Frederick William Elwell

Frederick Elwell was born in Beverley, East Riding of Yorkshire, the son of wood carver James Edward Elwell. He studied at the Lincoln School of Art. Here he became interested in French Impressionism. In 1887 he was granted a scholarship which made it possible for him to dedicate himself fully to his artistic studies. In 1889 he became a student \at the Royal Academy of Fine Arts in Antwerp, where the Flemish portrait painter Pieter Van Havermaet was one of his teachers. At the Antwerp Academy he further developed his skill and interest in portraiture and still life developed under the influence of the work of 17th century Dutch and Flemish artists. He first exhibited at the Paris Salon in 1894 and at the Royal Academy in 1895. He was also a member of the Royal Institute of Oil Painters. Some 22 years later, the same newspaper described his work as 'persuasive' rather than 'arresting', and him as 'pre-eminently a painter of domesticity'. Amongst the purchasers of his works were the Chantrey Bequest, the City of Hull and the Walker Art Gallery, Liverpool. ==Personal life==

Elwell was the youngest of six children. His father, James Elwell, was a cabinet maker and wood carver, who was twice mayor of Beverley. He lived for a short time in London, and then returned to Beverley in 1903, where in 1914 he married Mary Dawson Bishop (1874–1952), a painter of landscapes and interiors He was made a freeman of Beverley, where he composed many of his works. As a pastime, he enjoyed gardening. Elwell produced more than 500 paintings and continued to work until shortly before his death. ==Selected paintings==

• The Last Purchase • The Beverley Arms Kitchen (1919) • The Old Library, Castle Ashby (1927) • The Earl and Countess of Strathmore and Kinghorne in their Drawing-room at Glamis (1932) • Portrait of King George V (1932) • Man with a Pint (1933) • The Lying-in-State, Westminster Hall (1936) • The First Born (1913) ==References==