Box office The Man with the Iron Fists grossed $15.6 million from North America and $4 million from other territories for a worldwide total of $19.7 million, against a $15 million budget. Pre-release tracking in North America for the week before release estimated that the film would attract a mostly male audience and would earn between $7 million and $10 million during its opening weekend.
The Man with the Iron Fists earned $3 million during its opening day, and during its opening weekend the film earned $7.9 million from 1,868 theaters – an average of $4,235 per theater—finishing fourth behind holdover
Argo ($10.2 million), and fellow new releases
Flight ($25 million) and
Wreck-It Ralph ($49.1 million). The largest demographic of the opening weekend audience was under 30 (53%) and male (64%).
Critical reception The Man with the Iron Fists received mixed reviews from critics.
CinemaScore polls reported that the average grade moviegoers gave the film was "C+" on an A+ to F scale.
Varietys Andrew Barker called the film endearing and engagingly enthusiastic, and said it is "more fun than it ought to be". Barker considered RZA's on-screen role to be too withdrawn to carry the central character role, but praised the supporting performances, especially those of Le's crime lord and Crowe, who Barker said "smirkingly goes for broke to an extent that viewers haven't seen from him since, well ... ever." Barker also praised the film's score, but was critical of the script's uneven tone.
The New York Timess Manohla Dargis called it an erratically enjoyable product of a deep cinephile passion for the martial arts genre. Dargis praised Crowe's performance and Byron Mann's "gaudy baddie with heavy-metal hair and a psycho grin", but considered RZA's central role a mistake, saying "with his sleepy eyes and an affect so laid-back ... [he] is too recessive a screen presence to make the character pop, much less hold your interest".
The A.V. Clubs Nathan Rabin credited RZA's conceptualization of the "rich, bloody, dense universe he created down to the most insignificant details", and praised RZA's "powerful inner calm" and Crowe's "defiantly theatrical turn". The
Los Angeles Times Betsy Sharkey called it a martial-arts spectacle that "may just be one of the best bad movies ever." Sharkey said that some uneven performances and lack of refinement were the result of RZA's lack of directing experience, but appreciated the choreography of the "extreme action" and the film's visual aesthetic, which she described as "a blend of French Baroque and ancient China". Sharkey said that the plot "goes seriously off-course" when expanding on the Blacksmith's history.
The Hollywood Reporters Todd McCarthy said that the film is "sufficiently well done and amusing enough to satisfy the appetites of fans who mainline this sort of thing," but considered that in directly acting as an homage to the genre, it lacked any stylistic inspiration or imaginative flair to reinvent it. McCarthy however praised the imaginative weapon designs, and the performances of Lucy Liu and Crowe.
The Village Voices Nick Pinkerton said "the action scenes are often too cluttered for legibility, and, curious to say of a movie made by a musician, the film has broad swaths without tempo", and added that it has a homemade charm that he found "curiously touching".
USA Todays Scott Bowles was critical of the film, awarding it 1.5 stars out of 4. He said that the film is "heavy on bloody kung fu action...and light on just about everything else", that it "doesn't have enough tension to be taken seriously, or enough laughs to be taken lightly", and called it "slick and hip". Bowles wrote that the film has "beautifully choreographed moments, and the action sequences won't disappoint any fans of slow-motion fistfights and arteries that gush like fire hydrants". Independent film critic
Emanuel Levy wrote that Crowe's "commanding performance" and his chemistry with Liu lift the film slightly above the routine. Levy said that the film is an "ultra-violent movie that blends thrilling martial arts sequences, orchestrated and executed by some of the masters of this specific milieu, with a semi-involving tale" that would be appreciated by a young, indiscriminating audience.
Leonard Maltin of
IndieWire said that "RZA's understated performance isn't bad, but his staging of action leaves something to be desired", and that the film imitates earlier kung-fu films, which it fails to improve upon.
Accolades The Man with the Iron Fists received nominations for Golden Fleece and Best Wildposts at the 2013
Golden Trailer Awards. Its song "Carry It" was nominated for
Best Original or Adapted Song at the
Black Reel Awards of 2013. ==Sequel==