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Awilo Longomba

Louis Albert William Longomba, known professionally as Awilo Longomba, is a Congolese soukous singer, drummer, songwriter, dancer, and producer. William is known for pioneering the techno-soukous genre, a variant of soukous that blends techno music with ndombolo, often incorporating elements of electronic dance music and zouk.

Early life and career
1962–1994: Childhood, education and music debut Awilo Longomba was born Louis Albert William Longomba on 5 May 1962, in Kinshasa (formerly Léopoldville) to a Mongo father and a Ngombe mother from Équateur Province. He was born to a family of six sisters and three brothers. He is the uncle of the Kenyan-based music duo Lovy Longomba and the late Christian Longomba. His older sister, Malou Longomba, is the mother of French professional soccer player Claude Makélélé. Logomba's passion for music burgeoned exponentially, leading him to abandon school and become a drummer for Papa Wemba's band Viva La Musica in 1985. In 1986, as part of their Euro–Asia tours, Longomba and Viva La Musica toured Matonge in Brussels to record their project "Destin ya Moto" at Gina Efonge's bar. There, his stature as an exceptional drummer within the group gained momentum. During his residency in Paris, Longomba encountered prejudiced attitudes towards Afro-French and became increasingly resentful of the emergence of Jean-Marie Le Pen's movement, which accentuated the pervasiveness of racism in France, particularly within political factions like the National Front. A year later, he parted ways with Viva La Musica and founded his band, La Nouvelle Génération, of which he became the bandleader, accompanied by members Luciana de Mingongo, Lidjo Kwempa, Fataki Ndoko José, Maray Maray, Maestro Fanfan, and Fafa de Molokaï. The newly established group swiftly garnered acclaim in Africa and produced several albums. He collaborated on numerous records in France and toured globally with prominent African artists. He became a French citizen in 1994, having married a French woman. == Solo career ==
Solo career
1995–1998: Moto Pamba and performances In 1995, Longomba left La Nouvelle Génération to pursue a solo career. Speaking to the Congolese French-language newspaper La Prospérité, he said the decision was driven by mounting dissatisfaction with what he viewed as poor treatment of instrumentalists by singers. he relied on other musicians, with backing vocals by Ballou Canta and Shimita, additional vocals from Abby Surya, Dindo Yogo, Kuleta Pompon, Luciana Demingongo, and Sam Mangwana, bass by Miguel Yamba, Ngouma Lokito, and Pablo Lubadika Porthos, guitars by Lokassa Ya M'Bongo, Emmanuel Samba, Rigo Star, Dally Kimoko, and Syran Mbenza, mixing by Thierry Doumergue, and percussion by 3615 Niaou and Mavungu Malanda. When submitting his touring lineup, he listed himself as drummer, a choice that drew objections from the promoter, who felt he should be recognized as the group's frontman. In Mozambique, audiences frequently asked if he was a singer. Later, during a performance at Kampala Serena Hotel, he was told to disguise himself under a balaclava and glasses and go by the pseudonym "Willy" to avoid upstaging N'Goma, though N'Goma ultimately introduced him properly, which led to immediate applause. 1998–2000: Continent-wide success with Coupé Bibamba On 27 October 1998, Longomba debuted his second studio album, Coupé Bibamba. The album was produced by Jip Productions and distributed in multiple formats, such as compact disc and cassette, across several countries, including France, Ivory Coast, and Kenya. Longomba played the drums, with Faustino Ngoita and Ntoumba Minka on bass guitars, Caien Madoka, Dally Kimoko, and Japonais Maladi on lead guitars, Mavungu Malanda and Zé Luis Nascimento on percussion, and Briscard Kouadio alongside Japonais Maladi on rhythm guitars. The eponymous techno-soukous-infused-single, which featured Jocelyne Béroard on vocals, became a smash hit in Africa and Europe, as well as among diaspora communities worldwide, and remains a timeless classic in African music. The incorporation of mabanga, a practice where musicians mention an individual's name during a song for a fee, was notable, with the mention directed at Robert Ogwal, also known as Rasta Rob, a prominent radio presenter in the African Great Lakes Region at the time. "Coupé Bibamba" success enabled Longomba to embark on an East African tour in early 1999, with sold-out performances in Tanzania, including shows in Dar es Salaam, Moshi, Arusha, and Mwanza. As reported by This Day, his music gained substantial recognition in southern Nigeria and swiftly proliferated to the north, where "every verse of the Koran, Hausa children know two lines of Comment tu t'appelle". In 2000, Longomba achieved the unprecedented feat of selling out three consecutive concerts at Lagos National