Xuxa's first
Xou da Xuxa series title, as well as his songs, his language with children was of great significance for Brazilian pop culture and for the country's music market. Still in the first months of contract with
Rede Globo the
Veja magazine published a long story in 1986 talking about the success of Xuxa and calling for the first time presenter of "Children's Queen". For the magazine the success of the presenter was due "especially because it was innovative, creative and had some peculiarities, such as the language in first person, that made the children feel an air of proximity, as if she were talking to each one of them." A critic of
Forum magazine, she highlighted the contribution of the album to the
Brazilian music industry and its impact even after thirty years of launch. "Nearing her 30th birthday, Xuxa's first album, as a presenter of "Xou" at Rede Globo, reveals when her career as a singer (even without a dowry to be), emerged in the musical scene with the sound of the time, beating records of sales with
Roberto Carlos and the
RPM, revealing to be the star of the record Som livre. A real phenomenon." He also attributed the success of the formats of vinyl and cassette in Brazil to the high repercussion of the album "Xou" of 1986 sold about 2 million and a half copies, with cross plan facilitating the purchase of the product in vinyl and cassette, at a time when phonographic piracy was not such a harmful reality." He even put the track "Doce Mel" as one of "the most memorable songs from the album's repertoire." defining the introduction of the song as "shocking" and reminiscent of songs like "
The Final Countdown" by Swedish band
Europe or "
Jump" by American band
Van Halen, "for the rocky outline of the track, surrounded by synthesizers with guitar solos performed by Robson Jorge. By the second the critic of the site, the presenter is a clear and pure example of Brazilian pop culture. "Among polemics and commotions the blonde has become a symbol of reference for Brazilians of all ages and in various segments." The site
Terra compared the singer to American singer
Elvis Presley and
Michael Jackson saying that just as "Elvis Presley earned the nickname of
rock king because it was the most successful artist of the style in the years that followed the emergence of the genre; Michael Jackson, for having influenced a whole generation of pop artists, creating a new reality for
music videos and reaching unthinkable levels of sales of live albums and shows." Likewise Xuxa "was dubbed the "Queen of the Little Ones." In all the ways in which the blonde with easy smile and blue eyes got involved, the result was the same: as a model, she became a record holder of magazine covers in Brazil; on the big screen, created a new and unprecedented standard for children's programs; in music, is still among the Brazilian artists with the highest number of albums sold; in the movies, the result repeats itself." The album was considered responsible for other children's presenters to launch as singers of the genre. The album cover also became quite popular in Brazilian culture, becoming extremely popular, On July 11, 2011 appeared on
Tumblr the page "Xuxa is all around!", which compiles photos of fans imitating the iconic pose of Xuxa on the cover of the album, inviting the public of the site to send his photo redoing the pose. The site quickly reached national fame, turning news in several portals. It is one of the most successful albums of Xuxa in her singing career to date, with sales boosted by more than 2 million copies, being the eighth best selling album of the history of Brazil, where Xuxa emplaced three other titles of the same series, and also one of the best selling albums by a solo artist for children around the world. The result of the success of the album made Xuxa become responsible for the creation of the diamond certificate in Brazil. == Track listing ==