Vanishing Point (1971 film)

Car delivery driver Kowalski arrives in Denver, Colorado, late on a Friday night with a black Imperial. The delivery service clerk, Sandy, urges him to get some rest, but Kowalski insists on getting started with his next assignment: delivering a white 1970 Dodge Challenger R/T 440 Magnum (with top speeds exceeding ) to San Francisco by Monday. Before leaving Denver, Kowalski pulls into a biker bar parking lot around midnight to buy Benzedrine pills to stay awake for the long drive ahead. He bets his dealer, Jake, that he will get to San Francisco by 3:00 pm Sunday, even though the delivery is not due until Monday. Through flashbacks and the police reading of his record, it's revealed that Kowalski is a Medal of Honor Vietnam War veteran, former race car driver, and motorcycle racer. He is also a former police officer, expelled from the force after preventing the rape of a young woman by his superior. While driving across Colorado over the speed limit, Kowalski is pursued by two motorcycle police. He forces one officer off the road and eludes the other officer by going off-road. Later, the driver of a Jaguar E-Type roadster pulls up alongside Kowalski challenging him to a race. Kowalski is nearly run off the road; he then overtakes the Jaguar which crashes into a river. Kowalski gets out of his car to look back at the driver, then takes off, with police cars in pursuit. Kowalski drives across Utah into Nevada, with the police in pursuit. During the chase, his radio is tuned to station KOW, broadcasting from Goldfield, Nevada. A blind black disc jockey, who goes by the name of "Super Soul," listens to the police radio frequency and encourages Kowalski to evade the police. With the help of Super Soul, who calls Kowalski "the last American hero", Kowalski gains the interest of the news media, and people gather at the KOW radio station to offer their support. During the police chase across Nevada, Kowalski finds himself surrounded and heads offroad into the desert. After he blows a tire on a dry lake bed and becomes lost, Kowalski is helped by an old prospector who catches rattlesnakes for a Pentecostal Christian commune. The prospector gives Kowalski fuel, and directs him back to the highway. There, he picks up two homosexual hitchhikers stranded en route to San Francisco with a "Just Married" sign in their rear window. The hitchhikers attempt to rob him at gunpoint; Kowalski fights them off and continues alone on his journey. Saturday afternoon, a vengeful off-duty highway patrolman and a group of thugs break into the KOW studio and assault Super Soul. Near the California state line, Kowalski is helped by hippie biker, Angel, who gives him pills to help him stay awake. Kowalski is recognized by Angel's girlfriend who admires that he prevented the rape by his senior police officer. As Kowalski continues to listen to the KOW broadcast, he notices a change in Super Soul's tone. He suspects he is being directed by the police to entrap him in California. Confirming that the police are indeed waiting at the border, Angel helps Kowalski get through the roadblock by modifying the Challenger to simulate a police car. Kowalski finally reaches California on Saturday at 7:12 pm. He calls Jake from a payphone to reassure him that he still intends to deliver the car on Monday, while acknowledging he won't win their bet, and offering to double it for the next time. Kowalski picks up a mysterious hitchhiker (Charlotte Rampling) late Saturday night. Kowalski accepts marijuana from her, despite refusing marijuana in several previous scenes. He stops the car when he starts feeling stoned. She says she has been "waiting for him, everywhere and since forever." When he awakens the next morning, she is gone without a trace. On Sunday morning, California police, who have been tracking Kowalski's movements, set up a roadblock with two bulldozers in the small town of Cisco, which Kowalski will be passing through. A small crowd gathers, some with cameras. Kowalski approaches at high speed; failing to slow down, he smiles as he crashes into the bulldozers, destroying the car in an explosion. As firemen work to put out the flames, the crowd slowly disperses. ==Cast==

