John J. O'Connor wrote in
The New York Times that the film featured a "remarkably
affectation-free performance by Peter Facinelli" and he is fortunate enough to be surrounded by a "first-rate supporting cast...[who] contribute the kind of on-target performances that lift
The Price of Love above a mere clinical case history".
Variety said the movie is dotted with "compelling characters", and Holloman "weaves a performance that, while tinged with vulnerability, captures her character’s innate sense of self-preservation".
The Baltimore Sun came down on the film for being "maddeningly irresponsible" in the way it ignores AIDS, but otherwise praised
David Gerber and David Burton Morris for going the "extra mile in terms of script and photography", and also noted that "Bret's journey into the empty, urban, neon nightmare of teen prostitution in Hollywood is compelling". The
Deseret News said the movie takes a rather "unflinching look at the horrors of this life" of living on the streets with the "violence, the disease, the trouble with the law". But at the same time, "it handles the situation of teenage boys selling their bodies without exploiting it". John Voorhees of
The Seattle Times wrote "Ronald Parker's script doesn't glamorize life on the streets, yet treats the prostitution angle with sensitivity, while director David Morris gets affecting performances from an uniformly good cast. Facinelli is believable as the teen in crisis". ==See also==