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Atalanta

Atalanta is a heroine in Greek mythology. There are two versions of the huntress Atalanta: one from Arcadia, whose parents were Iasus and Clymene and who is primarily known from the tales of the Calydonian boar hunt and the Argonauts; and the other from Boeotia, who is the daughter of King Schoeneus and is primarily noted for her skill in the footrace. In both versions, Atalanta was a local figure allied to the goddess Artemis; in such oral traditions, minor characters were often assigned different names, resulting in minor regional variations.

Mythology
Early life At birth, Atalanta was taken to Mount Parthenion to be exposed because her wealthy father had desired a son. however, her participation is noted in Pseudo-Apollodorus's account, which says that during the search for the Golden Fleece, Atalanta, who was invited and invoked the protection of Artemis, sailed with the Argonauts as the only woman among them. In Diodorus Siculus's account, Atalanta is not only noted to have sailed with the Argonauts but to have fought alongside them at the battle in Colchis, where she, Jason, Laertes, and the sons of Thesipae were wounded and later healed by Medea. In the account of Apollonius of Rhodes, Jason prevents Atalanta from joining not because she lacks skill but because as a woman she has the potential to cause strife among men on the ship. After the death of King Pelias in Iolcus, funeral games were held in which Atalanta defeated Peleus in a wrestling match. Atalanta was called upon to join Meleager, Theseus, Pollux, Telamon, Peleus, and all those who were part of the Argonaut expedition on the hunt for the boar. During the hunt Hyleus and Ancaeus were killed, Peleus accidentally killed a fellow hunter and others were wounded. Atalanta drew first blood on the boar with her bow. but it was taken away by Meleager's uncles, Plexippus and Toxeus, who considered it dishonorable for a woman to hold such a prize. After the Calydonian boar hunt, Atalanta was accepted by her family and gained aristocratic status; however, by social custom she was now expected to marry. Metamorphosis into lions After the footrace, Hippomenes forgot to thank Aphrodite for her aid, and while the couple were out hunting, the goddess afflicted them with such sexual passion that they had sex in a sanctuary belonging to either Zeus or Rhea. They were turned into lions for their sacrilege by either Artemis (angered by Atalanta losing her virginity), the goddess Cybele, or Zeus himself. The belief at the time was that lions could not mate with their own species, only with leopards; therefore Atalanta and Hippomenes would never be able to have "intercourse of love". == Modern ==
Modern
. In 1865, Algernon Charles Swinburne published the play Atalanta in Calydon which retells the Greek myth of the Calydonian boar hunt. The play was in 1901 republished in the book Atalanta in Calydon: and lyrical poems. The Italian football club Atalanta, based in Bergamo, took its name from the heroine, and the club's crest depicts her face. The English football club Huddersfield Atalanta Ladies F.C. was also named after the heroine. A version of Atalanta's story appears in the multimedia children's entertainment project Free to Be... You and Me. She is also the focus of the 2017 historical novel For the Winner, by the British Classicist and author Emily Hauser, which retells the story of Atalanta's voyage with the Argonauts. In the light novel Fate/Apocrypha, Atalanta is summoned as the Archer-class Servant of the Red faction. Olympic-medal-winning javelin thrower Fatima Whitbread said that she took up an interest in track and field events after being inspired by the myth of Atalanta, "whom no man could outrun except by cheating, and whose javelin killed a terrible monster." A version of Atalanta's story is told in Atalanta by Jennifer Saint (2023). This modern feminist retelling claims Atalanta as the daughter of Iasus and follows both the tales of the Argonauts and the Calydonian boar hunt and the tales of her skill in the footrace. The European Union anti-piracy mission in Somalia is named "Operation Atalanta" in reference to the Greek heroine. == Gallery ==
Gallery
File:Jan Fyt and Pieter Thijs - Atalanta and Meleager Hunt the Calydonian Boar.jpg|Oil painting of Atalanta and Meleager hunting the Calydonian boar (Jan Fyt, 1648). The Ringling, Bequest of John Ringling, 1936. File:Meleager-Béierkapp--w.jpg|Meleager presenting Atalante the head of the Calydonian Boar in 16th century alabaster, Bode Museum File:Jan Wildens - Landscape with Hunt of Meleager and Atalanta.jpg|Landscape painting of the hunt. Jan Wildens, 17th century. File:Giulio Romano - Meleager et Atalanta.jpg|Meleager et Atalanta, from a drawing by Giulio Romano, engraved by François Louis Lonsing. Atalanta is at far left with bow; Meleager is right of her, spearing the Calydonian boar (1773). File:M. Maurice Stora - Atalanta and Meleager Present the Head of the Caledonian Boar at the Temple of Artemis - Google Art Project.jpg|Meleager Presenting the Head of the Calydonian Boar to Atalanta at the Temple of Artemis. M. Maurice Stora (1530–1535). File:Palumba hunt.jpg|Atalanta and Meleager hunting the Calydonian boar. Woodcut by Giovanni Battista Palumba, print in the British Museum. File:Jacob Jordaens - Meleager and Atalanta, 1620-1650.jpg|Meleager and Atalante. Jacob Jordaens (1620–1650), Museo Nacional del Prado. File:Nicolas Colombel 002.jpg|The Race between Atalanta and Hippomenes. Nicolas Colombel (1644–1717), Liechtenstein Museum, Vienna. File:La Course d'Hippomène et d'Atalante - Noël Hallé - Musée du Louvre Peintures INV 5270 ; B 645.jpg|Oil painting depicting the footrace between Hippomenes and Atalanta by Noël Hallé, housed in the Louvre Museum File:Atalanta en Hippomenes in leeuwen veranderd Metamorfosen van Ovidius (serietitel), RP-P-OB-15.962.jpg|A woodcut engraving of the transformation of Atalanta and Hippomenes. Rijksmuseum == Explanatory notes ==
General and cited sources
• Aelian: Various Histories. Book XIII. Translated by Thomas Stanley, • Aeschylus, Prometheus Bound, Suppliants, Seven Against Thebes. Translation by Vellacott, P. The Penguin Classics. London. Penguin Books • Apollodorus, The Library of Greek Mythology. Translation by Aldrich, Keith. Lawrence, Kansas: Coronado Press, 1975. • Apollodorus, The Library. English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. Includes Frazer's notes. • Apollonius Rhodius, Argonautica. Translation by Rieu, E. V. The Penguin Classics. London: Penguin Books. • • • Callimachus, Hymns & Epigrams. Translation by Mair, A. W. & Mair, G. R. Loeb Classical Library Volume 129. Cambridge, Massachusetts: Harvard University Press. • Diodorus Siculus, Library of History. Translation by Oldfather, C. H. Loeb Classical Library Volumes 303, 377. Cambridge, Massachusetts : Harvard University Press. • Hesiod, The Homeric Hymns, Translation by Evelyn-White, H. G. Loeb Classical Library Vol 57. Cambridge, Massachusetts: Harvard University Press. • • Ovid, Metamorphoses. Translation by Melville, A. D • Hyginus, Fabulae from The Myths of Hyginus, translated and edited by Mary Grant. University of Kansas Publications in Humanistic Studies, no. 34. https://topostext.org/work/206 • Pausanias. Description of Greece. English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1918. • Philostratus Elder, Philostratus Younger, Callistratus. Translation by Fairbanks, A. Loeb Classical Library Vol 256. Cambridge, Massachusetts: Harvard University Press. == Further reading ==
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