1981–1985: Early Years Tom Silverman created Tommy Boy Music in 1981 in his
New York City apartment with a $5,000 loan from his parents. The label was an outgrowth of Silverman's
Dance Music Report bi-weekly publication, which spanned 14 years, beginning in September 1978.
1985–2002: Partnership with Warner Bros. Records In 1985,
Warner Bros. Records entered into a partnership with Tommy Boy and acquired half of the label, and it allowed the label to use independent distribution as it saw fit, with the option to distribute artists through the major-label channel through Warner Bros. Records or sister label
Reprise Records.
Monica Lynch, who was one of the first employees hired by Tom Silverman, became president of the label in 1985. As A&R for the label, she signed and managed Queen Latifah, De La Soul, and host of hip hop musicians. Even though the male–female power struggle in hip hop music has always been present, Lynch and her peers said that the early days of hip hop were magical times for women looking to make it in the record business. Julie Greenwald, Sylvia Robinson, DJ Jazzy Joyce, Mona Scott, and Claudine Joseph also made their mark on different areas of hip-hop. Greenwald and Robinson, like Lynch, became powerful music executives. For more than 25 years, DJ Jazzy Joyce has been one of the most visible and in-demand female turntablists. And Scott and Joseph have managed the careers of some of the biggest names in hip-hop. "Hip-hop provided a tremendous amount of opportunities for women, which might seem antithetical because of the association that many people have with misogyny and hip-hop," says Lynch. "There has been a lot of attention paid to misogynist lyrics in hip-hop over the years, and I'm not going to defend or damn it. I think it exists, but some of the people who helped put those records out were women." The label had several joint ventures in the mid 1990s including
Penalty Recordings, Stepsun, Beyond, and Ignition. The label also had deals with labels such as Timber Records and distribution deals with Outcaste Records and 75 Ark, while also giving independent distribution to sister imprints that already had label deals with WEA, including
American Recordings' Ill Labels,
Mute Records' NovaMute, and
Cold Chillin' Records' Livin' Large. In 1997, Tommy Boy launched an imprint label called Upaya to pursue the growing interest in
spirituality and spiritual/
world music. The imprint Tommy Boy Gospel was launched in 1998 under the direction of Max Seigel and Marvie Wright. That same year, the imprints Tommy Boy Black Label, which specialized in underground hip hop music, and Tommy Boy Silver Label, which specialized in dance music, were founded. In 2001, while still affiliated with
Warner Music, Tommy Boy Records founder
Tom Silverman formed Tommy Boy Films, a TV and film division with
Kung Faux creator and Dubtitled Entertainment founder, Michael "Mic" Neumann.
2002–2021: Independence In 2002, Tommy Boy Records became independent again after it ended its joint venture with
Warner Bros. Records, which wanted greater unit sales, and the master tapes released until that time became property of Warner Music, while the Tommy Boy trademark remained with
Tom Silverman. The then-current Tommy Boy music artists were shopped to various
WEA labels, the Tommy Boy television and film divisions were merged with the Tommy Boy music division, and the resulting company was rebranded as Tommy Boy Entertainment. In 2018, Tommy Boy also acquired
Amherst Records, Harlem Music, and Halwill Music, which hold masters and publishing rights for a diverse collection of '70s Soul, Disco, and Jazz artists including
The Stylistics,
Van McCoy, and
Glenn Medeiros.
2021–present: Acquisition by Reservoir Media In June 2021, Tommy Boy was acquired for $100 million by Reservoir Media, a music publishing and media rights company founded in 2007 by Iranian-Canadian businesswoman
Golnar Khosrowshahi. ==Brand image==