Development The film began as an original story by Malcolm Hart. He took it to Norman Spencer, a producer at Cupid Films. (The film credits the original story to Malcolm Hart.) Infante modeled the character of Super Soul after legendary rock and roll singer The Big Bopper. In 1969, director Richard C. Sarafian turned down an offer to make Robert Redford's Downhill Racer in order to direct Vanishing Point. He was drawn to the counterculture themes in Cain's script. Originally, Sarafin wanted Gene Hackman to play Kowalski, but 20th Century Fox studio executive Richard Zanuck insisted on casting relative unknown actor Barry Newman in the lead role. The film marked the first major screen appearances of Cleavon Little and John Amos. Stunt Coordinator Carey Loftin said he requested the Dodge Challenger because of the "quality of the torsion bar suspension and for its horsepower" and felt that it was "a real sturdy, good running car." Five Alpine White Dodge Challenger R/Ts were lent to the production by Chrysler for promotional consideration and were returned upon completion of filming. Four cars had 440 engines equipped with four-speed manual transmissions; the fifth car was a 383 with a three-speed automatic. No special equipment was added or modifications made to the cars, except for heavier-duty shock absorbers for the car that jumped over No Name Creek. Financial troubles plaguing the studio at the time forced Zanuck to shorten Sarafian's shooting schedule by 22 days. In response, the director decided not to film certain scenes rather than rush through the rest of the shoot. The shoot had a few mishaps, including Newman driving a Challenger equipped with three cameras into the bushes in order to avoid a head-on collision when a "civilian" driver ignored the traffic blocks installed to ensure the safety of the crew. The film's cinematographer John Alonzo used lightweight Arriflex II cameras, that offered more free movement. Close-up and medium shots were achieved by mounting cameras directly on the vehicles instead of the common practice of filming the drivers from a tow that drove ahead of the targeted vehicle. Super Soul's radio station was filmed in Goldfield, Nevada. All of Cleavon Little's scenes were completed in under three days. Carey Loftin was the film's stunt coordinator and responsible for setting up and performing the major driving stunts. Loftin's resume at the time included work on Grand Prix (1966), Bullitt (1968), and The French Connection (1971). Barry Newman learned from Loftin and was encouraged by the stunt coordinator to do some of his own stunts. In the scene before Kowalski crashes into the bulldozer, Newman drove and performed a 180-degree turn on the road himself without the director's knowledge. The 383 car was also used as the tow vehicle in the crash scene at the end of the movie. A quarter-mile cable was attached between the Challenger and an explosives-laden 1967 Chevrolet Camaro with the motor and transmission removed. The tow vehicle was driven by Loftin, who pulled the Camaro into the blades of the bulldozers at high speed. Loftin expected the car to go end over end, but instead it stuck into the bulldozers, which he thought looked better. Ending Barry Newman offered his interpretation of the film's ending in an interview printed in the March 1986 issue of Musclecar Review, "Kowalski smiles as he rushes to his death at the end of Vanishing Point because he believes he will make it through the roadblock." The August 2006 issue of Motor Trend magazine has a sidebar with Newman, in which he explains that Kowalski sees the light glinting from between the two bulldozers. "To Kowalski, it was still a hole to escape through. It symbolized that no matter how far they push or chase you, no one can truly take away your freedom and there is always an escape." Newman also thought that the entire film was an essay on existentialism. Kowalski drives to drive, with no real purpose for doing what he's doing. He decides to give his life its definition and meaning, with complete freedom over his actions. Sarafian explained that he wanted to make Kowalski appear otherworldly and that the world within the film was a temporary existence that he was just making a stop in. At the end of the film, he was ascending from this existence into another. The lyrics of the end song underscore this interpretation: "Nobody knows, nobody sees, 'til the light of life stops burning, 'til another soul goes free." ==UK theatrical release==

The UK theatrical release of the film differs slightly from the US release in plot and running time. In the UK release, Kowalski picks up a mysterious hitchhiker (Charlotte Rampling) toward the end of the film. Kowalski accepts marijuana from her, despite refusing marijuana in several previous scenes. He stops the car when he starts feeling stoned. She says she has been "waiting for him, everywhere and since forever." When he awakens the next morning, she is gone without a trace. According to interviews with Barry Newman and commentary from the director, the hitchhiker was meant to be an allegorical figure representing death. ==Soundtrack==

• Pete Carpenter • Mike Post • Jimmy Bowen • Tom Thacker }} }} Sarafian wanted to score the majority of the film from an album called Motel Shot by Delaney, Bonnie & Friends. Lionel Newman, head of Fox's music department at the time, denied Sarafian's request because the studio did not want to spend a substantial amount of money obtaining rights to the tracks. The director then suggested that musician Randy Newman score the film, but Fox refused this request as well. After watching the film, musical supervisor Jimmy Bowen wrote three original songs. Delaney, Bonnie & Friends ended up performing a musical number in the film. A soundtrack of the film was released in the United States by Amos Records. The original vinyl album is long out of print. There have been reissues of the soundtrack compact disc in the United States by various record companies including A&M Records and in Europe by Amos Records. Track listing "Nobody Knows" is the first-ever recording by Kim Carnes, credited on the soundtrack as "Kim & Dave" (with husband Dave Ellingson). Carnes also wrote the song performed by Big Mama Thornton. The pop music group Delaney, Bonnie & Friends had a small role as a Christian music band, which included singer Rita Coolidge and singer-songwriter David Gates at the piano. The baby held by one of the singers is Bekka Bramlett, who later replaced Stevie Nicks in Fleetwood Mac. ==Reception==