Stadium. having earlier, in 2001, become the first Congolese artist to perform in São Tomé and Príncipe and, alongside Miriam Makeba, the only Sub-Saharan African artist to perform in Libya during the creation of the African Union. His collaboration with Sony Music for the World Tribute to the Funk compilation album for the song's new funk remix titled "Comment Tu T'Appelles", featuring James D-Train Williams, gained popularity among the continent's diaspora in France and the US and was also included in Edenways Records' African Dance Floor compilation album. This led to Longomba's performance at Zénith de Paris alongside Jocelyn Lorette Brown, Oliver Cheatham, Jerome Prister, Imagination and Anita Ward, all of whom were part of World Tribute to the Funk. 2000–2008: Kafou Kafou, Mondongo and performances In July 2000, Longomba released his third studio album, Kafou Kafou. Consisting of 10 tracks, Kafou Kafou was produced by Jimmy Houetinou through Jip Productions and jointly distributed by Mélodie Distribution and Section Zouk Records. It later earned him the Jury Special Award at the 2001 Kora Awards, which he offered to Nelson Mandela at Sun City. and on 10 January 2003, he met privately with President Mandela in South Africa. Prior to that, in late 2002, he toured various African countries, including shows in Ouagadougou and in Equatorial Guinea, and also performed in Europe, with a concert in Munich on 28 December. Mondongo was a blend of Congolese rumba, techno-soukous, R&B, and Kompa. The album's lead single, "Karolina", became a staple at hall parties and is often cited as the most-played song at African events. In the song, Longomba expresses his admiration for his muse, Karolina, extolling her physical appeal comprehensively – from head to toe, front, and back. Longomba promoted the album with sold-out shows in Harare, Bulawayo, and Chitungwiza towards the year's end, alongside Zimbabwean singer Alick Macheso. To further support Mondongo, Longomba went on a tour in Cameroon in 2004, with performances at Cinéma Le Wouri, Stade Mbappé Léppé, Cinéma Abbia, and Ahmadou Ahidjo Stadium. In November that year, Longomba received a nomination for "Karolina" at the 2004 Kora Awards. In March 2005, Longomba took the stage at the Africa Live 2005 concert, a malaria-fighting event hosted at the Iba-Mar-Diop Stadium, where he performed in front of 40,000 people with other co-performers including Youssou N'Dour, Orchestra Baobab, Tinariwen, Didier Awadi, Corneille, Salif Keita, Rokia Traoré, Manu Dibango, and Seun Kuti. The event was organised by Youssou N'Dour as part of the Roll Back Malaria Partnership (RBM), an initiative launched in 1998 by the World Health Organization, United Nations Development Programme, UNICEF, and the World Bank. Among their prominent performances was a notable appearance at New York's Satalla World Music venue, delivering two sets to a full house on 1 April. In September 2005, Longomba held three concerts in Windhoek, Swakopmund, and Oshakati. In July next year, Longomba performed in Libreville as part of the Amissa Bongo Foundation and Iriscom International's second edition of the Nuit de la Musique. He also played at the Sumbe International Music Festival, colloquially called "FestiSumbe", in Sumbe in September 2006. In 2007, Longomba held two consecutive sold-out concerts at the Hotel Ivoire in Cocody and the Yopougon Sports Complex in Yopougon. He followed this up with a Labor Day concert in Antananarivo in 2008, where he was joined by about twenty other artists. 2008–present: Superman, performances and collaborations In August 2008, Longomba published his fifth studio album Superman, which contained standout tracks like "Super Man", "Torticolis", "Les Jaloux", "Malala", "Maze", "Meu Amor", "Banana", "La Go Là", "Baby", "J'Ai Envie de Toi", "BK", and "Banana Remix". Barbara Kanam also made a guest appearance on Superman. He later appeared in Antananarivo to commemorate the 50th anniversary of Malagasy Independence on 26 June 2010. On 5 May 2014, in celebration of his birthday, Longomba debuted an audio preview of his new single, "Bundele", which was co-produced by London-based BA Nuisance and Nigerian producer TeeBeeO. Prior to the premiere of the "Bundele" music video on 29 July 2014, Longomba collaborated with the Nigerian duo P-Square on the track "Enemy Solo". He later performed on 4 April 2015 at the Gidi Culture Festival in Lagos's Eko Atlantic and appeared on Nathalie Makoma's "Eyi Mabe", released on 30 December 2016. On 23 January 2017, he premiered the single "Rihanna", featuring Yemi Alade, followed by the Afrobeat-infused single "Esopi Yo", which included a guest appearance by Tiwa Savage. Longomba performed at the Born In Africa Festival (BAFEST) at Eko Atlantic on 16 December 2018, an event organized by Live Spot in collaboration with Access Bank and other prominent organizations to honor loyal