Verse drama and dramatic verse

Dramatic verse occurs in a dramatic work, such as a play, composed in poetic form. The tradition of dramatic verse extends at least as far back as ancient Greece. The English Renaissance saw the height of dramatic verse in the English-speaking world, with playwrights including Ben Jonson, Christopher Marlowe and William Shakespeare developing new techniques, both for dramatic structure and poetic form. Though a few plays, for example ''A Midsummer Night's Dream'', feature extended passages of rhymed verse, the majority of dramatic verse is composed as blank verse; there are also passages of prose. Dramatic verse began to decline in popularity in the nineteenth century, when the prosaic and conversational styles of playwrights such as Henrik Ibsen became more prevalent, and were adapted in English by George Bernard Shaw. Verse drama did have a role in the development of Irish theatre. ==Closet drama==

An important trend from around 1800 was the closet drama: a verse drama intended to be read from the page, rather than performed. Byron and Shelley, as well as a host of lesser figures, devoted much time to the closet drama, in a signal that the verse tragedy was already in a state of obsolescence. That is, while poets of the eighteenth century could write so-so poetic dramas, the public taste for new examples was already moving away by the start of the nineteenth century, and there was little commercial appeal in staging them. Instead, opera would take up verse drama, as something to be sung: it is still the case that a verse libretto can be successful. Verse drama as such, however, in becoming closet drama, became simply a longer poetic form, without the connection to practical theatre and performance. According to Robertson Davies in A Voice From the Attic, closet drama is "Dreariest of literature, most second hand and fusty of experience!" But indeed a great deal of it was written in Victorian times, and afterwards, to the extent that it became a more popular long form at least than the faded epic. Prolific in the form were, for example, Michael Field and Gordon Bottomley. ==Dramatic poetry in general==

Dramatic poetry is any poetry that uses the discourse of the characters involved to tell a story or portray a situation. The major types of dramatic poetry are those already discussed, to be found in plays written for the theatre, and libretti. There are further dramatic verse forms: these include dramatic monologues, such as those written by Robert Browning and Alfred Tennyson and Shakespeare. ==See also==