Welcome to the Canteen

In 1970, Traffic toured in support of their comeback album John Barleycorn Must Die, with a quartet line-up of Steve Winwood, Chris Wood, Jim Capaldi, and Ric Grech. In November, the group played a series of concerts at the Fillmore East, and recordings from these concerts were compiled into a live album, to be called Live Traffic, consisting of "Who Knows What Tomorrow May Bring", "Glad", "Pearly Queen", "40,000 Headmen", "Dear Mr. Fantasy", and "Can't Find My Way Home". This album was set for release in early 1971 but cancelled for unknown reasons, though Side A eventually appeared as bonus tracks on the 1999 reissue of John Barleycorn Must Die. By the time of their next tour, Traffic had expanded with the additions of Dave Mason, Jim Gordon, and Reebop Kwaku Baah. The band only played six dates, two of which – their opening performance at Fairfield Hall, Croydon and a London benefit for Oz – were recorded and mixed to become Welcome to the Canteen. Mason was keen to take this version of Traffic to the United States, but Winwood was only interested in doing these six dates. Mason said, "It's Stevie's band, so it's up to him." Welcome to the Canteen would be the last album Traffic would release under the band's North American distribution contract with United Artists Records; their next album The Low Spark of High Heeled Boys would be issued by Island Records, who released Traffic's records in the U.K. and who (in late 1971) had recently established operations in North America. ==Release and reception==

Welcome to the Canteen was released in September 1971. Reviewing for Rolling Stone in October, Ed Leimbacher regarded most of the songs as "near duplicates" of their original studio versions, but found the performances of the musicians redeeming. He was particularly impressed by "Dear Mr. Fantasy" (calling it "eleven swirling, blending, building, wondrous minutes of 'Fantasy' with Winwood as pensive/yearning/mournful as ever") and "Gimme Some Lovin'" (calling it "a nine-minute eternal experience" rendered from the "all time great three minute single"). The album was included in The Villanovan critic Fred Trietsch's ballot in the first annual Pazz & Jop critics poll of the year's top albums, published by The Village Voice in February 1972. Robert Christgau, the poll's creator and supervisor, was lukewarm in his appraisal, published later in ''Christgau's Record Guide: Rock Albums of the Seventies'' (1981). He found the album "lax at times, but not bad for live jazziness—Stevie Winwood and Dave Mason play as engagingly as Mike Ratledge and Elton Dean, say, and in a genuine rock style." He appreciated how much "more aggressive" it sounded compared to the band's studio recordings, adding that "the double percussion of Jim Gordon and Rebop Kwaku Baah driving pretty hard at times. Even the lackadaisical 'Gimme Some Lovin' doesn't seem like a desecration." AllMusic's William Ruhlmann expressed even more enthusiasm about the release, saying it serves as an overview of "the Winwood/Mason/Traffic musical world" and shows "how good a contractual obligation album could be ... the playing was exemplary, and the set list was an excellent mixture of old Traffic songs and recent Mason favorites." ==Track listing==

• Steve Winwood – lead vocals (1, 3, 5, 6), organ, electric piano, acoustic guitar (3), electric guitar (5) • Jim Capaldi – vocals, tambourine, percussion • Dave Mason – lead vocals (2, 4), electric guitar (1, 4, 5, 6), acoustic guitar (2) • Chris Wood – saxophone, flute, electric piano, organ • Ric Grech – electric bass • Jim Gordon – drums • Rebop Kwaku Baah – congas, timbales, bongos ==Charts==