fans and celebrate African talent. On 25 December, he appeared on BM's remix of "Rosalina", which sparked a global dance trend on social media platforms like Instagram, TikTok, and Facebook, with professional and amateur dancers showcasing their best moves. He later held two consecutive concerts in Uganda: one at the Kampala Serena Hotel on 5 April 2019, and another at Greenlight Stadium in Arua on 7 April, where he brought Robinio Mundibu on stage, providing Robinio a platform to promote his Extended play (EP) Chiffre 9. He then unveiled the Moe Musa–directed music video for "Canon", a Congolese rumba and Afrobeats fusion, on 15 April. On 23 April 2021, Longomba was featured on Harmonize's single "Attitude", which rapidly amassed three million YouTube views in 24 hours. He then appeared on Angel Mary Kato's single "Tanzania", a fusion of Bongo Flava and soukous. On 29 October 2022, Longomba performed at the Fally Ipupa concert at the Stade des Martyrs de la Pentecôte. In November 2022, Longomba collaborated with Werrason, Reddy Amisi, Rebo Tchulo, Jeannot Bombenga, Héritier Watanabe, M'bilia Bel, Sista Becky, Poison Mobutu, Mianda Kabamba and Samarino on "Allons Tous Nous Faire Enrôler", a song composed for CENI's campaign to raise awareness among the population about the identification and enrolment operation for the 2023 Democratic Republic of the Congo general election. On 31 December 2022, Longomba guest-performed on Inoss'B's Afrocongo-style single "Maboko Milayi", which garnered two million views on YouTube within 13 days. In March 2023, Longomba was appointed as a coach for the first season of the Voice Africa, a version of the global franchise tailored for the Anglophone African audience, offering a contrast to the Voice Afrique Francophone. On 5 August, he shared the stage with Afrigo Band during the Legends of Sound concert held at the Sheraton Gardens of the Sheraton Kampala Hotel. He later joined Innoss'B on stage during the "Umoja" humanitarian concert at the La Madeleine concert hall in Brussels in December of that year, performing alongside Yemi Alade and Rebo Tchulo. On 6 July 2024, Longomba headlined a concert at Woodbine Park in Toronto as part of the city's three-day annual AfroFest. However, as the festival neared its ending during Longomba's set, an incident involving teenage boys discharging pellet guns incited pandemonium among the crowd, which abruptly terminated the event. He went on to perform alongside Ugandan rapper Keko at Afro Explosion Uganda on 30 August at Eripak Beach in Arua. On 15 November, Longomba released the single "Mbongo Na Ngai Moko", a fusion of ndombolo and soukous, which featured Innoss'B. == Artistry and legacy ==
Artistry and legacy
Influences and musical style Longomba has cited that his inspiration comes from earlier generations of Congolese music. He has often cited his father, Vicky Longomba, as well as Franco Luambo, Le Grand Kallé, Tabu Ley Rochereau, and Nico Kasanda. Jide Taiwo, writing for Nigerian Entertainment Today, opined that he "inspired a new crop of Nigerian entertainers who made several spoofs of his songs and thus began their own careers", and further noted that his dominance of Nigerian airwaves was unrivaled, and while later Congolese artists such as Koffi Olomide and Fally Ipupa gained prominence, they did not replicate the same level of public frenzy. Nigerian singer-songwriter Burna Boy credited him as a significant source of inspiration during his formative years in a guest appearance on Clique TV. In February 2023, Nigerian singer Ayra Starr released "Sability", a techno-soukous-inspired single that sampled "Coupé Bibamba". This release garnered praise from Tanzanian singer Harmonize, who commended the song's homage to Longomba and expressed admiration for his musical impact and stating, "I want to be like Awilo Longomba". == Personal life ==
Personal life
Historian James A. Winders of Appalachian State University noted in his book Paris Africain: Rhythms of the African Diaspora that Longomba permanently relocated to Paris in 1989, settling in a building near Rue du Temple, and later acquired French citizenship in 1994 following his marriage to a French woman. During the mid-2000s, specifically between 2004 and 2005, Longomba was the subject of media speculation linking him romantically to fellow Congolese singer Barbara Kanam, though he clarified to La Prospérité that although they shared a cordial relationship, he was married and chose to keep his personal life private. He also stated that he was the one who decided to bring the "relationship" to an end, noting that his reasons were personal and not something he wished to discuss publicly. == Discography ==
Discography
Albums Moto Pamba (1995) • Coupe Bibamba (1999) • Kafou Kafou (2001) • Mondongo (2003) • Super-Man (2008) == Awards and nominations ==
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