exhibition. "I was struck by the thought that there was a huge wall, that you couldn't see, between me and the audience," explained
Roger Waters. "Then I drew it and started to talk to people about it. And they thought I was mad, because my original idea was to start building a wall at the beginning of the show and, when it's finished, they can't see you or hear you any more, and then the show is over." The shows involved pyrotechnics, most prominently featuring a model
Stuka aeroplane flown over the audience towards the beginning of each performance, crashing and exploding as it hit the wall. This stunt caused a mishap during the first night of the tour, when it set the stage curtains on fire. The stadium had to be evacuated, but following the revelation of the surrogate band, Waters had difficulty convincing the audience that the fire was not also part of the performance. No serious injuries occurred. Unlike prior tours, The Wall required precise timing and staging (allowing for little improvisation). For "Comfortably Numb", while Waters sang his opening verse,
David Gilmour waited in darkness at the top of the wall, standing on a
flight case on casters, held steady by a technician, both precariously balanced atop a hydraulic platform. On cue, bright blue and white lights would suddenly illuminate him. At the very end of each concert, the wall would be dramatically torn down, controlled carefully by tipping mechanisms in order to prevent the front rows of the audience from being harmed. The tour's costs were estimated to have reached US$1.5 million even before the first performance (equivalent to US$4.7 million as of 2021).
The New York Times stated in its 2 March 1980 edition: "The
Wall show remains a milestone in rock history though and there's no point in denying it. Never again will one be able to accept the technical clumsiness, distorted sound and meagre visuals of most arena rock concerts as inevitable." It concluded, "The
Wall show will be the touchstone against which all future rock spectacles must be measured."
Nick Mason explained: The concert was performed just 31 times in four cities:
Los Angeles (7 shows),
Uniondale (5),
Dortmund (8) and
London (11). The primary 'tour' consisted of 18 shows in L.A., Uniondale and London in 1980, but the band performed a further eight shows in Dortmund (13–20 February 1981) and five more shows at Earl's Court (13–17 June) for filming, with the intention of integrating the shows into the upcoming
movie The London shows are documented on the album
Is There Anybody Out There? The Wall Live 1980-81. Gilmour and Mason attempted to convince Waters to expand the show for a more lucrative, large-scale stadium tour, but because of the nature of the material (one of the primary themes is the distance between an artist and his audience) Waters balked at this. On tour, relations between Gilmour, Mason, Waters and
Richard Wright were at an all-time low: their four
Winnebagos were parked in a circle with the doors facing away from the centre; an isolated Waters used his own vehicle to arrive at each venue and stayed in separate hotels from Gilmour, Mason and Wright. Despite having left the band upon completion of the album, Wright agreed to complete the tour as a salaried musician, and consequently ended up being the only member of the group who made any money from the venture. "I did not just want to walk out on this great thing I'd been working on," he recalled. "I just decided I'd go out and play my best, possibly with the hope that, if it worked out, [Waters'] decision to have me out could have been reverted." ==Concert film==