Yuri Landman started as a comic book artist and made his debut in the comics field in 1997 with 'Je Mag Alles Met Me Doen' (in
Dutch). In the follow-up, released in 1998, 'Het Verdiende Loon', Landman described his negative experiences on a daily job. For the second title he received the
1998 Breda Prize, an award for rising new comic artists in the Netherlands. Since then he has published no other comic books. Soon after the release he took over a local comic book store and started his graphic design studio inside the shop besides the sales of comics. Together with Cees van Appeldoorn, he formed the
lo-fi band Zoppo playing bass and
prepared guitar in 1997. After 2 albums and several 7" singles, Landman left the band in 2000. Landman then formed the noise band Avec Aisance (aka Avec-A) with drummer/producer Valentijn Höllander and released a CD, ''Vivre dans l'aisance'' in 2004. After quitting Avec-A in 2006, he focused mainly on instrument building. His comic shop closed in 2001 and he was the graphic designer for
Oog & Blik from 2001 till 2010, until the instrument business became his full-time activity. Landman is musically untrained and cannot play chords. Unsatisfied about the limitations of prepared guitars Landman began creating and building several experimental string instruments, including electric
zithers, electric
Cymbalum, and electric
Koto. Many of the designs are focused on string resonance, microtonality and an overtoning spectra based on the
no wave aesthetics of
Glenn Branca and the microtonal consonant theory developed by
Harry Partch. In the period between 2000 and 2005, Landman created nine prototype instruments. In 2006 he changed his musical focus and stopped to perform and start building for other bands. The
Moodswinger was the first instrument Landman made for the band
Liars. After the Moodswinger, he started making more instruments for other bands as well. From November 2006 to January 2007 Landman finished two copies of
The Moonlander, a biheaded electric 18-string drone guitar, one for
Sonic Youth guitarist
Lee Ranaldo and one for himself. , 2008 The
Springtime is an
experimental electric guitar with
seven strings and three outputs. The first prototype of this instrument, created in 2008, was made for guitar player Laura-Mary Carter of
Blood Red Shoes. Afterwards he also made copies for
Lou Barlow and
dEUS'
Mauro Pawlowski. For John Schmersal of
Enon he built the Twister guitar, an alternate version of the Springtime. He published an extensive 8 chapter guide on how to
prepare a guitar, that was later transformed to the book
Nice Noise. His lectures and presentations with his instruments prompted a request in 2009 for a practical building workshop. This gave rise to his
Home Swinger project, which allowed people to participate in
DIY workshops where they could build their own copy of his newly created instrument the Home Swinger. Often this was followed by a rehearsal and ensemble performance, with multiple copies of the Home Swinger, drums, basses, and guitars, in the style of the
Rhys Chatham and
Glenn Branca compositions. Events took place throughout all European countries and the US. The Home Swinger was selected as one of the instruments for the second Guthman Musical Instrument Competition at
Georgia Tech, Atlanta, in February 2010. Along with the Moodswinger, this instrument is included in the permanent collection of the
Musical Instrument Museum in Phoenix, Arizona. Soon after the start of the Home Swinger workshops his job as a teacher/artistbecame a full-time activity with an ongoing tour schedule throughout the whole year. He developed a wide of range of workshops with different kinds of instruments, and created this way thousands of DIY
kalimbas,
triochords, plates with crossed strings, and mallet guitars. Due to the ongoing tour schedule with the DIY-instrument projects, he discontinued the production of his high-end products for bands, although he makes exceptions such as developing a 42-stringed instrument for Peter James Taylor; nine instruments for Belgian composer Serge Verstockt; instruments for befriended acts such as
Lau Nau, Tomoko Sauvage, Hifi Club,
Remko Scha,
Ritornel, Katharine Klement,
Killed by 9V Batteries and
Ex-Easter Island Head; and an instrument for the
SONS Museum in 2011. Because of his touring with the workshops he connects more to the
experimental music scene, performing with acts such as
Jad Fair,
Rhys Chatham,
Wu Fei,
Noël Akchoté, Action Beat,
Dustin Wong (ex
Ponytail), Camera, and others. In 2012, he published an album featuring
Jad Fair and the French noise artist Philippe Petit. He also started a two-piece band called Bismuth with multi-instrumentalist Arnold van de Velde. In the same year he started his
Strat Eraser Project and built a series of instruments for direct sale, along with the workshop exclusive models. In November he gave a
TEDx talk. Around this time, he began to depart from building stringed instruments. Inspired by the percussive works of
Lou Harrison,
John Cage, and the Belgian sound artist
George Smits, and the sounds of Indonesian
Gamelan instruments, he created a collection of metal percussion instruments and amplified them with guitar pickups. These instruments are used on the recordings of Bismuth and in his live performances. Also, he built a set of motor instruments and invented an instrument made from
PET bottles. The March 2013 edition of Premier Guitar featured a cover story written by Landman about a guitar modification he did on request of the magazine. Later that year the documentary
Alles, Tot Dit was published. In April 2014 Bismuth released their debut album. This album was published in a limited deluxe edition as well with a special designed instrument called 'Svikt' mounted to the album cover. In the same year he starts his solo performances and collaborates with the Dutch noise rock act Those Foreign Kids, functioning as his backing band on his European solo tours. Occasionally Landman performs together with Dutch sound artist Wessel Westerveld, who has built a collection of replicas of
Luigi Russolos
Intonarumori.
