William Inglott

William Inglott's father Edmund (d. 1583) was the organist at Norwich Cathedral. William retained a strong connection to the cathedral during his career, first as a chorister under his father (15671568), as a lay clerk (from 1576), and as the cathedral's organist (15871591). He was paid in 1582 for teaching the boys in the choir during a period when his father was too ill to work. Inglott moved to Hereford Cathedral as Master of the Choristers from 1597 until some time after 1610, but returned to Norwich as organist in 1611, replacing the composer Thomas Morley. Nothing is known of his career during this intervening period. Upon his return to Norwich he was paid to be the organist on 1 June; his first recorded payment (1 June 1611), which was double the salary given to Morley, may reflect an increase in responsibility or workload. He held the position until his death in December 1621, aged 67. His painted memorial plaque on a pillar in the cathedral records he was buried on 31 December of that year. The memorial shows two choristers bearing wreaths over his body and the following verse: The monument was restored 90 years after Inglott's death, at the expense of the composer William Croft. ==Surviving works==

Few works by Inglott survive. Two keyboard pieces, The Leaves Bee Greene and A Galliard Ground, are preserved in the Fitzwilliam Virginal Book, a collection of Elizabethan and Jacobean keyboard music with works by Inglott's contemporaries, such as Thomas Morley, William Byrd and Martin Peerson. An untitled keyboard piece by 'Englitt' in ''Will Forster's Virginal Book (1624) at the British Library may also have been composed by Inglott. The musicologist Ian Payne describes the variations by Inglott in the Fitzwilliam Virginal'' as being "well crafted, richly polyphonic, and technically demanding". Recordings ==References==