Vrana (military commander)

As a result of the scarcity of primary sources, Brana's date of birth and his family have been a subject of debate. In early sources, he is usually referred to as Vrana and Vranaconte or Branaconte which correspond to the original patronymic surname of his descendants Branai in archival material. The literary form Uran is also observed in bibliography. There is no attested form of his surname. Vrana was probably one of those regional, small lords who were tied to the Kastrioti family - possibly via a common ancestral lineage - and were trusted by Kastrioti leaders. This belonging to a common fis may have influenced the decision of his descendants to adopt the surname Castriota in addition to Granai. In the folklore of the Albanians of Upper Reka, Vrana was from their region. In their stories, he is described as 2m (6'5ft) in height and a great warrior. In his youth he fought in the armies of Alfonso the Magnanimous as a mercenary. The status of conte ("count") which is used to refer to him in contemporary historical accounts doesn't refer to an actual title with which he was bestowed but referred to his status as a man of importance. == Military activity ==

Vrana had returned to Albania in the years prior to the beginning of the Albanian-Turkish wars under the leadership of Gjergj Kastrioti Skanderbeg in 1443. Vrana was one of his closest and most trusted allies. He may be the Urana who is mentioned in a document of Ottoman Krujë in relation to events as a result of which Skanderbeg was given direct control of the village of Mamurras. Christian volunteers from all over Europe had arrived in Krujë to assist the defense against the upcoming Ottoman siege - Slavs, Italians, Germans and others. Skanderbeg left a protective garrison of 1,500 to 4,000 under Vrana in the town, while he harassed the Ottoman camps around Krujë by continuously attacking Sultan Murad II's supply caravans from Mount Tumenishta. Vrana had under his command several Germans, Italians, and Frenchmen, to whom he emphasized the importance of the siege and also ordered them to their positions. Krujë had enough supplies for a sixteen-month siege. The women and children of Krujë were sent for protection to Venetian possessed areas, whereas the others were ordered to burn their crops and move into the mountains and fortresses. Vrana's stance in the siege of Krujë is remembered in many folk songs and their variants in the region that Skanderbeg held. Vrana was one of the commanders in the Siege of Berat in 1455. The purpose of the siege was to recover the city of Berat for the Muzaka family and establish a firm stronghold for the League of Lezhë in southern Albania. Skanderbeg's army had 15,000 men including a 1,000 man strong Neapolitan contingent of siege warfare engineers which Alfonso had sent to deal with the fortification of the Berat Castle. The siege was at first successful and the fortifications were breached. An armistice was signed and the Albanian army expected that the Ottomans would surrender. Skanderbeg moved with a contingent to another area. In mid July, however, the Ottomans sent an army of 20,000 troops led by Evrenosoglu Isa Bey, which surprised Skanderbeg's army. Only one commander, Vrana, managed to resist the initial Ottoman onslaught and pushed back several attacking waves. His efforts were not able to change the course of the battle and the Ottoman army won. More than 5,000 of Skanderbeg's men died, including 800 men of the 1,000 Neapolitans. The commander of the siege, Muzaka Thopia, was also killed during the conflict. Vrana died in 1458. He died in the same year as Alfonso the Magnanimous and Pope Callixtus III who died on June 27 and on August 6, 1458 respectively. His death was a major blow to Skanderbeg who in a short period lost his most trusted commander Vrana and his most important political allies. In the folklore of the Albanians of Upper Reka, Vrana is buried in that region with possible locations given near the village of Rimnica. In one of the variants of the story, when he returned to the village he was sick and disappointed by the possible outcome of the war. He climbed Skerteci, a mountain near Tanusha and gathered two large stone slabs which he told the villagers to use to make his tombstone. == Historiography and literature ==

