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Maria Clara gown

The María Clara gown, historically known as the traje de mestiza during the Spanish colonial era, is a type of traditional dress worn by women in the Philippines. It is an aristocratic version of the baro't saya. It takes its name from María Clara, the mestiza protagonist of the novel Noli Me Tángere, penned in 1887 by Filipino nationalist José Rizal. It is traditionally made out of piña, the same material used for the barong tagalog.

Traditional components
but traditionally worn by Filipina women with a pañuelo (neck scarf) over the shoulders and accessorized with a delicate abaniko (fan). Like the ''baro't saya, the Maria Clara gown traditionally consists of four parts: a blouse (baro or camisa), a long skirt (saya), a kerchief worn over the shoulders (pañuelo, fichu, or alampay), and a short rectangular cloth worn over the skirt (the tapis or patadyong''). The camisa is a collarless blouse whose hem is at the waist and is made from flimsy, translucent fabrics such as pineapple fiber and jusi. The sleeves of the camisa are similar to the so-called "angel wings", or shaped like bells. The correct term for the sleeves of the camisa during the mid to late 1800s is a "pagoda" – derived from early Western silhouettes of the Victorian period. The pañuelo is a piece of starched square cloth (either opaque or made from the same material as of the camisa) folded several times and placed over the shoulders. The purpose of the pañuelo has been related to modesty, used to cover the nape and the upper body due to the camisa's low neckline as well as its sheer translucency; and also doubles as an accent piece because of embellishments added to it, usually embroideries and the pin securing it in place. The saya is a skirt shaped like a "cupola", the length begins from the waist reaching the floor. These are usually comprised either of single or double sheets, called "panels" or dos paños (Spanish for "two cloths"); some examples are made out of seven gores or siete cuchillos (Spanish for "seven knives"). The tapis is a knee-length over-skirt that hugs the hips. Tapis designs may be plain, and is usually made of opaque fabrics such as muslin and the madras cloth, and also is used for the purposes of modesty as it keeps the lower body from showing due to the thinness of the saya. Some ladies belonging to the higher classes (often of the mestiza caste) consider the tapis a lowly piece of clothing. It resembled the dalantal (apron) worn by the lower classes. The upper-class women of the 1880s to the 1890s wore an elaborate ==Modernization==
Modernization
The word "terno" in Spanish refers to a matching set of clothes made of the same fabric. In the Philippines, "terno" refers to a woman's ensemble that consists of matching colors/patterns. In the early 1900s, the traje de mestiza's components started to match in terms of color and patterns. Some trajes in the 1910s were entirely made of the same material (such as "nipis" – a Filipino term meaning "fine" or "thin"). By the 1920s the term referred to a dress consisting of a matching "camisa" with butterfly sleeves, a heavily starched "pañuelo" (fichu), a "saya" (skirt) which normally came with a "cola" (train), and a "sobrefalda" (overskirt). Contemporarily there are many designers who incorporate filipiniana dresses into their creations, adding a modern twist to them. They are often tailored to match new aesthetic standards and practical needs of everyday people. Although its style has changed, the image of the classic filipina can still be seen. ==Gallery==
Gallery
File:Butterfly Gown.jpg|Woman in terno with stiffened "butterfly" sleeves File:Miss Universe 2015 Pia Wurtzbach waves to the Malacanang Press.jpg|Pia Wurtzbach at Malacañang Palace wearing a terno. File:Kerchief (Pañuelo) MET 115249a.jpg|Early 19th-century pañuelo in the Metropolitan Museum of Art File:Pinayavatar.jpg|Mestiza de sangley in traje de mestiza with an abaniko (fan) File:Filipina mestizas, early 1800s.jpg|Filipina mestizas from the early 1800s with pañuelos over ''baro't saya'', by Paul de la Gironiere File:La Mestisa by Justiniano Asuncion.jpg|La Mestisa (A Filipina Mestiza) by Justiniano Asunción File:La Mestisa Española by Justiniano Asuncion.jpg|La Mestisa Española (A Spanish Mestiza Filipina) by Justiniano Asunción File:India de Manila by José Honorato Lozano.jpg|India de Manila (Native Filipina of Manila) by José Honorato Lozano File:India A Caballo by José Honorato Lozano.jpg|India a Caballo (Native Filipina on a Horse) by José Honorato Lozano File:Meztizo Spanish Woman.png|A gown worn by a mestiza ==See also==
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