(key in
concert pitch: F major) : \relative c'' { \set Staff.midiInstrument = #"piano" \tempo 4. = 120 \key g \major \time 6/8 r4 d8 d( cis d) | e r8 r8 e4.( | fis8) r8 r8 fis4.( | a8) r8 r8 g4. ~ g4 g8 g fis e | d8 r8 dis8 e r8 es8 | d4 d8 d d d | d8 r8 dis8 e r8 es | d4 }
Music This recognizable march is written in
standard form: IAABBCCDCDC. Written in
compound duple meter, it is suited as an accompaniment to the
two-step, a new dance introduced at that time. The opening
strain of the march is famous and familiar to many. Typically, the march is played at a tempo of 110 to 120 beats per minute, rarely any faster. March enthusiasts have argued that the trio sections' mellow and moving phrases are among Sousa's most musical. Six sudden eighth notes move the melody along. Its unusually calm break strain is a simple adaptation of the trio melody. It then moves on to the first trio repeat, where the low brass begins an even more mellow
countermelody.
Scoring • Woodwinds: 2 flutes, piccolo, 2 oboes, 2 clarinets, 2 bassoons • Brass: 4 horns, 2 trumpets, 3 trombones, tuba • Percussion: timpani, cymbals, bass drum, snare drum, triangle • Strings: violins I and II, violas, cellos, double basses == Dance ==