Yue Minjun's style can be traced back to the work of Geng Jianyi, who first inspired Yue with his work of his own laughing face. Over the years, Yue Minjun's style has also rapidly developed. He often challenges social and cultural conventions by depicting objects and even political issues in a radical and abstract manner. He has also shifted his focus from the technical aspects to the "whole concept of creation". 'Massacre of Chios', one of his most known works, shares its name with a
painting of the same name, by
Eugène Delacroix, depicting the 1822 event in Greek history. As of 2007 thirteen of his paintings had sold for over a million dollars. One of his most popular series was his "Hat" collection. This series, pictures Yue's grinning head wearing a variety of hats—a chef's hat, a Special Forces beret, the helmet of a British policeman, Catwoman's mask, and so on. The artist tells us that the series is about a "sense of the absurdity of the ideas that govern the sociopolitical protocol surrounding hats." The series nicely illustrates the way that Yue's character is universally adaptable, a sort of logo that can be attached to any setting to add value. When asked to participate in the Venice Biennale in 1999, Yue opted to begin fabricating bronze sculptural versions of his signature self-portrait paintings, playing off China's famous Qin Dynasty army of
terracotta warriors. Yue's 1997 painting
Founding Ceremony is an commentary on
Dong Xiwen's famous painting
The Founding Ceremony of the Nation. Dong's painting depicts figures present at the 1949
proclamation of the People's Republic of China and was revised multiple times subsequently based on internal conflicts in the
Chinese Communist Party. Yue's ironic version of the piece depicts the famous scene without any people in it. == Cynical Realism ==