Writer's block may have several causes. Some are
creative problems that originate within an author's work itself. A writer may run out of
inspiration or be distracted by other events. The writer
Elizabeth Gilbert, reflecting on her post-bestseller prospects, proposed that such pressure might be released by interpreting creative writers as "having" genius rather than "being" a genius. A fictional example can be found in
George Orwell's novel
Keep the Aspidistra Flying, in which the protagonist Gordon Comstock struggles in vain to complete an
epic poem describing a day in London: "It was too big for him, that was the truth. It had never really progressed, it had simply fallen apart into a series of fragments." While some may think that writers block applies to only writing assignments and can only affect people in writing classes, the problem extends out of that consensus. Writer's block is more of a classification than a "writing specific" problem. To expand on this thought, the problem of writer's block is when someone feels confined and overwhelmed on a topic. This sense of overstimulation blocks our creativity receptors in the brain, causing the sense of feeling blocked. This being said, "writer's block" does not just have an effect on pen to paper, it can delay the thinking process for any kind of work or assignment resulting in a poor outcome.
Physiological and neurological basis Physiological and neurological bases of writer's block have been suggested. Under stress, a human brain will "shift control from the
cerebral cortex to the
limbic system". The limbic system is associated with the instinctual processes, such as "fight or flight" response; and behavior that is based on "deeply engrained training". The limited input from the cerebral cortex hinders a person's creative processes, which is replaced by the behaviors associated with the limbic system. The person is often unaware of the change, which may lead them to believe they are creatively "blocked". Flaherty suggested in her writing that there are many diseases that may impact one's ability to write. One of which she refers to is
hypergraphia, or the intensive desire to write. She points out that in this condition, the patient's temporal lobe is afflicted, usually by damage, and it may be the same changes in this area of the brain that can contribute to writer's-blocking behaviors. Not to be confused with writer's block,
agraphia is a neurological disorder caused by trauma or stroke causing difficulty in communicating through writing. Agraphia cannot be treated directly, but it is possible to relearn certain writing abilities.
Brain trauma Other research identifies neurological malfunctions as a cause. Malcolm T. Cunningham showed how these malfunctions can be linked to trauma both mental and physical. Physical damage can produce writer's block. If a person experiences tissue damage in the brain, i.e. a stroke, it is likely to lead to other complications apart from the
lesion itself. This damage causes an extreme form of writer's block known as agraphia. From a composition perspective, Lawrence Oliver said in his article "Helping Students Overcome Writer's Block": "Students receive little or no advice on how to generate ideas or explore their thoughts, and they usually must proceed through the writing process without guidance or corrective feedback from the teacher, who withholds comments and criticism until grading the final product." He said that students "learn to write by writing", and often they are insecure or paralyzed by rules. She said, "I needed to write to feel, but without feeling I couldn't write." She urges a "partnership" between writers and instructors so that responses become a conversation. According to him, freshman students write well about topics they are passionate about. Marshall Moore, in his article "Articulate Walls: Writer's Block and the Academic Creative," thinks similarly by writing: "...his or her practice is paralysingly out of sync with the syllabus; and teaching from a state of creative depletion may engender a cascade of self-doubt. This paper will look at the process by which these practitioners attempt to navigate this zone of creative disconnect.". Saying having assigned, planned out, and required papers is contributing to loss of motivation. Aline Alves-Wold, in her article "Assessing Writing Motivation: a Systematic Review of K-5 Students' Self-Reports" states that there is a general lack of research on the motivation of students to write in the first few years of education, which is problematic when one considers how important initial experiences are in motivating students to write. Success generally enhances one's belief in their efficacy, whereas failure weakens them. "These mechanisms are particularly evident in early phases of skill development where failure typically occurs before a sense of efficacy has been firmly established. This implies that children in their first years in school have writer self-beliefs that are particularly malleable and dynamic". A research study done on K-12 students on writer's block also observed that it is common to understand writing struggles in students as a lack of knowledge or incapability when underlying factors such as minority based backgrounds and societal struggles play a role as well. ''''''
Negative self-beliefs and feeling of incompetence Mike Rose stated that writer's block can be caused by a writer's history in writing, rules, and restrictions from the past. Writers can be hesitant about what they write based on how it will be perceived by the audience.'''''' Guangming Ling states that there is a negative correlation between self-efficacy and avoidance goals in studies on writing apprehension and writer's block, which suggests that having hesitations about writing may lead to less effort and thus less success. Similarly to Ling, Dana Driscoll and Jennifer Wells explain writing dispositions in their essay "Beyond Knowledge and Skills". Driscoll and Wells argue that dispositions toward writing play crucial roles in determining whether writers are able to transfer their knowledge of writing into other contexts of life. Related to self-efficacy, Driscoll and Wells suggest that writers who have a positive self-belief are more likely to produce work than some with a negative self-belief. In "Motivation in the Writing Centre: A Peer Tutor's Experience", Leonie Kirchoff states that "The concept of 'amotivation' describes a lack of motivation due to an individual's feeling of incompetence and helplessness." For tutors to provide students with the most appropriate feedback, scholars like Jared Featherstone from James Madison University suggest that tutors should be well educated in mindfulness strategies to combat a student's fixed mindset. He argues that tutors or instructors should be mindful enough to be grounded and focused solely on their student so they can pick up on the feelings, stress, or fixed mindsets their student might have. An unmindful tutor might accidentally reinforce a student's negative thinking patterns. ==Coping strategies==