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Anton Pann

Anton Pann was an Ottoman-born Wallachian composer, musicologist, and Romanian-language poet, also noted for his activities as a printer, translator, and schoolteacher. Pann was an influential folklorist and collector of proverbs, as well as a lexicographer and textbook author.

Biography
Early years Pann was born sometime between 1794 and 1798, in Sliven, Rumelia (in what is today Bulgaria). According to some accounts, his mother, Thomaida, was an ethnic Greek, while his father, Pantoleon Petrov, was Bulgarian; it is known that he worked as a coppersmith bucket-maker. There is a commonly held view by Romani community activists, who consider Pann among the most prominent Romani artists. This view is also accepted by some Romanian authors. Various other interpretations state that Pantoleon Petrov, who died during Anton Pann's childhood, The writer, who was the youngest of Petrov and Thomaida's three sons, eventually adopted the family name Pann, as a colloquial contraction of his father's given name. and allowed to attend the religious music school founded by Petros Ephesios (d. 1840). This was matched by his interest in other musical traditions: in his churchly practice, he endorsed the tradition of Byzantine hymns and removed modulations of Levantine inspiration, while he was among the first of his generation to use modern notation and Italian markings for tempo. In 1843, Pann established a printing press inside the Olteni Church, which published works by several authors of his day, as well as a long series of almanacs. He later confessed that this enterprise had drained his economies, and that he had relied on support from various benefactors. Upon Neofit's request, he also began the translation of various religious texts. Pann's comprehensive and innovative textbook for music, ("The Theoretical and Practical Basis of Church music or the Melodic Grammar"), was officially endorsed by the Metropolitan and taught at the seminary after 1845 and became a template for similar works; in addition, his printing shop sold cheap copies of popular novels, such as the Alexander Romance, the Book of 1001 Nights, the Book of Til Owl-Mirror, and the Story of Genevieve of Brabant. In March 1847, Anton Pann authored an account of the Great Fire of Bucharest. During the latter disaster, his printing shop was heavily damaged, and he was only able to salvage the presses. He resumed his activities only in 1849, when he moved the business to a house owned by Catinca Pann on Taurului Street. Later years In 1848, he published a lexicon of words and expressions in Romanian, Russian, and Ottoman Turkish. Later in the same year, Pann sided with the liberal revolutionaries in their action against Prince Gheorghe Bibescu, was a supporter of the new Wallachian Provisional Government, participating in popular rallies in Craiova and Râmnicu Vâlcea (see 1848 Wallachian revolution). The following year, after falling severely ill, he wrote down the first version of his testament in verse (Adiata), in which he asked to be buried in (where he hoped that his wife Catinca would become a nun). After a series of other satirical works, Pann produced a collection of writings centered on the figure of Nastratin Hogea and owing inspiration to Balkan folklore at large (first published in 1853). In autumn 1854, Pann fell ill with typhus and the common cold during a visit to Râmnicu Vâlcea, dying soon after at his Bucharest residence; he was buried in the Lucaci Church of Bucharest, although, in his second will of August, he had asked for his final resting place to be the hermitage of Rozioara (this failure to comply was attributed to the difficulties in transportation). Catinca Pann remarried soon after this. During the early 1900s, Lucaci Church became home to a monument in Pann's honor, donated by the General Association of Church Singers — an institution presided over by . ==Literature==
Literature
(Sibiu, 1837) Pann's literary creation was noted for its reliance on a vast oral tradition, which he claimed to have codified, thus drawing comparisons to his predecessors François Rabelais, Giovanni Boccaccio, and Miguel de Cervantes. Together with Ion Creangă and Petre Ispirescu, Pann was among the first major interpreters of Romanian folklore in 19th-century literature. Pann's poetic language often relies on elaborate successions of images, metaphors, or maxims. According to Călinescu, "the fundamental method" used by Pann is "the almost monstrous accumulation of aphorism, around an initial idea and through a very wide [process of] association", amounting to "a burlesque effect". He illustrated this view with a sample of proverb-lyrics: Almost all of Pann's work drew on recent or ancient sources, which he reinterpreted to suit the tastes of his public. In the 1880s, the scholar Moses Gaster revealed that one of Pann's major works, ("The Wise Archir and His Nephew Anadam"), made ingenious use of an old and much-circulated biography