The memorialisation of Caporetto was problematic for Mussolini's government, as it was for Italy in general. The defeat was regarded as a stain on the national character, and an acceptable national interpretive framework was needed in order to account for it, preserving both the dignity of the commanders and the admirable qualities of the ordinary troops. Initially the simplest way of reconciling these requirements was often just to avoid the topic of Caporetto as much as possible. The 1934 film
Gloria:Documentazione Cinematografica Della Guerra 1915-1918 by Roberto Omegna celebrated courage and national pride, but scarcely mentioned Caporetto at all. The charnel house commemorates Caporetto as a national
Calvary, bringing together the symbolism of the Catholic
Passion with the monumental elements of fascist style. The pillars which mark the start of the winding road up to the summit bear, on one side, the cross, and in the other, the star of Italy. The road itself is a sort of pilgrimage route, and those venturing along it may stop to pray and contemplate each of Castiglioni's sculptures, which is provided with a bench for the purpose. ==Inauguration==