The film was created by expatriates from Australia, Canada, Ireland, and the United States. and the sole professional filmmaker involved, served as the editor and cinematographer. "We tried to give Hong Kong the limelight we think it deserves." Lee described the film as a "snapshot in time" and said that "When Snowden popped up in Hong Kong he got so much attention that it really got people talking. We wanted to give an alternative view on the situation, beyond the media chase for where he was and what he knew." Cassandra Chan, who served as the associate producer, said "The US government has abused the internet, so our response is to use the power of the internet, for hopefully good reasons." Dean Napolitano of
The Wall Street Journal wrote that the film "makes subtle observations about Hong Kong's sometimes tense relationship with
mainland China and the "
one country, two systems" policy – underscored in a scene where a security official from
China's central government barks orders to Hong Kong police officers." During the aforementioned scene, the official from the Mainland speaks
Mandarin while the Hong Kong officials speak
Cantonese. According to Napolitano, the film implies that the Chinese authorities have the real power in Hong Kong. Lee stated that the scene was "vehicle to represent (Hong Kong's) relationship with China" and, as paraphrased by Alexis Lai of
CNN, "the murkiness of Beijing's role in the Snowden affair." In regards to the scene, Lee said "To say China wasn't pulling any strings at all would be naïve ... Even though it gives us autonomy, it's always Beijing that calls the shots." Officially officials from the Mainland government said that they did not influence the decisions of the Hong Kong authorities. By 1 July 2013 Edwin Lee said that because Snowden left Hong Kong, there are no plans to write a sequel. By 29 July 2013, the filmmakers had plans to show their film at film festivals, and considered making a sequel. ==Filming and monetary costs==