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Aus tiefer Not schrei ich zu dir, BWV 38

Aus tiefer Not schrei ich zu dir, BWV 38, is a church cantata by Johann Sebastian Bach, composed in Leipzig in 1724 for the 21st Sunday after Trinity and first performed on 29 October 1724. It is based on Martin Luther's penitential hymn "Aus tiefer Not schrei ich zu dir", a paraphrase of Psalm 130.

History and text
Bach composed this chorale cantata in Leipzig in 1724. Written for the 21st Sunday after Trinity, it was part of his second annual cycle of cantatas which was planned as a cycle of chorale cantatas, based on prominent Lutheran hymns, for all occasions of the liturgical year. The prescribed readings for the Sunday were from Paul's Epistle to the Ephesians, "take unto you the whole armour of God", and from the Gospel of John, the healing of the nobleman's son. It was in Bach's time the "required hymn" for the Sunday. Luther wrote about the psalm that it was coming from a The text of the chorale is unchanged for the first and last movements. An unknown poet paraphrased the other three stanzas of the chorale for movements 2 to 5. Bach led the Thomanerchor in the first performance of the cantata on 29 October 1724. == Music ==
Music
Structure and scoring Bach structured the cantata in six movements. The text and tune of the hymn are retained in the outer choral movements, a chorale fantasia and a four-part closing chorale, which frame two sets of recitative and aria. Bach scored the work for four vocal soloists (soprano, alto, tenor, bass), a four-part choir, and a Baroque instrumental ensemble of four trombones (Tb), two oboes (Ob), two violins (Vl), viola (Va) and basso continuo. The instruments play colla parte with the voices in the outer movements in the style of Bach's motets. In the following table of the movements, the scoring follows the Neue Bach-Ausgabe. The keys and time signatures are taken from Alfred Dürr's standard work Die Kantaten von Johann Sebastian Bach, using the symbol for common time (4/4). 1 The opening movement is a chorale fantasia, "" (Out of deep anguish I call to You), John Eliot Gardiner, who conducted the Bach Cantata Pilgrimage in 2000, compared the style to both Heinrich Schütz and Anton Bruckner, observing that although using the means of older masters, Bach "push[es] the frontiers of this motet movement almost out of stylistic reach through abrupt chromatic twists to this tune in Phrygian mode." "" (Although the sins among us are many), begins with a dissonant chord, interpreted by Hofmann as a last cry of anguish "in an almost 'Romantic' manner". Gardiner commented: "With all the voices given full orchestral doubling (again, those four trombones!), this chorale is impressive, terrifying in its Lutheran zeal". Mincham noted the setting's "enigmatic" final cadence which "leaves us with a sense that the human condition is ongoing". \header { tagline = " " } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \transposition b \key e \phrygian \numericTimeSignature \time 4/4 \set Score.tempoHideNote = ##t \set Timing.beamExceptions = #'() } \score { \new ChoirStaff > \new Lyrics \lyricsto "soprano" { > Er ist al -- lein der gu -- _ te Hirt, der I -- sra -- el er -- lö -- sen wird aus sei -- nen Sün -- den al -- _ len. } \new Lyrics \lyricsto "alto" { \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 al -- _ len. } \new Staff > >> \layout { } } \score { \unfoldRepeats { \new ChoirStaff > \new Staff \with { midiInstrument = "choir aahs" } > >> } \midi { } } ==Publication==
Publication
The first critical edition of the piece was published in 1857, along with some other cantatas, in the Bach-Gesellschaft Ausgabe. The editor of the volume was Wilhelm Rust. The piece also appeared in the Neue Bach-Ausgabe, edited by Ulrich Bartels, in 1997. ==Recordings==
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