution was established by Guru Hargobind after the martyrdom of his father Guru Arjan, as a place to conduct ceremonial, spiritual and secular affairs, issuing binding writs on Sikh gurdwaras far from his own location. A building was later constructed over the Takht founded by Guru Hargobind, and this came to be known as Akal Bunga. The Akal Takht is also known as Takht Sri Akal Bunga. The Sikh tradition has five Takhts, all of which are major pilgrimage sites in Sikhism. These are in Anandpur, Patna, Nanded, Talwandi Sabo and Amritsar. The Akal Takht in the Golden Temple complex is the primary seat and chief. It is also the headquarters of the main political party of the Indian state of Punjab, Shiromani Akali Dal (Supreme Akali Party). The Clock Tower did not exist in the original version of the temple. In its location was a building, now called the "lost palace". The officials of the British India wanted to demolish the building after the Second Anglo-Sikh war and once they had annexed the Sikh Empire. The Sikhs opposed the demolition, but this opposition was ignored. In its place, the clock tower was added. The clock tower was designed by John Gordon in a Gothic cathedral style with red bricks. The clock tower construction started in 1862 and was completed in 1874. The tower was demolished by the Sikh community about 70 years later. In its place, a new entrance was constructed with a design more harmonious with the Temple. This entrance on the north side has a clock, houses a museum on its upper floor, and it continues to be called ghanta ghar deori. Ber trees The Golden Temple complex originally was open and had numerous trees around the pool. It is now a walled, two-storey courtyard with four entrances, that preserve three Ber trees (jujube). One of them is to the right of the main ghanta ghar deori entrance with the clock, and it is called the Ber Baba Buddha. It is believed in the Sikh tradition to be the tree where Baba Buddha sat to supervise the construction of the pool and first temple. A second tree is called Laachi Ber, believed to the one under which Guru Arjan rested while the temple was being built. The third one is called Dukh Bhanjani Ber, located on the other side of the sanctum, across the pool. It is believed in the Sikh tradition that this tree was the location where a Sikh was cured of his leprosy after taking a dip in the pool, giving the tree the epithet of "suffering remover". There is a small gurdwara underneath the tree. The Ath Sath Tirath, or the spot equivalent to 68 pilgrimages, is in the shade underneath the Dukh Bhanjani Ber tree. Sikh devotees, states Charles Townsend, believe that bathing in the pool near this spot delivers the same fruits as a visit to 68 pilgrimage places in India. Sikh history museums The main ghanta ghari deori north entrance has a Sikh history museum on the first floor, according to the Sikh tradition. The display shows various paintings of gurus and martyrs, many narrating the persecution of Sikhs over their history, and historical items such as swords, kartar, comb, chakkars. A new underground museum near the clock tower, but outside the temple courtyard also shows Sikh history. According to Louis E. Fenech, the display does not present the parallel traditions of Sikhism and is partly ahistorical such as a headless body continuing to fight, but a significant artwork and reflects the general trend in Sikhism of presenting their history to be one of persecution, martyrdoms and bravery in wars. The main entrance to the gurdwara has many memorial plaques that commemorate past Sikh historical events, saints and martyrs, contributions of Ranjit Singh, as well as commemorative inscriptions of all the Sikh soldiers who died fighting in the two World Wars and the various Indo-Pakistan wars. Amrit Sarovar The Amrit Sarovar is the name of the main temple-tank (sarovar) of the complex. It is a large, rectangular water-tank that measures approximately 150 meters by 150 meters with the principal shrine edifice in the middle of it, with it being surrounded on its sides by the marble walkway of the complex (parikarma). Later, the hansli was made redundant through the construction of a Amritsar-Lahore branch and Kasur-Sabraon branch. Since 1866, the Amrit Sarovar of the Golden Temple complex has been fed water from the Jethuwal distributory of the Upper Bari Doab of the region between the Beas and Ravi, via a connection between the Kaulsar Sarovar and Amrit Sarovar. ==Daily ceremonies==
Daily ceremonies
There are several rites performed every day in the Golden Temple as per the historic Sikh tradition. These rites treat the scripture as a living person, a Guru out of respect. They include: • Closing rite called sukhasan (sukh means "comfort or rest", asan means "position"). At night, after a series of devotional kirtans and three part ardās, the Guru Granth Sahib is closed, carried on the head, placed into and then carried in a flower decorated, pillow-bed palki (palanquin), with chanting. Its bedroom is in the Akal Takht, on the first floor. Once it arrives there, the scripture is tucked into a bed. == Art ==
Art