Stichting De Stilte created a dance production with Landman playing live during the dance performances. Since 2015, he has built a series of kinetic objects made with motors and
pendulums that together operate as a
sound installation. He exhibits this project in addition to his on stage performances. 2016 Premier Guitar approached him for the second time for a guitar building request, which resulted in an experimental guitar built for
Thurston Moore. Similar to the first project the building process was published as an article in Premier Guitar and he did a 20-minute YouTube interview with Thurston when he handed over the guitar. In the same year he developed a DIY
daxophone workshop. In May/June 2017 he was artist-in-residence for one month at
iii in
The Hague where he developed the motorized
sound installation Helicopters. For Lee Ranaldos Lost Ideas Festival in Menen, Belgium he developed a harmonic guitar based on a predecessor, invented by Branca in the early 80s, Ranaldo played in Glenn Brancas orchestra. At the invitation of
Harman Kardon he built a 24 string drone
sonometer for
J.Views during a documentary shoot in the spring of 2018. In October 2018 he published an 8-page
musicological essay in Soundest #1 in which he states that the configuration of the
musical keyboard is mathematically based, rather than a cultural evolutionairy phenomenon. He shows the pattern in several non-Western scales such as the Indian 22
shruti system, the 19-tone scales on the Iranian
tar and the Turkish
saz, an out-of-place
Coptic artifact and his own tuning system applied on the Moodswinger. This explanation of the origin of the keyboard is in conflict with the Western consensus story that the pattern on the keyboard evolved culturally from originally seven white keys, adding one black key, followed by more into the twelve-tone Halberstadt Keyboard from 1361. In December that same year
Musical Instrument Museum put on a large overview exhibition of his invented instruments. In 2019 he build a follow-up series of rhythmic helicopters as a part of
Nora Mulder's '7090 Abstraction Parc' that was exhibited at
Gaudeamus Music Week, Open
NDSM and several other Dutch festivals. During the
Corona crisis his educational work and live performance stopped and he made a graphic novel after a hiatus of 20 years. In December 2020 he started prepublishing this book in six languages as a daily soap on his Instagram. It was published in a Dutch as well as an English edition in Spring 2021. In Feb '22 he pre-published 90 pages of his next graphic novel 'Dissident in '20-'21' in which he explains
Mattias Desmet's
mass formation theory.
Musical Theoretical Diagrams The Moodswinger led to a research on harmonics theory. He published a clarifying
3rd bridge diagram related to this instrument in 2012 (and a more elaborate version of this diagram in 2017). In 2018 he published another
microtonal diagram that compares the
otonal and utonal scales with the
harmonic series and
12TET and also how Partch'
tonality diamond is related to the harmonic series when put in a
triangular array.
Education Landman co-wrote
Nice Noise (about
prepared guitar techniques and guitar modification) with
Bart Hopkin. This book was released in 2012 by
Experimental Musical Instruments and came along with 60 sound fragments made with a wide range of guitar preparations. Around 2014 Landman started spreading out instrument collections among a growing group of
non-profit organisations focused on education,
sound art,
electro-acoustic music,
media art and
avant garde music. Inspired by pioneering sound labs like the
BBC Radiophonic Workshop,
Philips' NatLab and
Studio for Electronic Music (WDR) these collaborations create an infrastructure of sound labs within Europe for experimental artists and builders. He is a regular guest teacher and lecturer at several academies and universities in Europe. In 2020
Bloomsbury Publishing published the book ‘’Sound Art’’ by Holger Schulze and Sanne van Krogt. Landman wrote the chapter Pickups and Strings in this academic publication. ==Instruments==