Critical response The film holds a 74% approval rating on review aggregator
Rotten Tomatoes based on 217 reviews; the average rating is 6.94/10. The critical consensus states, "
The Roads commitment to Cormac McCarthy's dark vision may prove too unyielding for some, but the film benefits from hauntingly powerful performances from Viggo Mortensen and Kodi McPhee." It has a score of 64/100 on
Metacritic based on 33 reviews, indicating generally positive reviews.
A. O. Scott from
At the Movies stated that while the film "hits a few tinny, sentimental notes", he "admire[s] the craft and conviction of this film, and [he] was impressed enough by the look and the performances to recommend that you see it."
IGN gave it four and a half out of five stars, calling it "one of the most important and moving films to come along in a long time." In an early review,
The Guardian gave the film four stars out of five, describing it as "a haunting, harrowing, powerful film", with Mortensen "perfectly cast" as the Man.
Roger Ebert awarded the film 3.5 out of 4 stars, praising Mortensen and Smit-McPhee's work, but said the film was not as powerful as the book.
Luke Davies of
The Monthly described the film as "gorgeous, in a horrible way, but its greater coolness and distance shows just how difficult it can be to translate to screen the innate psychic warmth of great literature," and suggested the film's flaws "might have to do with the directorial point of view—it all feels too detached, in a way that the book in its searing intimacy does not," concluding that the film has "too much tableau and not enough acting." A review in
Adbusters disapproved of the
product placement in the film, but, as noted by Hillcoat, the references to
Coca-Cola appear in the novel, and the company was in fact reluctant about the product being portrayed in the film.
The Washington Post said the film "is one long dirge, a keening lamentation marking the death of hope and the leeching of all that is bright and good from the world...It possesses undeniable sweep and a grim kind of grandeur, but it ultimately plays like a zombie movie with literary pretensions." Tom Huddleston from
Time Out called the film "as direct and unflinching an adaptation as one could reasonably hope for" and "certainly the bleakest and potentially the least commercial product in recent Hollywood history." He said the movie is a "resounding triumph", noting its "stunning
landscape photography [which] sets the melancholy mood, and
Nick Cave's wrenching score." Sam Adams from the
Los Angeles Times noted that while "Hillcoat certainly provides the requisite seriousness, [...] the movie lacks... an underlying sense of innocence, a sense that, however far humanity has sunk, there is at least some chance of rising again." Kyle Smith from the
New York Post stated that "
Zombieland was the same movie with laughs, but if you take away the comedy, what is left? Nothing, on a vast scale." J. Hoberman from the
Village Voice said that while "Cormac McCarthy's Pulitzer Prize-winning,
Oprah-endorsed, post-apocalyptic survivalist prose poem...was a quick, lacerating read", "John Hillcoat's literal adaptation is, by contrast, a long, dull slog." Jake Coyle from the
Associated Press stated that "[a]dapting a masterpiece such as
The Road is a thankless task, but the film doesn't work on its own merits".
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