Critical response Upstream Color received widespread critical acclaim. After its premiere, Keith Kimbell wrote that "most critics couldn't stop talking about it". On
Metacritic, the film has a score of 81 out of 100 based on 27 reviews, indicating "universal acclaim". Sam Adams of
The A.V. Club gave the movie an "A", and wrote: "Having the movie wash over me was one of the most transcendent experiences of my moviegoing life". Adams added: "It's utterly perplexing, and heart-stoppingly beautiful, quite literally overwhelming", comparing parts of the movie with
Terrence Malick's
The Tree of Life (2011). That publication later featured a full review by Scott Tobias giving it the same rating, summing up his piece: "It might be fair to argue that the resonances of
Upstream Color are too obscure and internal—many viewers have and will be baffled by it—but it’s the type of art that inspires curiosity and obsession, like some beautiful object whose meaning remains tantalizingly out of reach". In her review for
The New York Times,
Manohla Dargis also notices Malick's deep influence on Carruth, stating that it is "evident in Mr. Carruth’s emphasis on the natural world; his use of
Walden; the hushed voices and many images, including some
time-lapse photography of a dead pig decaying underwater, which registers as the catastrophic inverse of the time-lapse sequence of a seed sprouting underground in
Days of Heaven", adding that "Mr. Malick’s influence also extends to shots of Kris and Jeff walking, whispering and touching that are not moored in a specific time but could be from the past, present or future. In these Malick Moments, time becomes as circular as the rising and setting of the sun." Olsen of the
Los Angeles Times wrote: "With its densely layered, thematically rich storytelling,
Upstream Color is in part about the mutual psychosis that can be an essential part of romance, the agreement of a shared madness. It's intense and hypnotically powerful, and a more intimate and moving film than
Primer.
Color is somehow at once emotionally direct, while narratively abstract." Jeremy Kay of
The Guardian thought the film "a baffling, opaque mess" and said that it "contains striking microscopic imagery, cute pigs and alarmingly aggressive foley work. It's meticulous, methodical and educated – but also extreme, and extremely pretentious", though his colleague
Peter Bradshaw called it a "flawed, experimental, fascinating film".
Philip French of
The Observer said: "The minimal dialogue is gnomic, often inaudible; the settings suddenly change without any apparent consistency of purpose...
Upstream Colour has the makings of a cult movie, though it's not a cult I feel inclined to join.". Writing for
Music Box Theatre 2013 Spring Calendar, film critic
Mike D'Angelo concludes that "while
Upstream Color has a fair amount of (purely functional) dialogue, it’s essentially a
silent film, obsessed not just with color but with texture and movement and rhythm". He also adds that the "film is a study of damaged people in which both the damage and the method of recovery has been made productively strange, allowing Carruth to reclaim some potent ideas that have become clichés". D'Angelo further states that the film is "a dazzling exercise in pure form, with a cinematic syntax that’s confident and exacting yet still feels wildly spontaneous—part Kubrick, part Malick", concluding that the "most exciting aspect of Carruth’s movies, though, in the end, may be the immense respect they afford the viewer. Not only does he refuse to spoon-feed, in the tiresome manner of most Hollywood fare (and even a sizable percentage of
indie films), but he continually credits you with the intelligence to infer cause from effect, presenting you with B and trusting that you’ll work out A, which remains firmly offscreen, on your own."
The Salt Lake Tribune reviewer wrote that the "head-scratching science-fiction drama, about people finding themselves connected to each other and a parasite's life cycle, is beautiful to watch and contemplate." Reviewer Christopher Kelly, who was among other reviewers in being reminded of
The Tree of Life, described it as "a puzzlebox narrative involving (among other very strange things) worms that are harvested for psychotropic drugs; a pig farmer who composes music inspired by the emotional anguish of others; and a group of people who have been kidnapped and bilked out of thousands of dollars. All of this unfolds in free-associative fashion, with one scene barely seeming to connect to the next." He said that the movie "floats gorgeously from one passage to the next, building a mounting sense of anxiety and melancholy at each mysterious step along the way." Similarly,
The Miami Herald called it "a puzzle that may be impossible to solve", saying that Carruth's "mesmerizing use of imagery—of textures and sounds, of crisp lighting and radiant natural beauty—has a haunting, lyrical quality reminiscent of Terrence Malick... But he also injects some moments that are so horrific and squirm-inducing, they're downright
Cronenbergian. Although its title suggests a sense of direction,
Upstream Color defiantly eschews a traditionally linear narrative format; it moves ahead in time but in an elliptical, hypnotic way. And Carruth's rhythmic style of editing draws you in and keeps you hooked even when it may not be entirely clear what you're watching. He's technically meticulous but the results are dreamlike." The
Film School Rejects reviewer gave an A− grade; he praised the film's "ambitiously big and brave themes" and the "finely effective score."
The Dissolve rated
Upstream Color #5 in its list of the top five films of 2013. The film was ranked #28 on
Vanity Fair's list of 30 best films of the 2010s.
Awards At the
2013 Sundance Film Festival,
Upstream Color received the
Special Jury Award for Sound Design, which was shared by Carruth, Johnny Marshall and Pete Horner. The
Georgia Film Critics Association nominated
Upstream Color for six awards, including Best Picture, Director, Actress, Original Screenplay, Cinematography and Score. In addition to her nomination for Best Actress,
Amy Seimetz was also included in the Breakthrough Award category. ==Music==