, 1747. The predecessors to the waistcoat are the
Middle Age-era
doublet and
gambeson. Various types of waistcoats may have been worn in theatrical manners such as performances and masquerades prior to what is said to be the early origins of the vest. The brightly coloured silk waistcoats popularised in France and England from the 17th century became an element of the ensemble that presaged the development of the three-piece
lounge suit, together with the
cravat, derived from a scarf worn by Croatian mercenaries fighting for King
Louis XIII of France, and the
justacorps, a coat influenced by the long
zupans worn in Poland and Ukraine.
17th–18th centuries In France, from the mid-17th century, the "" was worn to mid-thigh or knee-length, beneath a
justacorps. The garment was long-sleeved. Both and justacorps were worn in court circles in highly ornate styles. In 1662,
Louis XIV granted, as a mark of special favour, select courtiers (around forty) permission to wear exclusive justaucorps and , elaborately styled to echo the king's own. In October 1666, King
Charles II of England launched a new fashion in men's wear for the English. The item was a long piece donned beneath the coat that was meant to be seen. Scholar Diana De Marly suggests that the formation of such a mode of dress acted as a response to French fashion being so dominant in the time period. While in the 17th and 18th centuries, waistcoats were often elaborate and brightly coloured, changing fashions in the nineteenth century narrowed this to a more restricted palette, leading to the matching waistcoats worn with lounge suits. The garmentand Charles II's championing of itis mentioned in a diary entry of October 8, 1666 by
Samuel Pepys, the diarist and civil servant. He noted that "the King hath yesterday in council declared his resolution of setting a fashion for clothes which he will never alter. It will be a vest, I know not well how; but it is to teach the nobility thrift." This royal decree provided the first documented mention of the vest or waistcoat.
John Evelyn wrote about waistcoats on October 18, 1666: "To Court, it being the first time his Majesty put himself solemnly into the Eastern fashion of vest, changing doublet, stiff collar, bands and cloak, into a comely dress after the Persian mode, with girdles or straps, and shoestrings and garters into buckles... resolving never to alter it, and to leave the French mode". While Evelyn designated the costume Persian, it was more directly influenced by the Turkish. The general layout of the vest at its introduction by Charles II was: buttons very closely sewn together, arranged in two rows, lining the front body of the vest, visible underneath a wide-open coat face. The vest was only popular for about seven years after its introduction by Charles; the king soon reverted to French styles. While the vest died out in elite city spaces, it lingered on in the provinces. In 1678 it was reintroduced throughout Europe, attaining high-fashion status again. French fashions were a dominant influence in the royal courts of Europe throughout the 18th century. From the late 17th century, Spanish royals and nobility were incorporating French garments such as the (as the "" in Spanish) and
justacorps into male dress, at least for wear at private occasions. Away from court,
Carlos II () dressed in the French style; outfits in the Spanish style continued to be worn by the king and his courtiers for official purposes and court events. By the end of
Felipe V's reign () the waistcoat, along with other French men's garments, had been fully adopted in Spain. Wearing Spanish styles at court remained customary during Felipe's reign, however, as these were strongly associated with Spain's national identity. Over the first half of the 18th century, the vest evolved from a collarless, sleeved, straight-cut garment, with closely spaced buttons from hem to neck. At first the same length as the covering jacket, by mid-century the vest was becoming shorter. Where the earlier models were left unbuttoned above the abdomen, so that the lace or fabric of the shirt could be seen, later, cutting the front panels to curve away at the top become more usual. The straight cut, with slits from the waist at the sides and back to allow free movement, gave way to fuller, flared skirts. In the early 18th century, the sleeves and back would often be made from plainer fabrics; by the end of the century waistcoats were often sleeveless.
19th century , detail from
The Cornfield (1826),
National Gallery, London After the
French Revolution of 1789, anti-aristocratic sentiment in France (and elsewhere in Europe) influenced the wardrobes of both men and women, and waistcoats followed, becoming much less elaborate. After about 1810 the fit of the waistcoat became shorter and tighter, becoming much more secondary to the
frock coat and almost counting as an undergarment, although its popularity was larger than ever. With the new
dandyism of the early 19th century, the waistcoat started to change roles, moving away from its function as the centrepiece of the visual aspect of male clothing, towards serving as a
foundation garment, often with figure-enhancing abilities. From the 1820s onwards, elite gentlemenat least those among the more fashionable circles, especially the younger set and the
militarywore
corsets. The waistcoat served to emphasise the new popularity of the cinched-in waist for males, and became skin-tight, with the overcoat cut to emphasise the figure: broader shoulders, a pouting chest, and a nipped-in waist. Without a corset, a man's waistcoat often had
whalebone stiffeners and were laced in the back, with reinforced buttons up the front, so that one could pull the lacings in tight to mould the waist into the fashionable silhouette.
Prince Albert, husband of
Queen Victoria, had a reputation for his tight corsets and tiny waist; and although he lacked popularity during his early reign, men followed his style, and waistcoats became even more restrictive. This fashion remained throughout the 19th century, although after about 1850 the style changed from that of a corseted look to a straighter line, with less restriction at the waist, so that the waistcoat followed a straighter line up the torso. Toward the end of the century, the
Edwardian look made a larger physique more popular—King
Edward VII having a large figure.
20th–21st centuries Waistcoats are popular within the indie and
steampunk subcultures in the United States. Vests are often worn both open or closed, over dress shirts and even
t-shirts. Non-formal types of waistcoat have been used in workers uniforms, such as at
Walmart prior to 2007, and as
high-visibility clothing (usually the bright "
safety orange" colour). During the
2018 FIFA World Cup, the manager of the
England football team,
Gareth Southgate, was often seen wearing a waistcoat. British retailer
Marks & Spencer, the official suit provider for the national team, reported a 35% increase in waistcoat sales during England's first five games at the tournament. Fashion search platform
Lyst also reported that online waistcoat searches increased by over 41% during the course of the World Cup. Part-way through the tournament, the
Museum of London announced that it hoped to acquire Gareth Southgate's waistcoat in order to display it as part of its permanent collection of historic clothing. In the run up to England's semi-final match against
Croatia, the blood cancer charity,
Bloodwise, encouraged fans to take part in 'Waistcoat Wednesday' to help raise funds for the charity, while also supporting the England team. ==Preliminary timeline and evolution==