The art of the Golden Temple has rarely been analysed or studied in a serious manner. Within the Shish Mahal on the second-story of the building, there are mirror-work art designs which consist of small pieces of mirror which are inlaid into the walls and ceilings, highlighted with decorations of floral designs. The ceilings, walls and arches of the structure are embellished by intricate mural artwork. The pietra dura (inlaid stone design) artwork of the shrine, which features avian and other animalistic designs using semi-precious stones, was mostly inspired by the Mughal tradition. The temple premises is also decorated with embossed copper, gach, tukri, jaratkari, and ivory inlay artwork. The external portions of the upper story's walls of the temple have been affixed with beaten copper plates that feature raised designs depicting usually florals and abstracts but there are some depictions of human figures as well. An example of embossed metal designs depicting humans are two raised copper panels located on the front-side of the temple prior, the first which depicts Guru Nanak surrounded by his companions, Bhai Mardana and Bhai Bala, on each side. The second embossed panel features an equestrian portrayal of Guru Gobind Singh. Gach can be described as a kind of stone or gypsum. Gach was transformed into a paste and used on the walls, similar in nature to lime-plaster. Once applied to the wall, it was decorated into shape with steel cutters and other tools. Sometimes the gach had coloured glass pieces placed on it, which is known as tukri. The Shish Mahal features a lot of examples of tukri work. On the other hand, jaratkari was an art form and method which involved placing inlaid and cut stones of varying colours and types into marble. Surviving exemplars of jaratkari art from the temple can be found on the bottom-section of the exterior walls which are encased with marble panels featuring jaratkari artwork. The jaratkari marble panels in this lower exterior section is classified as pietra dura and semi-precious stones, like lapis lazuli and onyx, were utilised. While the Mughals also decorated their edifices using jaratkari and pietra dura art, what sets apart the Sikh form of the art technique from the Mughal one is that the Sikh jaratkari art form also depicts human and animal figuratives with it, something that is not found in Mughal jaratkari art. Inlaid ivory work can be witnessed on the doors of the Darshani Deori structure of the complex. The structure of the Darshani Deori was made out of shisham wood, the front of the edifice is overlaid with silverwork, including ornamated silver panels. The back of the structure is decorated with panels consisting of floral and geometric designs but also animal figuratives, such as deer, tigers, lions, and birds. Portions of the inlaid ivory had been coloured red or green, an aspect of the artwork that was praised by H.H. Cole for its harmoniousness. The oldest extant murals in the complex date back to the 1830s. Most of the vast array of murals that once coated the walls of the complex were destroyed in subsequent renovation works conducted under the guise of kar seva, such as by being covered by marble slabs affixed to the walls. A prominent artist who painted many of the murals in the complex was Gian Singh Naqqash. The mural artwork of the temple consists primarily of floral designs with scattered examples of animal designs and themes. There are over 300 different design patterns dispersed all over the walls of the edifice. These wall paintings were created by Naqqashi artists, who had developed their own lingo to differentiate their various themes and designs. The most prominent design category was referred to as Dehin, which is described as "a medium of expression of the imaginative study of the artist's own creation of idealised forms". The base of dehin is known as Gharwanjh. Gharwanjh is a "decorative device involving knotted grapples between animals". The gharwanjh designs of the Golden Temple features cobras, lions, and elephants holding one another or carrying floral vases which feature fruit and fairies as decoration. The decorative border of the dehin is known as Patta, usually utilising creepers for its design. Some feature designs incorporating aquatic creatures. The only mural depicting human figures within the temple proper is located on the wall behind the northern narrow staircase leading to the top of the shrine. It depicts Guru Gobind Singh on horseback alongside his retinue leaving the fort of Anandpur - a mural adaptation of what was originally a Kangra miniature painting. When H.H. Cole wrote about the murals of the Golden Temple, he witnessed many murals depicting Indic mythological scenes but these murals have since been lost. While W. Wakefield had recorded that he observed murals depicting erotic scenes painted on the Golden Temple's walls in a work published in 1875, Kanwarjit Singh Kang finds this to be a spurious account which is likely false because there is no corroborative accounts to support this. The various artists and craftsmen who worked on creating the mural artwork and other accessory art of the temple are mostly unknown and it is nearly impossible to link any particular art piece with a specific name, aside from a very few. A traditional Sikh artist who had worked at the Golden Temple, named Hari Singh, had prepared a list of all the names of the artists, painters (naqqashis), and craftsmen he could recount that had also worked at some point in time at the Golden Temple, the names are as follows: Kishan Singh, Bishan Singh, Kapur Singh, Kehar Singh, Mahant Ishar Singh, Sardul Singh, Jawahar Singh, Mehtab Singh, Mistri Jaimal Singh, Harnam Singh, Ishar Singh (not to be confused with Mahant Ishar Singh), Gian Singh, Lal Singh Tarn Taran, Mangal Singh, Mistri Narain Singh, Mistri Jit Singh, Atma Singh, Darja Mal, and Vir Singh. Most of the artwork lost over the years, throughout the various changes and renovations to the temple, were murals. Murals started being lost in the temple around the last years of the 19th century, when devotees were allowed to start donating inlaid marble panels to affix to the walls of the shrine. The walls that were covered by these marble panels usually were painted with murals and thus the murals were either hidden under the marble panels or destroyed. The Golden Temple used to have many traditional buildings, known as bungas, surrounding it. These bungas were a great source and collection of murals and thus their artwork was lost when the vast majority of the bungas were demolished over the years under the guise of modernising the religious site and expanding its parikrama. When the Darshani Deori was covered with marble panels, many wall paintings that had been executed by Mahant Ishar Singh were covered up and lost due to them. ==Influence on contemporary era Sikhism==