of Aesop. In researching various fables which Pann had used to expand on his proverbs, Gaster noted that they echoed obscure medieval material (including the Gesta Romanorum, Giulio Cesare Croce's , and even Siberian Turkic folklore). One of his main pieces, the fable of the mouse who pictures himself king of all animals, originated with the Panchatantra. Tudor Vianu indicated that, in writing his book on morals (), Pann integrated text from Desiderius Erasmus' Adagia. As an original element, Anton Pann used the diverse sources of his work to complement his own view of the world; according to Vianu, the latter's main traits were Pann's religious tolerance and fervor, as well as his Levantine outlook on social matters. Călinescu defined as "a false collection of folklore, given that Pann does not abide by peasant authenticity, but embellishes popular language with the cultured one, often obtaining an amazing chromatic effect". While commenting on Pann's focus on social developments of his time as "the completely mechanical ease with which current issues are put into verse", Călinescu noted that contained "advices which presume a state of supreme animality". In drawing the latter conclusion, he cited a stanza in which Pann asked people not to touch their genitalia in public. , believed to be one of Pann's most accomplished works, is written as an epic frame story in verse, and constitutes a satire of life in mid-19th century Wallachia. Reflecting the perspective of simple folk, the poem is marked by sarcastic remarks on social contrasts, Westernization, superstition, as well as tensions between estate lessors and workers (with the former stereotypically depicted as Greeks). Its final part, a denouement, went unpublished. was also noted for the lengthy and meticulously detailed conclusions to each story, which evidenced a style borrowed from traditional storytelling. Vianu argued that the poem stands as a Romanian equivalent to The Decameron, Till Eulenspiegel, or Simplicius Simplicissimus. The text itself later became a source for aphorisms: the colloquial expression ("it is either trimmed or razed"), which Pann originally made in reference to an irrelevant debate over the state of an orchard, has survived as a tongue-in-cheek view of arbitrary conclusions. Pann's influential taste for and their sentimental lyrics, as exemplified in his and other printed brochures, has been the target of criticism ever since the early 20th century. Tudor Vianu stressed that these works showed the influence of "the trivial popular music of his day", while Călinescu dismissed them as "lamented vulgarity and eroticism". ==Legacy==
Legacy
(1955) Pann is generally believed to have authored the music to Deșteaptă-te, române!, Romania's national anthem. His associate Gheorghe Ucenescu is known to have arranged the melody to the lyrics of Andrei Mureșanu, but Pann's direct implication in the creative process was allegedly not confirmed by sources. During the interwar period, the works of Anton Pann were reflected and complimented in the modernist poetic art of Ion Barbu. Barbu's uses Pann's main character to tragic effect, depicting, in willing contrast to the proverbial setting, Nastratin's violent self-sacrifice. In 1945, Lucian Blaga authored a three-act play named Anton Pann, centered on the poet's Șcheii Brașovului period. A museum of the life and activity of Anton Pann exist in Râmnicu Vâlcea, and, since 1990, a public theater in the same city bears his name. ==Works==
Works
Literary works • ("Musical Lyrics") • ("Various Poems or Worldly Chants") • ("The Correction Instrument for Drunks") • ("Hristoitia or the School of Morals") • ("The New Erotokritus") • ("March of the Spring") • ("A Memoir of the Great Fire") • ("Collection of Proverbs or the Story of the Word") • ("Testament") • ("Archir the Wise and His Nephew Anadam") • ("The Hospital of Love or the Singer of Longing") • ("A Countryside Gathering or Father Albu's Trip") • ("Lyrics or Songs to the Stars") • ("The Poet of Drunkenness. Comprising the Names of Drunks and All Deeds Caused by Drunkenness") • ("The Triumph of Drunkenness or the Testament Left by a Penitent Drunk to His Son") • ("The Mischiefs of Nastratin Hogea") • ("Versified Stories and Anecdotes") • ("[Sayings] Gathered from Folk and Returned to Folk") Textbooks • ("The Theoretical and Practical Basis of Church music or the Melodic Grammar") • ("Dialog in Three Languages: Russian, Romanian and Turkish") • ("Concise Musical Grammar, Theoretical and Practical") ==References==
Relevant Literature
• Munteanu, Luminița. Being Homo Balkanicus Without Knowing It: The Case of Anton Pann. INTERNATIONAL BALKAN ANNUAL CONFERENCE (IBAC): BOOK SERIES (4)-- A HISTORY OF PARTNERSHIP AND COLLABORATION IN THE BALKANS, pp. 123–138. • Șendrescu, Ileana. "THE EXPRESSIVITY OF THE POPULAR LANGUAGE IN THE POETRY OF ANTON PANN." LIMBA ȘI LITERATURA–REPERE IDENTITARE ÎN CONTEXT EUROPEAN 20 (2017): 85-91. ==External links==
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