TNT (Tortoise album)

Tortoise's critically acclaimed second album Millions Now Living Will Never Die (1996) established the band as a defining, largely-instrumental post-rock band, and placed high underground anticipation on TNT. Shortly before recording TNT, the band "linked themselves with the cream of European electronica" to "remix the album on a series of 12" singles." Through these releases, it was apparent the band's "reliance on studio engineering" was growing. == Writing and production ==

TNT was recorded from November 1996 – November 1997 and produced, edited and mixed by the band's drummer John McEntire at his Soma Electronic Music Studios in the band's native Chicago, except for "Ten-Day Interval" and "Four-Day Interval", which the band recorded in another Chicago studio, Idful Music. TNT was "pieced together in the studio"; inspired by their recent remixing endeavors, Tortoise "sought to work the remixing aesthetic into the recording process, which utilized nonlinear hard-disc studio technology." McEntire explained "I think that there was a tendency to not want to do the sort of remix frenzy that we've been known for in the past, because it's becoming a sort of a cliche. I think those ideas are still extremely valid, but it's just become this sort of marketing tool, rather than a creative endeavor. We left the material really open. And we spent so long working on the record that by the time the tracks were finished they had gone through so many permutations that it really was like each track had been mixed and remixed several times." whereas Bush commented there was only a small amount of post-production on the record, "and those so complementary and subdued that they rarely even sound like effects." == Musical style ==

TNT is a departure from the more dub and electronic-laden sound of the band's previous work, organic and a larger emphasis on groove and song-orientation. John Bush of AllMusic described the album as "a record of post-modern cool jazz" that only features slight elements of "the dub, krautrock and electronics" that characterized Millions Now Living Will Never Die. Meanwhile, Brent DiCrescenzo of Pitchfork said the record is "a hand-glide ride through modern post-rock, jazz, indie rock, subtle techno, funk and international flavors." Rolling Stone said the band's influences are more clear on TNT than on previous records, citing "Steve Reich's marimba rhythms, dub's sonic teasing, Can's mesmerizing locomotion, Ennio Morricone's rugged surf-guitar melodies." CMJ, meanwhile, said TNT "calls to mind everything from Derek Bailey's angular improv to lite bossa nova, Pink Floyd-ish space rock to techno and drum 'n' bass, Herbie Hancock's electro-funk to Astor Piazzolla's nuevo tango." Meanwhile, the band's increased interest in jazz on TNT is said to be in "the tradition of the Art Ensemble of Chicago and its compatriots in the Association for the Advancement of Creative Musicians (of which Parker is a member.)" Comparisons were made between TNT and Stereolab's Dots and Loops (1997) and Mike Oldfield's Tubular Bells (1973). == Compositions ==

on "Ten-Day Interval" using a marimba, an instrument whose usage he urged on the album. which is krautrock-influenced. The consecutive tracks "Almost Always Is Nearly Enough" and "Jetty" largely forgo the jazz influences and instead present "cut-up voices, brittle drum'n'bass rhythms and ricocheting electronics." "Jetty" is an alternate version of 1997 song "La Jeteé" by Tortoise's jazzier sister group, Isotope 217 (Both songs took their name from landmark experimental film La jetée.) They are followed by the "mesmerizing tone" of closing track "Everglade". == Release and promotion ==

Media interest in TNT was relatively high prior to its release; American publications such as Billboard and British publications such as The Sunday Times, The Wire and The Face ran features on the band and the album. The band's labels and distributors had relatively high commercial hopes for the album; Alternative Distribution Alliance, who distribute the band's American record label Thrill Jockey to major chains, set up programs to promote and deliver TNT in outlets such as Best Buy, Borders, Tower Records and Barnes & Noble. Interest for the band had also grown in France; Betti Richards, Thrill Jockey's owner, said "France's market has always been a bit slow, but this time it seems like its going to blow up". TNT was released by Thrill Jockey on March 10, 1998. In the United Kingdom, the album was released by City Slang, whereas in Japan, where the album was expected to sell 15,000 copies and carried a bonus remix of the title track by Nobukazu Takemura, it was released by Tokuma Japan Communications. The cover art is simply a doodle made by a band member on a CD-R cover insert during the recording sessions. The album generally met target sales, with its success accredited to college radio. Richards told Billboard in March 1998, "we service about 200 [college] stations, and they've always done well. Up until about two months ago, we didn't have anybody doing anything with college radio–we just sent 'em the records. It charts naturally on its own." Though no standard singles were released from TNT, techno pioneer Derrick Carter remixed material from the album for a limited edition release. Tortoise underwent a five-month world tour in promotion of the album, beginning in Europe in April 1998. As the material on TNT was arranged over a long period of time in the studio, the band had to rearrange the songs for the tour; CMJ described it as "the curious position of having to learn its songs from the record–to "cover" them as it were–highlighting the postmodern reversal that turns live performance into a stimulation of the recorded original, the real into a copy of the virtual." McEntire told the magazine that "none of these songs were really played by the group together at one point ever, which is why we're having such a hard time now trying to learn them to play them live. It gets even more confusing because a lot of the stuff that's recorded was just done on a whim and you can't even remember what it is or who played it." == Critical reception ==

Critical reaction to TNT was positive. Chicago Tribune critic Greg Kot found that despite eschewing "vocals, narrative or conventional pop-song structure... the subtle logic of these compositions is revealed as tiny melodies surface and return, and the textures fan out as though part of a slow-motion sonic kaleidoscope". Uncut hailed the album as "a masterpiece: not at all avant-garde, just an hour of wonderful and timeless music." In 2019, Pitchforks Mark Richardson wrote that the album was "weirdly beautiful and impossible... a place where the musical values of the past (instrumental proficiency, deliberate composition) met the digital future". In their lists of the best albums of 1998, TNT was ranked 12th by Magic, 32nd by Spex, 37th by Les Inrockuptibles and 58th by Muzik, and was also included in the unordered lists of 1998's best albums by Magnet and The Wire. The New York Times Neil Strauss ranked the album as the 5th best of 1998. In 2003, Pitchfork ranked the album at number 91 in its list of the "Top 100 Albums of the 1990s", with William Morris saying that "TNT was like a hypnotic snowglobe that refused to settle without ever having required shaking. Tortoise showcased their musicians' talents with an improviser's bent." Rockdelux included the album in their list of the 500 greatest albums from 1984–2014. == Track listing ==

Credits adapted from liner notes. Tortoise • Dan Bitney – performer, programming • David Pajo – performer • Douglas McCombs – performer • Jeff Parker – performer • John Herndon – performer, programming • John McEntire – performer, recording engineer, editing, mixing Additional personnel • Caitlin Hormson  – bassoon • Popahna Brandes  – cello • Rob Mazurek  – cornet • Sara P. Smith  – trombone • Julie Liu  – violin • Roger Seibel  – mastering • Sheila Sachs  – layout assistance • Tortoise  – sleeve design == Charts ==