Background The musical began as a small off-Broadway musical with music by Kander and Ebb, the book by
Albert Innaurato, and direction by
Arthur Laurents, focusing on an Italian-American mother and her estranged daughter. As the project was not doing well, Terrence McNally was brought in to write the book and Laurents left. In place of the intimate musical, there were now a small male chorus and large sets.
Productions The musical opened on
Broadway on February 9, 1984 at the
Martin Beck Theatre, where it ran for 204 performances and 29 previews. The production was directed by
A. J. Antoon, with choreography by
Graciela Daniele, set design by Peter Larkin, costume design by
Theoni V. Aldredge, lighting design by Marc B. Weiss, sound design by Otts Munderloh, and musical direction by
Paul Gemignani. Despite the presence of box-office draws
Liza Minnelli (as Angel) and
Chita Rivera (as Anna), it could not overcome the mostly negative reviews. The cast also included
Jason Alexander (Lino/Lenny/Punk/Uncle Fausto), Kim Hauser (Little Girl),
Mel Johnson, Jr. (Buddy/Hiram/Mrs. Jackson/Charlie/Suitor/Junior Miller), Scott Holmes (Guy/Dino/Father Rocco/Debbie Duberman),
Scott Ellis (Lucky/Sugar/Punk/Arnie/Suitor/Bobby Perillo/Danny/Additional singer), Frank Mastrocola (Tony/Tom/Punk/Suitor/Peter Reilly),
Ronn Carroll (Ben/Dino's Father/Sister Philomena), and
Rob Marshall (additional singers).
Stockard Channing replaced Liza Minnelli as of July 14, 1984. The musical had an engagement in the
West End at the
Cambridge Theatre, opening on February 17, 1988 through March 19, 1988, running for 38 performances. Josephine Blake and
Diane Langton starred as Anna and Angel. This production, directed by Paul Kerryson, whilst not successful at the large Cambridge Theatre in London, had enjoyed sell out success at the smaller Forum Theatre in Manchester in 1987, where its run had been extended. On the day that notices were issued that the show was to close, the cast, orchestra and crew staged a sit-in at the Cambridge Theatre to protest that low audience numbers were due to the poor marketing and media engagement by the producers. Blake and Langton appeared on Alan Titchmarsh's daytime TV show to raise awareness of the show. Kerryson revived the show at the Leicester Haymarket in 1998 starring
Kathryn Evans and
Linzi Hateley. Diane Langton returned to the show in 2004, this time playing Anna, at the Belgrade Theatre in Coventry.
Porchlight Music Theatre presented
The Rink as a part of their "Porchlight Revisits" season in which they stage three forgotten musicals per year. It was in Chicago, Illinois in October 2016. It was directed and choreographed by Christopher Pazdernik and music directed by Ryan Brewster.
Caroline O'Connor (who understudied Diane Langton as Angel in the 1988 London production before starring in
Chicago,
Mack and Mabel and
Anastasia) played the role of Anna in a revival at London's
Southwark Playhouse in May 2018. This production was highly praised for the main performances by Caroline O’Connor and Gemma Sutton and for the inventive choreography (including tap dancing on roller skates) but changes to the script and score by the show's director and dramaturg were less popular (the opening number Coloured Lights was moved to the end of Act 1, leaving the show to start with dialogue. A huge section of Mrs A, where Anna's rejection of her faith is explored, was cut. Sections of All The Children In A Row, where Angel's lover died in a car crash prompting her search for her father, were replaced with the repetition of an incongruous line “I’m going to find my father”). ==Response==