Vladimir Odoyevsky

The last member of the princely House of Odoyev, he was genealogically the most senior member of the House of Rurik. He was born to Prince Fyodor Sergeevich Odoyevsky (1771–1808), a state councillor (statsky sovietnik). His father started out as an adjutant of Prince Grigory Potyomkin, then, in 1798 he entered civil service as the director of the Moscow Assignant bank. According to one version, his mother, Ekaterina Alekseevna Filippova, was a serf, His widow, Avdotya Petrovna, had a house on the Prechistenka street in Moscow, several servants and a small fortune from her husband. His mother was a well-educated young lady; she could speak French and play the piano. Odoyevsky finally returned to Moscow in 1861 but continued to serve as a senator until his death. He is buried in the Donskoy monastery necropolis. ==Short stories==

Aspiring to imitate Ludwig Tieck and Novalis, Odoyevsky published a number of tales for children (e.g., "The Snuff-Box Town") and fantastical stories for adults (e.g., "Cosmorama" and "Salamandra") imbued with the vague mysticism in the vein of Jakob Boehme and Louis-Claude de Saint-Martin. Following the success of Pushkin's The Queen of Spades, Odoyevsky wrote a number of similar stories on the dissipated life of the Russian aristocracy (e.g., Princess Mimi and Princess Zizi). On account of his many short stories from the 1820s and 1830s, Odoyevsky should be listed among the pioneers of the impressionistic short story in Europe. His most mature book was the collection of essays and novellas entitled Russian Nights (1844). Loosely patterned after the Noctes Atticae, the book took two decades to complete. It contains some of Odoyevsky's best known fiction, including the dystopian novellas The Last Suicide and The Town with No Name. The stories are interlaced with philosophic conversations redolent of the French Encyclopedists. ==Musical criticism==

As a music critic, Odoyevsky set out to propagate the national style of Mikhail Glinka and his followers, denigrating their forebears such as Dmitri Bortniansky. He also wrote a romanticised biography of the Russian violinist Ivan Khandoshkin, whose career he presented as thwarted by the malign influence of such Italian musicians as Giuseppe Sarti. Among his many articles on musical subjects, a treatise about old Russian church singing deserves particular attention, though he expressed strong distaste for strochnoy (early Russian polyphonic) chant: "No human ear could possibly bear the succession of seconds that are constantly to be encountered." Johann Sebastian Bach and Beethoven appear as characters in some of his novellas. Odoyevsky was active in the foundation of the Russian Musical Society, Moscow Conservatory, and St. Petersburg Conservatory. ==Technology==

Odoyevsky took part in development of electroplating technology, invented by Moritz von Jacobi in Russia. In 1844 Odoyevsky wrote a book, Galvanism applied in technology (Гальванизм в техническом применении). He made a number of experiments and developed cobalt electroplating. ==Works==

• The Year 4338: Petersburg Letters (1835) • The Living Corpse (1844) English translations • Russian Nights (translated by Olga Koshansky-Olienikov and Ralph E. Matlaw) (collection of philosophical essays and novellas), [1965] 1997. • "Princess Mimi" (translated by David Lowe), "The Sylph" (translated by Joel Stern), and "The Live Corpse" (translated by Neil Cornwell) (stories), from Russian Romantic Prose: An Anthology, Translation Press, 1979. • The Salamander and Other Stories (stories, translated by Neil Cornwell), Gerald Duckworth, 1992. • Two Princesses (novel, translated by Neil Cornwell), Hesperus Press, 2010. • Two Days in the Life of the Terrestrial Globe and Other Stories (stories, translated by Neil Cornwell), Ama Classics, 2012. ==References==