1995–2004: Beginnings and breakthrough Zhou debuted in the comedy movie
The Pampered Wife (1995). She next starred in
Chen Kaige's films,
Temptress Moon (1996) and
The Emperor and the Assassin (1999). But it was not until in 2000 that Zhou received recognition in China. With her role as young
Princess Taiping in historical drama
Palace of Desire, Zhou received the
Audience's Choice for Most Popular Actress and
Audience's Choice for Supporting Actress awards at the 18th
China TV Golden Eagle Awards. Zhou achieved breakthrough on the big screen with
Lou Ye's
Suzhou River (2000), which won her the Best Actress award at the 15th
Festival du Film de Paris. That year, she was named one of the
Four Dan Actresses alongside
Zhang Ziyi,
Zhao Wei and
Xu Jinglei. She further achieved international recognition when she starred in the Franco-Chinese romance drama film
Balzac and the Little Chinese Seamstress (2002). With her praised performance in Liu De-kai's film
A Pinwheel Without Wind (2002), Zhou won
Hundred Flowers Award for Best Actress, marking the first time she won a major domestic film award. A string of successful projects followed. In her first Hong Kong film
Hollywood Hong Kong directed by
Fruit Chan, which was selected to compete for the
Golden Lion at the
58th Venice International Film Festival, Zhou received her first
Golden Horse Award for Best Leading Actress nomination and impressed critics with her performance. Hollywood magazine
Variety praise Zhou saying "Zhou is superb, moving with ease between her various personalities and always convincing in each". Among Zhou's earlier notable works also include television series
April Rhapsody (2000),
Love Story in Shanghai (2001),
Ripening Orange (2002) and
The Legend of the Condor Heroes (2003).
2005–2011: Critical acclaim In 2005, Zhou starred the leading role in the
musical film Perhaps Love directed by
Peter Chan. For her nuanced performance in capturing the stark contrast between a rural girl and a woman living at the pinnacle of urban wealth in this film, she was awarded the
Golden Horse Award for Best Leading Actress, in addition to
Hong Kong Film Award,
Golden Bauhinia Awards and
Hong Kong Film Critics Society Award. She next starred in
Feng Xiaogang's
wuxia film
The Banquet (2006), inspired from
William Shakespeare's
Hamlet. Zhou plays the girlfriend of the crown prince, equivalent to
Ophelia. This role later earned her
Hong Kong Film Award for Best Supporting Actress, which made her the first mainland Chinese actress to win both
Best Actress (2006) &
Best Supporting Actress (2007) at the
Hong Kong Film Awards in two consecutive years. In 2007, she starred in
Susie Au's film
Ming Ming, which was highly praised at the 11th
Pusan International Film Festival. Zhou played dual roles – twins with absolutely different characteristics and personalities. She then starred in
Cao Baoping's romantic thriller
The Equation of Love and Death (2008) as a taxicab driver on the lookout for her missing boyfriend. Critics again praised Zhou, crediting the film's success to Zhou's performance as Li Mi. Zhou went on to receive Best Actress awards at the
Asian Film Awards,
Shanghai Film Critics Awards,
Golden Rooster Film Festival, and
Chinese Film Media Awards. The same year she appeared in
Gordon Chan's horror-adventure film
Painted Skin, a remake of a classic supernatural thriller of the same title. The film later earned her Best Actress nominations at the
Hundred Flowers Awards,
Hong Kong Film Critics Society Award and the
Hong Kong Film Awards. Next came spy thriller
The Message (2009), about Japanese invaders in China who try to ferret out a spy among their Chinese collaborators. The film later earned her third
Golden Horse Award for Best Leading Actress nomination and Special Jury Award at the 2011
Golden Phoenix Awards. In 2009, Zhou was named the Star of the Year at CineAsia exhibition and distribution convention in Hong Kong.
Asia-Pacific Producers Network (APN) also honored her as the Asian Star of the Year for her exemplary box office achievements. In an interview with
CNN, Zhou was named Asia's 25 greatest actors of all time. In August 2010, Zhou ended her five-year contract with
Huayi Brothers. She filmed the wuxia film
Flying Swords of Dragon Gate (2011) directed by
Tsui Hark. The film earned her Best Actress nominations at the
Hundred Flowers Awards,
Hong Kong Film Critics Society Award and the
Hong Kong Film Awards.
