Summer had made her name the previous decade as the most successful female artist of the
disco genre, releasing a vast selection of hit singles and albums on
Casablanca Records. During this period however, Summer had felt that the label had exploited her and made her portray a sexually orientated image ("The First Lady of Love") with which she never felt comfortable. The label had also taken over other elements of Summer's personal life, to the point where she felt she had no control over her life or career. Having come out of a period of depression and rediscovering her
Christian faith, Summer had made the decision to break away from Casablanca and file a lawsuit against them. After leaving Casablanca, Summer became the first artist to be signed to the newly established
Geffen Records. By 1980, banners reading "disco sucks" were seen everywhere and disco records became flops. Summer decided to leave the disco sound behind. The album was co-written and produced by
Giorgio Moroder and
Pete Bellotte, who had produced the vast majority of Summer's hits since their partnership with her began in 1974. Production for
The Wanderer was rushed; Geffen wanted to get new product out because of Casablanca's plans to release
Walk Away, another greatest hits collection. "We would have liked to do more tweaking, and have more time for production. But we just had to let it go," said
Harold Faltermeyer about the recording of the album. "Cold Love" gained Summer a
Grammy nomination for
Best Female Rock Vocal Performance. Summer's rediscovered Christian faith was documented in the
gospel song "I Believe in Jesus", for which she also received a nomination for
Best Inspirational Performance. As a child Summer had sung in gospel choirs, so this song was a chance for her to go back to her roots. ==Critical and commercial reception==