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Malazan Book of the Fallen

The Malazan Book of the Fallen is a series of epic fantasy novels written by the Canadian author Steven Erikson. The series, published by Bantam Books in the U.K. and Tor Books in the U.S., consists of ten volumes, beginning with Gardens of the Moon (1999) and concluding with The Crippled God (2011). Erikson's series presents the narratives of a large cast of characters spanning thousands of years across multiple continents.

Conception
The Malazan world was originally created by Steven Erikson and Ian Cameron Esslemont in 1982 as a backdrop for role-playing games using a modified version of Advanced Dungeons & Dragons. By 1986, when the GURPS system had been adopted by Erikson and Esslemont, making it "among the largest fees ever paid for a fantasy series". Ian Cameron Esslemont wrote the Novels series from 2004 to 2014. After finishing the two main series, Erikson and Esslemont continued on to further projects in the Malazan universe. While writing the last novels in The Malazan Book of the Fallen, Erikson decided that his next project, The Kharkanas Trilogy, would be a "trilogy traditional in form," saying the following: "If the Malazan series emphasized a postmodern critique of the subgenre of epic fantasy, paying subtle homage all the while, the Kharkanas Trilogy subsumes the critical aspects and focuses instead on the homage." At one point, Steven Erikson indicated that the two authors would collaborate on The Encyclopedia Malaz, an extensive guide to the series, which was to be published following the last novel in the main sequence. In an interview on a later date, however, he mentioned talks underway with an RPG 20D group to produce a game adapted from the Malazan universe, in which case the maps and notes created by Erikson and Esslemont would be released through installments or expansions rather than through the publishing of an encyclopedia. The Malazan world has no official unified name, although Steven Erikson has jokingly called it Wu. In an interview with a Spanish fantasy blog, Erikson said that the hand-drawn version of the Malazan world which he had at home was too large to be photocopied; however, he also said that the maps created by fans were coming close. ==Influences==
Influences
In a general review of The Cambridge Companion to Fantasy Literature, edited by Edward James and Farah Mendlesohn, Erikson fired a shot across the bow of "the state of scholarship in the fantastic as it pertains to epic fantasy," taking particularly to task James's opening lines in Chapter 5 of that volume. Erikson uses a handful of words from that chapter as an epigraph for a quasi-autobiographical essay in The New York Review of Science Fiction. James's sentences read in full: Erikson writes, "But epic fantasy has moved on, something critics have failed to notice." He goes on, Erikson concludes, "So, Professor James, when you say 'since [Tolkien and The Lord of the Rings]... most subsequent writers of fantasy are either imitating him or else desperately trying to escape his influence'—sorry. You're flat-out wrong." ==Themes==
Themes
The Malazan series contains many themes around socio-economic inequality and social injustice throughout such as gender equality with Erikson stating "It occurred to us that it would create a culture without gender bias so there would be no gender-based hierarchies of power. It became a world without sexism and that was very interesting to explore." as well as the inevitability of and role of art in civilizational collapse and many other themes rooted in a postmodernist and post-structuralist deconstruction of the fantasy genre and magical realism. ==Critical reception==
Critical reception
The series was positively received by critics, who praised the epic scope, plot complexity and the introspective nature of the characterization, which serve as social commentary. Fellow author Glen Cook has called the series a masterwork of the imagination that may be the high water mark of the epic fantasy genre. In his treatise written for The New York Review of Science Fiction, fellow author Stephen R. Donaldson has also praised Erikson for his approach to the fantasy genre, the subversion of classical tropes, the complex characterizations, the social commentary — pointing explicitly to parallels between the fictional Letheras Economy and the US Economy — and has compared him to the likes of Joseph Conrad, Henry James, William Faulkner, and Fyodor Dostoevsky. Reviewing for SF Site, Dominic Cilli says, The Malazan Book of the Fallen raises "the bar for fantasy literature", that the world building and the writing are exceptional. Cilli claims the series is written for the "most advanced readers out there.", going on to state that "Even they will have to make two passes through all ten books to fully comprehend the myriad of plotlines, characters and various settings that Erickson presents to us." Reading Erikson's "The Malazan Book of the Fallen" might be "the most challenging literary trial" a reader has ever tried, yet "the payoff is too enormous to ignore and well worth taking on the endeavor. Steven Erikson doesn't spoon feed his readers. He forces you to question and think on a level that very few authors would even dare for fear of finding and perhaps losing an audience." ==References==
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