2012–2017: Directorial and Hollywood debut, television comeback In 2011, Zhou made her directorial debut with the short film
Five Demon Traps, which stars
Tony Leung Chiu-wai as a demon killer. In 2012, she then had a reunion with
Tony Leung Chiu-wai in two consecutive films,
The Great Magician and
The Silent War. For her admirable performances in these two films, Zhou received two Best Actress nominations at the
32nd Hong Kong Film Awards, becoming the first
Mainland Chinese performer to be nominated for two
Hong Kong Film Awards for Best Actress in the same year. Zhou made her Hollywood debut in the science fiction film
Cloud Atlas (2012), playing multiple roles in the film. The same year she filmed
Painted Skin: The Resurrection directed by
Wuershan, which was a
sequel to
the original film in 2008. The film grossed over the 700 million yuan ($109.8 million) landmark, becoming the highest-grossing Chinese-language movie of all time then. In 2014, Zhou returned to television after 10 years in
Red Sorghum, based on Nobel prize laureate
Mo Yan's 1986/1987
novel of the same name. Zhou's performance in the series was highly praised by the author himself for her immaculate grasp of the character's inner turmoil. Zhou won the Best Actress awards at the
Asian Television Award and
Shanghai Television Festival. In 2016, Zhou was set to play the leading role of the
Step Empress in
historical fiction drama ''
Ruyi's Royal Love in the Palace, which was are the sequel to the drama Empresses in the Palace''. The series later went on national broadcast in 2018. In 2017, she made her return to the big screen in
Ann Hui's
war film Our Time Will Come alongside
Eddie Peng and
Wallace Huo. The film opened and competed for the
Golden Goblet Award at the
2017 Shanghai International Film Festival and later earned her seventh
Best Actress nomination at the
Hong Kong Film Awards.
2018–present: Established artist management agency and critical resurgence On 2 January 2018, Zhou announced the establishment of their joint cultural and talent agency named Dongshen Future K·ARTISTS. The agency was co-founded by
Chen Kun. In November 2018, she starred in the romance film
Last Letter directed by
Shunji Iwai, and was nominated for the Best Actress award at the
Golden Horse Awards. The same year, Zhou was set to star in the wuxia film
The Weary Poet. In 2019, Zhou starred in the crime thriller film
Remain Silent and family drama film
The Eleventh Chapter. She drew acclaim for both performances, the latter giving her Best Actress award at the 13th
China Film Director's Guild Awards. In 2020, she starred in webdrama
Imperfect Love, which was a remake of the award-winning 2010 Japanese TV series
Mother. For her praised performance in this series, she received the Best Actress in a Webdrama award at the 26th
Shanghai Television Festival. In 2021, Zhou starred in fantasy film
The Yinyang Master. In the same year, she returned to the small screen with a reunion with director
Zheng Xiaolong after 7 years since
Red Sorghum in one of eight-part anthology biographical drama
Medal of the Republic. In the series, she portrayed Chinese
pharmaceutical chemist and
malariologist Tu Youyou, a
Nobel Prize winner, focusing on her efforts to develop
artemisinin and
dihydroartemisinin in the 1970s, used to treat
malaria. Zhou was recommended for this role by
Tu Youyou following Tu's daughter's compliments on Zhou's acting. For her highly acclaimed portrayal, she later received two Best Actress nominations at the 31st
Golden Eagle Awards and 33rd
Flying Apsaras Awards. Later this year, she played the female lead in the family drama
A Little Mood for Love, which was also the second collaboration between Zhou and director Wang Jun after the historical drama ''
Ruyi's Royal Love in the Palace''. According to the
National Radio and Television Administration, the series was the highest rated prime-time drama in
Chinese satellite television channel in 2021. In 2022, Zhou and director
Li Shaohong reunited for the drama film
Hero, their first joint project in 13 years. In the same year she played the leading role in Zhang Dalei's short film ''All Tomorrow's Parties'', which then competed for "Berlinale Short Films Competition" section at the
73rd Berlin International Film Festival. In 2023, she made a special appearance as Ms. Chen, member of the Communist Party and wife of
Tony Leung Chiu-wai's character, in Cheng Er's
World War II espionage thriller film
Hidden Blade. Additionally, she returned to television in
legal drama series
Imperfect Victim (2023), which she portrayed as a lawyer defending a victim of sexual assault. The series received positive feedback and topped the rating during its broadcast time on
Dragon TV and other platforms. Later,
Across the Furious Sea, in which she starred the main role, began filming in 2019 and was licensed for theatrical release in November 2023. This crime thriller drama film marked the reunion of Zhou and director
Cao Baoping after more than a decade since the award-winning film
The Equation of Love and Death (2008). The later film earned her Best Actress award at the 2024
China Film Director's Guild Awards. In 2024, Zhou was announced as a member of the jury for Main Competition section of the 26th
Shanghai International Film Festival. ==Social activities==