Historical accounts about Vrana's life and deeds are scarce beyond some references about him in official correspondence of the time and works which focus mainly on his role in the Albanian-Turkish Wars. Marin Barleti, who was a contemporary of Vrana, is one of the first authors who mention Vrana in his History of Scanderbeg in 1510. Paolo Giovio and Paolo Angelo examined Vrana's role in Gjergj Kastrioti's wars in their works in the first half of the 16th century. Giammaria Biemmi in his 1742 Istoria di Giorgio Castrioto some more details about his background - like a parental lineage to an Altisferi family which he links to the Zaharia family. His work, which Biemmi claimed to be based on an unknown manuscript is considered a forgery in modern scholarship like many of his other works. In oral literature - epic poetry and tales - he is well-remembered for his involvement in the Skanderbeg's battles. Much of the corpus of these oral tales focus on the siege of Krujë. Geographically, in Albania these tales are found in an area from Krujë to the Kukës region in the north and the Upper Reka to the west. In written literature, Vrana inspired the character Vran in the epic poem Scanderbeide by Margherita Sarrocchi. The definitive edition of Scanderbeide was published in 1623. Among the Arbëreshe, the community of Albanian refugees that settled in Italy after Ottoman conquest, Vrana has been a particularly popular subject. In the 19th century, Gavril Dara the Younger in Kënga e Sprasme e Balës portrays Vrana with much affection as a high lord (zot i math). In 1967, a year dedicated to the memory of Scanderbeg in literature and visual arts in the People's Socialist Republic of Albania, a bust of Vrana was created by local sculptor from Krujë, Sabri Tuçi. In the same year, he was the subject of the painting Vrana Konti në kështjellën e Krujës (Vrana Konti in the fortress of Krujë) by Skender Kamberi. ==Descendants==

was built by Alfonso, grandson of Vrana His son, Bernardo took the surname Branai in Italy. His original name may also have been Vrana/Brana, which was italianized as Bernardo after his arrival in Italy. Gjon Muzaka wrote at the same time the Breve memoria de li discendenti de nostra casa Musachi, in which details emerge about Bernardo's family links to Albanian noble families through his marriage to Maria Zardari, daughter of Paul Zardari and Theodora Muzaka. The latter being a daughter of Blaise Muzaka and a great-granddaughter of Andrea II. Muzaka's account and specifically its land claims are considered unreliable, but the link to Maria Zardari is confirmed in other works. Bernardo's son married a relative of Skanderbeg's wife, Donika Arianiti and their son Alfonso adopted the surname Castriota to honor that connection with the Kastrioti family with which their ancestor Vrana probably belonged to a common fis. The Granai-Castriota held large estates in the Kingdom of Naples and distinguished themselves in the internal and external affairs of the kingdom. They were part of the military feudal class and were loyalists of the Aragonese and the Spanish crown. Bernardo Branai became duke of Ferrandina for his services to Ferdinand the Catholic in 1505. His son Alfonso further gained Mignano Monte Lungo and became governor of Terra d'Otranto and was a representative of the feudal nobility in the Imperial Cortes. To the family's assets were added the county of Copertino and the marquisate of Atripalda and other feudal grants. In this period, they began to add to their titles that of signori di Corinto and produced a copy of a document which purportedly proved that Manuel Palaiologos had granted to one of their ancestors Corinth as part of his "Albanian castles" in 1399. The document was a fabrication, typical of the land claims of the era. The Granai wanted the fortress of Corinth because it was an important regional fortress and had been settled by Albanians in the Middle Ages. Antonio Granai in the 16th century consolidated and concentrated the family's holdings. He is the ancestor of all members (via patrilineal descent) of the Granai family today. In the chronicles of their era, the Granai of the Kingdom of Naples are remembered for their valor in the battlegrounds as condotierri. They were also patrons of art in southern Italy. Jacopo Sannazaro was very critical of the family, while Antonio de Ferraris dedicated two epistles to them. The Granai kept their connections with Albania well into the 16th century. Alfonso Granai had an active spy network in Albania and maintained a force of local stradiots and his brother Giovanni (1468-1514), Duke of Ferrandina was known to have spoken Albanian. In 1551, a relative of the family in Albania, Dimitro Massi was part of an assembly in the cape of Rodon for the organization of anti-Ottoman revolt in the country. ==Sources==