Mythic beginnings The Earls of Douglas, chiefs of
Clan Douglas, and their successors claimed descent from
Sholto Douglas, a mythical figure dated by Godscroft to 767 AD. However, it is more likely that they were descendants of
Flemish immigrants to Scotland, during the reign of
David I. Through the marriage of
William the Hardy, grandfather of the 1st Earl, to Eleanor de Lovaine, the Earls of Douglas could trace their ancestry to the
Landgraves of Brabant. In the story of Sholto Douglas, his son William Douglas is a commander of forces sent by the mythical Scottish king
Achaius (Eochaid?), to the court of Charlemagne to aid him in his wars against
Desiderius, King of the
Lombards. William Douglas is said to have settled in
Piacenza where his descendants became powerful local magnates under the name Scotti (or Scoto), and eventual leaders of the
Guelf faction of that city.
Historicity The first Douglas on record in Scotland is
William I, Lord of Douglas (c. 1174–1214), where he was witness to a charter of bishop
Jocelin of Glasgow in 1198, where he signed "
Will. de Dufglas" in what can only be a territorial designation. It can be deduced however, that there was a connection to the House of Moray and its progenitor,
Freskin, Lord of Duffus, insofar as the later blazon of both Houses both contained three stars argent on a field azure; further in a document pertaining to
Bricius de Douglas, William of Douglas's son and
Bishop of Moray, he refers to his
avunculus Freskin of Kerdal, an unusual name for the time in Scotland. This connection with the Morays can be later attested in a rhyme penned by
Andrew of Wyntoun around the time of the marriage of Archibald the Grim to Johanna de Moravia the Moray heiress, of which further below: It is also attested to by the fact that Archibald the Grim and Johanna de Moravia had to receive permission from the pope to marry because of consanguinity.
Famous art works In the early 16th century
Charles II D'Amboise commissioned
Bernardino de' Conti to do a portrait painting for him in 1505 AD. Although a friend and patron of
Leonardo da Vinci, D'Amboise picked de' Conti for his traditional style of oil painting. Prominently inscribed on the top left the painting reads, "The Earl of Douglas surnamed Black Dudley" (referring to James, Lord of Douglas). It is unknown how many renditions de' Conti created, but there is one that resides in the
Seattle Art Museum, another once owned by
Henry VIII belongs to the Royal Family, and at least one belongs in a private collection. ==Rise to power==