The show was written and directed by frontman Healy. The set, modeled after the interior of a suburban home, was designed by the band's frequent collaborator
Tobias Rylander, and is adorned with antique furniture, bedside lamps, and old televisions embedded with LED screens to display concert visuals. On one end of the stage is a large spiral staircase, while the other end is covered by a roof atop which Healy performs the song "
I Like America and America Likes Me". At the center of the stage is a large door frame that evokes the rectangle symbol present across the cover art for the band's early discography. The set is also surrounded by windowsills through which more stage lights are projected, as well as a large streetlamp that hangs over the roof of the house. Rylander cited
Stanley Kubrick as an inspiration for the set, aiming to create a contrast between the "cozy" suburban backdrop and the darker undertones of Healy's performance onstage. The show is split into two parts: the first half (
The 1975 Presents: Being Funny in a Foreign Language) was characterized by
The Observer as "part performance art, part
stage play, part
Charlie Kaufman movie about a rock star in crisis," and the second half (
At Their Very Best) as a traditional concert that incorporates more of the band's past discography. The two halves were separated by an interlude titled "Consumption" where Healy depicts
masturbation, eats a raw steak, and delivers 20
press-ups in immediate succession in front of television screens showing news clips, which he then appears to climb into. In the US leg of the tour, Healy got a tattoo on stage that read "iM a MaN". Healy has also invited both male and female members of his audience to kiss him during his performance of the song "
Robbers" and, on one occasion, sucked a fan's thumb.
The Guardian said it sparked conversations regarding consent, fantasy and art in 2022, and noted that Healy asked for fans' permission first. ==Set list==