III), Early and Middle Classic Period (AD 100-700).
Mexico. Like most Mesoamerican religious systems, the Zapotec religion was polytheistic. Some known deities were
Cocijo, the rain god (similar to the Aztec god
Tlaloc); Coquihani, the god of light; and Pitao Cozobi, the god of maize. Zapotec deities were predominantly associated with fertility or agriculture. Both male and female deities are represented, differentiated by costume. Males are depicted wearing breechclouts with or without capes, while females are depicted wearing skirts. There is some evidence of worship of deities not directly associated with Zapotec culture, such as the Teotihuacan
Feathered Serpent, Butterfly God, and rain god; and the Nahuatl god of spring
Xipe Totec. It is believed that the Zapotec used
human sacrifice in some of their rituals. There are several legends of the origin of the Zapotec. One of them is that they were the original people of the valley of Oaxaca and were born from rocks, or descended from big cats such as pumas, jaguars and ocelots. Another is that the Zapotec settled in the Oaxaca valley after founding the
Toltec empire, and were descendants of the people of
Chicomoztoc. These legends were not transcribed until after the Spanish conquest. According to historical and contemporary Zapotec legends, their ancestors emerged from the earth, from caves, or turned into people from trees or jaguars. Their governing elite believed that they descended from supernatural beings who lived among the clouds, and that upon death they would return to the clouds. The name by which Zapotecs are known today results from this belief. The Zapotecs of the Central Valleys call themselves "Be'ena' Za'a" - The Cloud People.
Dedication rituals The Zapotec used dedication
rituals to sanctify their living spaces and structures. Excavation of Mound III at the Cuilapan Temple Pyramid in
Oaxaca revealed a dedication
cache containing many
jade beads, two
jade earspools, three
obsidian blades, shells, stones, a pearl, and small animal bones, likely from birds, dated to AD 700. Each of these materials symbolized different religious concepts. As it was not easily attainable, jade was valued, and worked jade even more so because the elite were the primary artists. Obsidian blades are associated with
sacrifice, as they were commonly used in
bloodletting rituals. Shells and pearl represent the underworld, being from the ocean, and the small bird bones represent the sky and its relation to the balanced
cosmos. These
artifacts are significant due to their placement in a structure used for ritual and associated with power. This cache is a form of dedication ritual, dedicating the Cuilapan Temple Pyramid to these ideas of power, sacrifice, and the relationship between underworld and cosmos.
Deities The following list was assembled by Michael Lind by consulting various colonial-era sources. Note that some deities have multiple names, as well as multiple historical spellings and dialectal variants. Note also that "Pitao" is simply the word for god. Huetexi Pea, the god who measured the world, may have been the same figure as Liraa Quitzino. Pitao Xicala (god of dreams) and Pixee Pecala (god of love and lechery) may have been aspects of Pitao Peeze. Coquihuani may have been a name for Pitao Copiycha. Deification of local rulers also appears to have been a common practice. Other deities include Cozichacozee (god of war), Coqui Lao (god of turkey hens), and Leraa Queche (god of medicine). ==Notes==