Sons of the Desert opened at Arthur Mayer's Rialto Theater in New York, usually a haven for horror pictures but always receptive to each new Laurel and Hardy comedy. A
Motion Picture Herald reviewer was there: "At the Rialto theatre on Broadway in New York, the audience gave considerable and repeated evidence of definite enjoyment, chuckling at frequent intervals, laughing heartily on occasion. Slapstick comedy laughs there are aplenty, to judge by the Rialto audience." A reporter from the
New York Herald Tribune attended the same screening and noticed that the Rialto "was crowded with ecstatic delegates who showed every sign of regarding themselves as being in an ideal world where there were two
Chaplins working in one film."
Film Daily commented, "This Hal Roach production is more than just an elongated two-reeler [short subject]. It is typical Laurel and Hardy tomfoolery, of course, but with a plot that sustains interest very nicely to the finish. And for the who want laughs, it is a generous feast."
Motion Picture Daily covered the Hollywood preview and gave special credit to "William A. Seiter getting the most directorially out of a well constructed story. Seiter has the faculty of building up to a gag, giving it plenty, then letting down just long enough to deliver the next jolt." Theater owners reported very good business. "A wow at the box-office. People flocked to see these two." (B. R. McLendon, Idabel, Oklahoma); "Well, the boys have done it, and I did not think they could. This latest of theirs is a knockout comedy. Better than ordinary business and that is saying something." (A. E. Hancock, Columbia City, Indiana); "The best feature from this team. It went over big here, as nearly everyone likes that kind of show." (Gladys E. McArdle, Lebanon, Kansas); "Best Laurel and Hardy to date. More story than usual and not so many repeats on the same gag." (C. M. Hartman, Carnegie, Oklahoma).
Sons of the Desert was re-released in 1947, after Laurel and Hardy had retired from the American screen: "Who was the dope that said Laurel and Hardy were washed up? What two comics in show business can pack so many good, clean laughs in 70 minutes as Laurel and Hardy? I ran this with a cartoon show to a capacity house, and it was thoroughly enjoyed by all -- even the ones who had to stand up in the rear." (Carl E. Pehlman, Edinburg, Illinois).
Contemporary response Leonard Maltin gave it three and a half of four stars: "L&H's best feature film; duo sneaks off to fraternal convention without telling the wives; then the fun begins, with Chase as hilariously obnoxious conventioneer."
Leslie Halliwell gave it one of his rare four of four stars: "Archetypal Laurel and Hardy comedy, unsurpassed for gags, pacing and sympathetic characterization." == Awards and honors ==