Critical Vanishing Point premiered in January 1971 and did not receive positive notices. In his review for the Los Angeles Times, Charles Champlin wrote, "Vanishing Point might have had a point, but it ... ah ... got lost. What's left is sophisticated craft and fashionably hokey cynicism". Variety magazine said, "While stock car addicts may be able to maintain interest in the ultra-fast manipulation of the car, many viewers will just get car-sick ... or sick of the car, which isn't the same thing". Larry Cohen, in the Reporter criticized the film for being "calculated, tedious and in desperate need of tightening, the picture, produced by Norman Spencer, is uninvolving and devoid of a cohesiveness that might have made it work". On the other hand, music journalist and essayist Robert Christgau included Vanishing Point on his list of the year's best films at number four. While conceding the characterization to be "tacky", he said the "whole virtue" of this "mostly ignored B-movie" is "visual rather than romantic", while recommending viewers see the movie under the influence of cannabis. Box office Newman recalls that Fox had no faith in the film and released it in neighborhood theaters only to disappear in less than two weeks. ==Legacy==

Film The movie, which is considered a cult classic, is one of Steven Spielberg's favorite films. Edgar Wright named Vanishing Point one of his 1,000 favorite films, and used it as inspiration for his 2017 film Baby Driver. Death Proof (2007), the Quentin Tarantino-directed contribution to the faux-exploitation "double feature" Grindhouse (2007), features a chase involving a Dodge Challenger resembling the one seen in Vanishing Point (not being an R/T model and having an automatic transmission). Death Proof also references the film by name, repeatedly calling it "one of the best American movies ever made". The car in the film also has the license plate OA 5599. In 2014, Time Out polled several film critics, directors, actors and stunt actors to list their top action films. Vanishing Point was listed at 70th place on this list. In 2025, The Hollywood Reporter listed Vanishing Point as having the best stunts of 1971. Music Vanishing Point was the inspiration for Primal Scream's 1997 album of the same name. A track from the album was named "Kowalski", after the character from the film. Author Irvine Welsh scripted the video for "Kowalski" which was directed by musician Douglas Hart. The video features a Dodge Challenger and super model Kate Moss beating up the band. The film was the basis for Audioslave's music video "Show Me How to Live" (2003), directed by the AV Club and which included members of the band in the 1970 Challenger traveling across the desert, following the plot of the movie. Video game and other references The video game Grid 2 (2013) features a trophy/achievement called Vanishing Point, with the description reading "You've won a race in a white Dodge Challenger but lived to tell the tale, unlike Kowalski." The video game Driver: San Francisco includes a Movie Challenge entitled “Vanishing Chance” which involves piloting a white 1970 Dodge Challenger. ==Remake==

A remake of the film was created for Fox television, first airing in 1997, and also featuring a 1970 Dodge Challenger. The film stars Viggo Mortensen as Jimmy Kowalski (in this version, the character has a first name). Kowalski is rewritten as a suspected militia sympathizer from Idaho, and Jason Priestley as "The Voice", a white libertarian talk radio shock jock who replaces Super Soul. The sequence of events in the two films is vaguely similar, but the remake removed all of the original's mystical, existential elements, replacing them with a religious motivation for Kowalski's actions. Among many other changes, it also added a sequence in which two cops attempt to chase down the Challenger in a black 1968 Dodge Charger. ==Home media==

There were two theatrical releases, a U.S. version and a UK version. Both are included on the Region 1 DVD and Blu-ray Fox released Vanishing Point in the United States on Blu-ray on February 24, 2009. It was also released on Blu-ray in Germany in 2013 under the title Fluchtpunkt San Francisco and has a running time of 99 minutes with English soundtrack. Fabulous Film's released a 2-Disc Blu-ray in June 2019 in the UK featuring both US and UK versions of the film and a load of special features. A 4K restoration of the film was screened by the Library of Congress at the Packard Campus in Culpeper, Virginia on May 24, 2024. This restoration has not been released on home media as of May 2024. The movie received also a release in the GDR as "Grenzpunkt 0" in 1975. ==References==