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Who I Am (book)

Who I Am is a memoir by rock guitarist and composer Pete Townshend of the Who. It was published by HarperCollins in October 2012 in both book and e-book format, plus an unabridged 15-CD audiobook read by Townshend. The book chronicles Townshend's upbringing in London, the formation and evolution of the Who, and his struggles with rock stardom and drugs and alcohol. The title is a play on words, referring to the Who's hit single, "Who Are You" as well as the album of the same name.

Background
Pete Townshend signed a contract with Little, Brown and Company in May 1996 to write his autobiography, but abandoned it two years later, when, according to Townshend, "I found it too hard". He published small extracts of what he had written on a blog. He later signed a deal with HarperCollins, and the memoir, originally entitled Peter Townshend: Who He?, was published in October 2012 as Who I Am. Townshend said he preferred the original Who He title: "Who I Am seems so final, so grandiose, so....Pete Townshend. It's just too perfect." The original manuscript Townshend presented to HarperCollins was 1,000 pages long, but the publisher cut it back to 500 pages. ==Synopsis==
Synopsis
Pete Townshend's memoir begins with his upbringing in London after World War II (he was born in May 1945, the month the war in Europe ended). Included is the period he lived with his unstable grandmother, during which time he reports fragmentary memories of sexual abuse at the hands of her suitors. Townshend wrote that he had accepted the caution only because "I was in no frame of mind to live through another eternity – this time in court", although he later wished he had gone to trial to prove his innocence. ==Reception==
Reception
Music journalist Rob Sheffield writing in Rolling Stone called Who I Am "intensely intimate" and "candid to the point of self-lacerating". He said Townshend seems to want to deflate his rock-star image by exposing his "defects and contradictions: the 'Angry Yobbo' guitar hooligan he plays onstage versus the introspective composer, the spiritual seeker versus the hedonistic drug addict". The Guardian said that while many rock memoirs "run out of gas once the classic songs dry up and the major crises have been overcome", Townshend's life "was never dull". It said Townshend's prose is "crisp, clear and unflinching", and called the book "unusually frank and moving". Literary critic Michiko Kakutani writing in The New York Times said Who I Am "is an earnest, tortured, searching book", and was impressed with the way Townshend documented how the Who "articulate[d] the joy and rage" of post-World War II Britain's "teenage wasteland" generation. But Kakutani felt that the book's editing was uneven, resulting in too much detail in some sections, and "jump cuts" in other areas that "chop the narrative into herky-jerky pieces and slow the book's momentum". The A.V. Club said Townshend's accounts of the making of albums like ''Who's Next and Quadrophenia'' are "breathtaking", but complained that "there are glaring gaps and dead ends in his story. Daltrey, Moon, and Entwistle are shunted to the background, leaving the alchemy of their unique collaboration mostly in the dark". It felt that "Townshend's intellectual tone sucks up too much of the emotional oxygen". British journalist Simon Garfield in a review in The Observer complained that the book is too "well-behaved and ordered" and lacks the exuberance of Keith Richards's "indulgent memoir", Life. He said Who I Am is "insightful about the creative process", and is "a worthwhile, comprehensive and culturally valuable account of a life", but "it didn't leave me with the sense of elation I normally feel after brushes with the Who". Rock music critic Robert Christgau said in The New York Times that while he was impressed by Townshend's literary career, he tries to cram too much into the book, leaving little room to make the text "come alive". American author Louis Bayard said in The Washington Post that he expected more out of Who I Am from such an "articulate" person as Townshend. He said that the "pretentiousness" and the "endless [...] therapy" that pervades the book "makes you long for the angry yobbo who clobbered Abbie Hoffman at Woodstock, [and] got kicked out of every Holiday Inn in the world". ==References==
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