The songs, especially those from the
Vaishnav tradition, are erotic. The divine is expressed in them through allegorical depictions of the illicit love between
Krishna and
Radha, who was actually his aunt. There is a radical side to this blend of eroticism and divinity. Radha's love for Krishna is beyond all social norms. It is directly expressed, without the priest or the
Brahmin caste coming in between. When devotees sing and rejoice in that form of love, it is thus a popular and democratic process that defies caste divisions. • "Allah Ke Nur—Shafqat" — Amaanat Ali & Chorus • "Din Thakte Tiner Sadhan" — Kartick Das Baul • "Bhajo Patito Udhadharana"— Arijit Chakraborty & Chorus • "Hara Gauri Prananath" — Dohar • "Esraj" — Instrumental • "Hari Haraye Nama" — Monomoy Chakraborty & Chorus • "Jagohu Brishobhanu" — Sri Bani Kumar Chatterjee & Chorus • "Hese Khele Nao Re Jogu" — Neel Mukherjee & Chorus • "Rupo Lagi Aankhi Jhure" —
Raghab Chatterjee • "Joy Radhe Radhe" — Arijit Chakraborty & Chorus • "Moula Tere Bina" — Shafqat Amaanat Ali & Chorus • "Nirodo Nayane" — Santa Das • "Background Music" — Instrumental • "Praner Majhe Sudha (Hum)" — Parama Banerjee • "Radha Madhabo" — Kabir Suman & Chorus • "Aalo Je Amar Gaan Kore" — Parama Banerjee ==References==