Box office The Village made $50.7 million during its opening weekend. The film grossed $114 million in the U.S., and $142 million in international markets. Its worldwide box office totalled $256 million, the tenth highest grossing PG-13 movie of 2004. At
Metacritic, the film holds a score of 44 out of 100 based on 40 critics, indicating "mixed or average reviews". Audiences surveyed by
CinemaScore gave the film an average grade of "C" on scale of A+ to F scale.
Roger Ebert gave the film one star and wrote: "
The Village is a colossal miscalculation, a movie based on a premise that cannot support it, a premise so transparent it would be laughable were the movie not so deadly solemn ... To call the ending an
anticlimax would be an insult not only to
climaxes but to
prefixes. It's a crummy secret, about one step up the ladder of narrative originality from
It was all a dream. It's so witless, in fact, that when we do discover the secret, we want to rewind the film so we don't know the secret anymore." Ebert named the film the tenth worst film of 2004 and subsequently put it on his "Most Hated" list. There were also comments that the film, while raising questions about conformity in a time of "evil," did little to "confront" those themes.
Slate's Michael Agger commented that Shyamalan was continuing in a pattern of making "sealed-off movies that [fall] apart when exposed to outside logic." The movie had a number of admirers. Critic Jeffrey Westhoff commented that though the film had its shortcomings, these did not necessarily render it a bad movie, and that "Shyamalan's orchestration of mood and terror is as adroit as ever." In France, the
Cahiers du cinéma praised the movie, putting it in second place (tie) in
their 2004 annual top list. Some other French film critics shared their enthusiasm, such as
Le Monde, which described the film as a "horrific post-
9/11 fable", "a political film disguised as fantasy, a work of great beauty shot through with primal anxieties and universal aspirations". But the general reception of the film remains mixed:
Libération called it a "
Jansenist turkey", which "pretends to worry about the isolationism of its ass-benitent heroes, but shows above all that it understands their fears and feels sympathy for them"; and
Télérama described the filmmaker as "once again taking himself for Hitchcock".
Re-evaluation The film has received some additional positive reviews since its release including
Emily St. James of
Vox and Chris Evangelista of
SlashFilm who thought it was one of Shyamalan's best films, Adam Chitwood of
Collider who praised the ending, the performances of Howard, Phoenix, and Hurt, and the cinematography, and Kayleigh Donaldson of
Syfy Wire who praised the cinematography, and said, "...[the film] stands as one of the strongest representations of Shyamalan’s ethos, for better or worse." Carlos Morales of
IGN argued that the film was misunderstood at the time of its release because it was mismarketed as a
horror film, and also because of audience expectations that had been built up by Shyamalan's three previous films. "The real twist was that the movie they wanted wasn't the one Shyamalan made." Philip Horne of
The Daily Telegraph in a later review noted "this exquisitely crafted
allegory of American soul-searching seems to have been widely misunderstood."
Accolades ;2005
ASCAP Film and Television Music Awards •
Won – Top Box Office Film —
James Newton Howard ;2004
Academy Awards (Oscars) • Nominated –
Best Original Score — James Newton Howard ;2005
10th Empire Awards • Nominated – Best Actress —
Bryce Dallas Howard • Nominated – Best Newcomer — Bryce Dallas Howard • Nominated – Best Director —
M. Night Shyamalan ;2005
Evening Standard British Film Awards •
Won – Best Technical/Artistic Achievement —
Roger Deakins ;2005
MTV Movie Awards • Nominated –
Best Breakthrough Female Performance — Bryce Dallas Howard ;2005
Motion Picture Sound Editors (Golden Reel Award) • Nominated – Best Sound Editing in a Feature: Music, Feature Film — Thomas S. Drescher ;2004
Online Film Critics Society Awards • Nominated – Best Breakthrough Performance — Bryce Dallas Howard ;2005
Teen Choice Awards • Nominated – Choice Movie Scary Scene — Bryce Dallas Howard,
Ivy Walker waits at the door for Lucius Hunt. • Nominated – Choice Movie: Thriller
Other honors The film is recognized by
American Film Institute in these lists: • 2005:
AFI's 100 Years of Film Scores – Nominated The soundtrack was widely praised, and was nominated by the American Film Institute as one of the Best Film Scores and the
Academy Award for Best Original Score.
Plagiarism allegation Simon & Schuster, publishers of the 1995 young adult book
Running Out of Time by
Margaret Peterson Haddix, claimed that the film had taken ideas from the book. The plot of Shyamalan's movie had several similarities to the book. They both involve a 19th-century village, which is actually a park in the present day, have young heroines on a search for medical supplies, and both have adult leaders bent on keeping the children in their village from discovering the truth. ==Home media==