Box office 13 Hours grossed $52.8 million in North America and $16.6 million in other territories for a worldwide total of $69.4 million, against a production budget of $50 million, The film was projected to earn around $20 million in its four-day Martin Luther King weekend debut. It faced competition from fellow newcomer
Ride Along 2, as well as holdovers
The Revenant and
Star Wars: The Force Awakens. Other films in a similar vein that had opened on the MLK weekend in previous years,
American Sniper ($107.2 million in 2015) and
Lone Survivor ($37.8 million in 2014), found success, although they had faced weaker competition, and were considered less politically divisive. However,
The Hollywood Reporter noted that the film could outperform expectations if it was buoyed by waves of patriotism. The film added 528 theaters in its second weekend and grossed $9 million, a 39.8% drop.
Critical response 13 Hours received mixed reviews from critics, though some viewed it as a welcomed tame effort from Michael Bay. On
review aggregator Rotten Tomatoes, the film has an approval rating of 51% based on 224 reviews, with an average rating of 5.60/10. The site's consensus reads, "
13 Hours: The Secret Soldiers of Benghazi is a comparatively mature and restrained effort from Michael Bay, albeit one that can't quite boast the impact its fact-based story deserves." On
Metacritic the film has a score of 48 out of 100, based on 36 critics, indicating "mixed or average" reviews. Audiences polled by
CinemaScore gave the film an average grade of "A" on an A+ to F scale. Soren Andersen, writing for
The Seattle Times, gave the film 3 stars out of 4, criticizing the lack of distinctive characters but ultimately summarizing
13 Hours as "engrossing" and "a ground-level depiction of heroism in the midst of the fog of war".
Richard Roeper similarly praised
13 Hours in his review for the
Chicago Sun-Times. Although he lamented the script, Roeper found the film to be a "solid action thriller with well-choreographed battle sequences and strong work from the ensemble cast". Like Roeper's review,
New York Daily News Joe Dziemianowicz was less receptive toward the script, but applauded the film's focus on the real-life attack, summarizing: "War is gritty here, not glamorous...
[Michael Bay] delivers a gripping, harrowing, and heartfelt film." In a mixed review, Inkoo Kang of
TheWrap praised
13 Hours for its action scenes, but panned Bay's direction as "myopic". She writes, "
13 Hours is the rare Michael Bay movie that wasn't made with teenage boys in mind. But that doesn't make his latest any less callously juvenile." Lindsey Bahr of the
Associated Press was critical of the film's direction and cinematography, and found the screenplay to be confusing. Similarly,
The Economist described the film as "a sleek, poorly scripted and largely meaningless film". According to
The Guardian, a Libyan social media post claimed it ignored the contributions of local people who attempted to save the US ambassador. Libya's Foreign Ministry spokesman, Salah Belnaba, denounced the film's portrayal of the Libyan people and described it as "fanatical and ignorant." Culture and Information Minister, Omar Gawaari, also criticized the film saying: "the movie shows the US contractors who actually failed to secure the ambassador [...] as heroes", adding that Michael Bay "turned America's failure to protect its own citizens in a fragile state into a typical action movie all about American heroism".
Accolades At the
89th Academy Awards,
13 Hours received a nomination for
Best Sound Mixing. However,
Greg P. Russell (one of the four nominees from the film) had his nomination rescinded when it was discovered that he had contacted voters for the award by telephone in violation of campaigning regulations. == Historical accuracy ==