The module was reviewed in issue No. 16 of
Different Worlds magazine, which complained that TSR had abandoned its tradition of using maps as color art "in favor of pretty pictures irrelevant to the text". The reviewer, Anders Swenson, disliked the randomness of the module's encounters, arguing that it was unrealistic for so many monster nests to be found within a day's march of a hardy military garrison. His real problem with the adventure, however, was that he believed that too many encounters were compressed into too small of an area. "What deals and pacts have been made to permit the villagers, the clerics, the gnolls and wolves, and the inhabitants of Bone Hill to live in such harmony?" Robert Kern reviewed
The Secret of Bone Hill in
Ares Magazine #12 and commented that "The good news is that TSR is publishing a new module for low level characters. The bad news is that it might require a more experienced DM to overcome it omissions and shotgun method of presenting information. " The module was positively reviewed by
Jim Bambra in issue No. 35 of
White Dwarf magazine, who rated it 8 out of 10. Bambra felt that the fishing port of Restenford and its surrounding wilderness were given "particularly colourful" descriptions. He wrote that the module provided some very interesting
roleplaying situations and an excellent background for a campaign, but "provides little more than this on a long term basis".
Lawrence Schick in his book
Heroic Worlds was critical of the module, calling it "Not one of TSR's more sterling endeavors," and noting that the back cover was "deliberately botched" by the artist (
Erol Otus) "who didn't care for the product". James Maliszewski claimed the module was one of his favorites because it created "a very flexible 'sandbox' framework for a low-level campaign". Scott Taylor of
Black Gate in 2015 gave the
Lendore isles series an Honorable Mention in "The Top 10 Campaign Adventure Module Series of All Time, saying "for all its obvious benchmarks, Lendore is a muddle of 1st-5th level adventures without any true coherency." ==References==