(right) as Count Zaroff in a film adaptation of "
The Most Dangerous Game" The exploits of white hunters were subjects first for novels and later for films. They were romanticized in
adventure novels of the so-called "
Lost World/Lost Race" genre. Perhaps the first fictional
Victorian adventure hero was
Allan Quatermain, a white hunter who appeared in books by
H. Rider Haggard, starting with ''
King Solomon's Mines (1885). In 1924, Richard Connell published his short story "The Most Dangerous Game", in which an American big-game hunter finds himself being hunted by a Russian aristocrat who has tired of hunting in Africa. Alex Raymond created the Jungle Jim'' comic strip in 1934 that later lead to a comic book, film serial, film series, and television show.
Geoffrey Household's novel
Rogue Male (1939) featured a white hunter going after
Adolf Hitler; it was filmed twice, first as
Man Hunt (1941) and, a generation later,
under the original title (1976). Captain C. G. Biggar (Cuthbert Gervase '
Bwana' Brabazon-Biggar), a supporting character in the
P. G. Wodehouse comic novel
Ring for Jeeves (1953), is another example of the white hunter. Not surprisingly, actual white hunters were often involved in the filming of the exploits of their fictional counterparts: Bunny Allen led many film companies on safari to enable
location filming for ''
King Solomon's Mines, Mogambo (1953), and Nor the Moon by Night'' (1958). The white hunter on safari in his
khakis and
pith helmet became an instantly recognizable
stock character.
Abbott and Costello lampooned the type in
Africa Screams (1949), which was a parody of a 1930 documentary,
Africa Speaks! (1930).
Bob Hope parodied the safari genre in
Road to Zanzibar (1941) and
Call Me Bwana (1963).
Hemingway's safari story "
The Short Happy Life of Francis Macomber" (1936) richly addresses the questions of courage, cowardice, racism, and power on safari. The story was made into a film titled
The Macomber Affair (1947), but it was reissued in the United States under the title,
The Great White Hunter. The title character is an American tourist looking to find his own courage by facing danger on safari. In the story, Hemingway accurately refers to the professional hunter leading the safari, a character named Wilson, as a "white hunter". (Wilson is said to have been based on Hemingway's own guides,
Philip Percival and
Bror von Blixen-Finecke). In
Congo (1995),
Ernie Hudson introduces himself as the unexpectedly black "white hunter" hired to guide a jungle expedition. ==Origins==