Influence on contemporary era Sikhism
Singh Sabha movement The Singh Sabha movement was a late-19th century movement within the Sikh community to rejuvenate and reform Sikhism at a time when Christian, Hindu and Muslim proselytisers were actively campaigning to convert Sikhs to their religion. The movement was triggered by the conversion of Ranjit Singh's son Duleep Singh and other well-known people to Christianity. Started in 1870s, the Singh Sabha movement's aims were to propagate the true Sikh religion, restore and reform Sikhism to bring back into the Sikh fold the apostates who had left Sikhism. Before 1905, the Golden Temple had Brahmin priests, idols and images for at least a century, attracting pious Sikhs and Hindus. In 1890s, these idols and practices came under attack from reformist Sikhs. The Singh Sabha movement brought the Khalsa back to the fore of gurdwara administration over the mahants (priests) class, who had taken over control of the main gurdwaras and other institutions vacated by the Khalsa in their fight for survival against the Mughals during the 18th century and had been most prominent during the 19th century. The massacre strengthened the opposition to colonial rule throughout India, particularly that from Sikhs. It triggered massive non-violent protests. The protests pressured the British colonial government to transfer the control over the management and treasury of the Golden Temple to an elected organisation called Shiromani Gurudwara Prabandhak Committee (SGPC). The SGPC continues to manage the Golden Temple. Punjabi Suba movement The Punjabi Suba movement was a long-drawn political agitation, launched by the Sikhs, demanding the creation of a Punjabi Suba, or Punjabi-speaking state, in the post-independence state of East Punjab. It was first presented as a policy position in April 1948 by the Shiromani Akali Dal, after the States Reorganisation Commission set up after independence was not effective in the north of the country during its work to delineate states on a linguistic basis. The Golden Temple complex was the main centre of operations of the movement, and important events during the movement that occurred at the gurdwara included the 1955 raid by the government to quash the movement, and the subsequent Amritsar Convention in 1955 to convey Sikh sentiments to the central government. The complex was also the site of speeches, demonstrations, and mass arrests, and where leaders of the movement domiciled in huts during hunger strikes. The borders of the modern state of Punjab, along with the official status of the state's native language of Punjabi in the Gurmukhi script, are the result of the movement, which culminated in the setting of the current borders in 1966. Operation Blue Star The Golden Temple and Akal Takht were occupied by various militant groups in the early 1980s. These included the Dharam Yudh Morcha led by Sikh fundamentalist Jarnail Singh Bhindranwale, the Babbar Khalsa, the AISSF and the National Council of Khalistan. The Bhindranwale-led group under the military leadership of General Shabeg Singh had begun to build bunkers and observations posts in and around the Golden Temple. They organised the armed militants present at the Harmandir Sahib in Amritsar in June 1984. The Golden Temple became a place for weapons training for the militants. In June 1984, Prime Minister Indira Gandhi ordered the Indian Army to begin Operation Blue Star against the militants. The operation caused severe damage and destroyed the Akal Takht. Numerous soldiers, militants and civilians died in the crossfire, with official estimates of death of 492 civilians and 83 Indian army men. Within days of the Operation Bluestar, some 2,000 Sikh soldiers in India mutinied and attempted to reach Amritsar to liberate the Golden Temple. ==Gallery==
Gallery
File:Complete view of Golden Temple complex 09.jpg|Day time complete view of Golden Temple complex File:Complete view of Golden Temple complex 08.jpg|Complete view of Golden Temple complex at night File:Complete view of Golden Temple complex 06.jpg|Panoramic view of Golden Temple complex File:Ramgarhia Bunga , Golden Temple , Amritsar.jpg|Ramgarhia Bunga, Golden Temple (night view) File:Langar , participatory community kitchen , Golden Temple ,Amritsar 03.jpg|Langar (participatory kitchen), Golden Temple File:Langar , participatory community kitchen , Golden Temple ,Amritsar 02.jpg|Gender neutral langar, Golden Temple File:Langar , participatory community kitchen , Golden Temple ,Amritsar 01.jpg|Serving of langar, Golden Temple File:Miri-Piri , the twin Nishan Sahib flags ,Golden Temple ,Amritsar.jpg|Miri-Piri, the twin Nishan Sahib flags, Golden Temple File:A Sikh at Golden Temple.jpg|A baptised Sikh devotee at Golden Temple after taking holy bath in Sarovar (sacred lake) ==See also==
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